Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
Before being sent to serve in Vietnam, two brothers and their girlfriends take one last road trip, but when they get into an accident, a terrifying experience will take them to a secluded house of horrors, with a chainsaw-wielding killer.
En route to visit their grandfather's grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home... where they're plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills... Written by
Michael Brooke <email@example.com>
When they get to the gas station early in the film, it constantly changes from overcast skies to the sun brightly shining with each different camera angle. See more »
The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to ...
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Opening credits prologue: The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare.
The events of that day were to lead to the discovery of one of the most bizarre crimes in the annals of American history, The Texas Chain Saw Massacre.
The (original) Texas Chainsaw Massacre, is without a doubt in my mind, the most impressive horror film to date. No other horror film stays with you in the same way. You feel not only fearful for the characters, but at times feel afraid for your own safety. The natural lighting and loose, improvised acting style creates a strong sense of reality that no other horror film can possibly achieve. Under a thin layer of dated aesthetics (1973 style of dress) lies the most dangerous, horrifying and psychotic world ever committed to script or screen. As the first of its kind, this movie set the mold for the modern horror film, though none were ever to realize any comparable distinction. It gave birth to the "slasher" genre (for better or for worse) . It is also one of few timeless films that has managed to combine horror and avant-garde styles, successfully. Unlike its remake, this one is more of an exercise in minimalism and simplicity (think even Dogme). The expert subtlety of the filmmakers; Tobe Hooper (writer/director), Kim Henkel (co-writer) and Daniel Pearl (cinematographer) results more in
psychological terror than in gore. The air-tight script, jarring realism and attention to detail are unparalleled in practically any film, horror or otherwise. And last, but by far not the least Marylin Burns PHENOMENAL performance is the only in cinematic history (a close second by that of Shelly Duvall in The Shining) that evokes such a nature of desperate and primal fear. You truly believe in every single one of her screams that her life is hanging by a single, thin thread.
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