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Thunderbolt and Lightfoot (1974)

7.1
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Ratings: 7.1/10 from 12,431 users  
Reviews: 79 user | 33 critic

With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organize a daring new heist.

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Title: Thunderbolt and Lightfoot (1974)

Thunderbolt and Lightfoot (1974) on IMDb 7.1/10

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Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Eddie Goody
...
Melody
...
Curly (as Garey Busey)
...
Vault Manager
Eugene Elman ...
Tourist (as Gene Elman)
Burton Gilliam ...
Welder
...
Dunlop
Claudia Lennear ...
Secretary
Bill McKinney ...
Crazy Driver
...
Mario Pinski
...
Station Attendant
...
Used Car Salesman
Edit

Storyline

Seven years after a daring bank robbery involving an anti-tank gun used to blow open a vault, the robbery team temporarily puts aside their mutual suspicions to repeat the crime after they are unable to find the loot from the original heist, hidden behind a school chalkboard. The hardened artilleryman and his flippant, irresponsible young sidekick are the two wild cards in the deck of jokers. Written by <booda@datasync.com>

Plot Summary | Add Synopsis

Taglines:

He has exactly seven minutes to get rich quick! See more »

Genres:

Comedy | Crime | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

2 September 1974 (Sweden)  »

Also Known As:

Thunderbolt and Lightfoot  »

Filming Locations:

 »

Box Office

Budget:

$4,000,000 (estimated)

Gross:

$25,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The production shoot for this picture ran for forty-seven days. See more »

Goofs

After the rain at Lightfoot's work, the soil at the river is dry. See more »

Quotes

John Doherty: In small-town banks, they leave the telephone off the hook in the vault at night so the local operator can listen in.
Lightfoot: People walk into these banks with paper sacks, fill 'em with money and walk out. Anybody can do it.
John Doherty: Bullshit. The newest bank vaults have walls of reinforced concrete five feet thick, backed by six inches of steel. The vault door is stainless steel-faced. It's an inch and a half of cast steel, another 12 inches of burn-resisting steel, and another inch and a half of ...
[...]
See more »

Connections

Referenced in MST3K Little Gold Statue Preview Special (1995) See more »

Soundtracks

Where Do I Go from Here
Composed and Sung by Paul Williams
See more »

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User Reviews

"Where do I go from here?"
12 January 2004 | by (Wolverhampton, England) – See all my reviews

Michael Cimino's first film is an arresting fusion of early 70's road movie, 'Buddy' picture and 'planning a heist' action-thriller. That it manages to incorporate these elements into a poetic study of male friendship and the unquenchable restlessness at the heart of the great American pioneer/drifter mentality makes it a remarkable piece of work.

Cimino avoids the 'arty' distance of Terence Malick's 'Badlands' or the po-faced existentialism of Monte Hellman's 'Two Lane Black-top', but entertains the same thematic concerns within the framework of an accessible genre piece. From it's opening vista of a deserted wheat field, accompanied by the haunting strains of a single acoustic guitar, the film resonates with loneliness and loss. "Tell me where, Where does a fool go", sings Paul Williams, "when there's no-one left to listen, to a story without meaning, that no-body wants to hear?"

It is also funny and tender in it's observation of male camaraderie. Eastwood has never been more effective and affecting on-screen than in his interplay here with Jeff Bridges. We get a real sense of his character's connection to Bridges which makes the 'Midnight Cowboy'-ish ending genuinely moving.

Like all the great 70's movies, it has some wonderfully memorable scenes and dialogue: Dub Taylor ranting about the imminent collapse of the American economy at a nocturnal gas station; Bill Mckinney as a crazed speed-freak with a trunk full of white rabbits; Bridges encountering a hammer-wielding female motorcyclist, etc, etc.

Throw in some breath-taking scenic photography of Montana by Frank Stanley (prefiguring the use and role of landscape in relation to character later explored by Cimino in 'The Deer Hunter') and some beautifully understated character work in the smaller roles, and you have a fondly remembered minor classic ripe for some serious re-appraisal.


37 of 46 people found this review helpful.  Was this review helpful to you?

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It doesn't hold up today dwarol
Why didn't Thunderbolt take Lightfoot to a hospital. Waltboak
What does he die of? gilda26
Remote Location bluefoxleader-957-941418
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Who is A. G. Cook! ranugad
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