A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
Wes Block is a detective who's put on the case of a serial killer whose victims are young and pretty women, that he rapes and murders. The killings are getting personal when the killer ... See full summary »
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
Philo takes part in a bare knuckle fight - as he does - to make some more money than he can earn from his car repair business. He decides to retire from fighting, but when the Mafia come ... See full summary »
Buddy Van Horn
Seven years after a daring bank robbery involving an anti-tank gun used to blow open a vault, the robbery team temporarily puts aside their mutual suspicions to repeat the crime after they are unable to find the loot from the original heist, hidden behind a school chalkboard. The hardened artilleryman and his flippant, irresponsible young sidekick are the two wild cards in the deck of jokers. Written by
Jeff Bridges was nominated for a Best Supporting Actor Academy Award, his second Oscar nomination, and his last until Starman (1984). According to the book "Clint: The Life and Legend" (1999) by Patrick McGilligan, Clint Eastwood believed that his own performance was worthy of an Oscar nomination. See more »
Red and Eddie's revolvers have "silencers". Revolvers cannot be silenced at the muzzle, because most of the noise of the shot occurs and escapes at the rear of the gun at the cartridge cylinder, which has open spaces at the front and rear to facilitate its movement in the frame as the gun is cocked and fired. See more »
Thunderbolt and Lightfoot. That sounds like something.
Hey. You stick with me kid. Your gonna live forever.
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Thunderbolt & Lightfoot might just be the second best film in both Eastwood & Bridge's career. For Eastwood, I can't see anything excelling The Good, the Bad & the Ugly. As for Bridges, I think his pinnacle was in The Big Lebowski. But whatever - today we're discussing Thunderbolt & Lightfoot and it is a great great film.
Doherty (Eastwood), an ex con / bank robber is by fate, recklessly aided by Lightfoot (Bridges) helping Doherty make a sharp exit from his former criminal associates (played by G Kennedy & G Busey). All four characters are forced to overlook their pasts and differences, we see a transformation and are strung a long a brilliant story of classic-buddies-plotting-to-beat-the-impossible-odds. Michael Cimino (Director) immediately throws the story and the characters into quick pace. He litters the film with good looking sets, sweet colour and oddly placed obstacles - for instance, a deranged hick driving by with a boot full of white rabbits.
Maybe it was unintentional, but I think Cimino created one of the first films to really stage what we know as black-humour. 2 hours of tragic events, lined up one after the other underlined by stupidity and smart wit, of course we can not forget George Kennedy & Gary Busey's super assistance in supporting roles.
Jeff Bridges is a remarkable and funny actor in this film, his part reveals a warm and naïve handsome young fella, yet somehow edged with that wise-fool-20-something vision that provides infectious viewing, especially the line to Clint "I don't know want your money man. I want your friendship". Clint Eastwood, is as you expect - laidback, dry and completely handy. Nothing new, but nothing you'd want to take away from that screen presence or enigma he's carefully carved over the years.
Thunderbolt & Lightfoot was overlooked back in the day, United Artists must have been insane not to push, or help sparkle such a strong piece of golden nugget that was laid amongst so many other rough pebbles.
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