A family heads to an isolated hotel for the winter where an evil and spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren't quite that simple, and Johnny doesn't want to be found. Let's just say that, amongst the period ... See full summary »
A single mother gives her son a beloved doll for his birthday, later they find out that the doll is possessed with the soul of a serial killer, who try to put his soul into the boy's body in order to become human.
En route to visit their grandfather's grave (which has apparently been ritualistically desecrated), five teenagers drive past a slaughterhouse, pick up (and quickly drop) a sinister hitch-hiker, eat some delicious home-cured meat at a roadside gas station, before ending up at the old family home... where they're plunged into a never-ending nightmare as they meet a family of cannibals who more than make up in power tools what they lack in social skills... Written by
Michael Brooke <firstname.lastname@example.org>
Tobe Hooper allowed Gunnar Hansen to develop Leatherface as he saw fit, under his supervision. Hansen decided that Leatherface was mentally retarded and never learned to talk properly, so he went to a school for the mentally challenged and watched how they moved and listened to them talk to get a feel for the character. See more »
When the group of teenagers pick up the hitch-hiker, he goes crazy and cuts Franklin's arm, so they throw him out. As they throw him out the van-door windows are shut. In the following inside shots they're open. See more »
The film which you are about to see is an account of the tragedy which befell a group of five youths, in particular Sally Hardesty and her invalid brother, Franklin. It is all the more tragic in that they were young. But, had they lived very, very long lives, they could not have expected nor would they have wished to see as much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare. The events of that day were to lead to ...
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The Texas Chain Saw Massacre can, and will, be reinterpreted by critics and theorists for decades to come. It was shot in the summer of 1973, during the aftermath of the Vietnam War and the Munich Olympics massacre, at the height of the Watergate scandal and the legal investigation into the shootings at Kent State. It was an era of plane hijackings, government oppression and dishonesty, racial conflict, terrorism and revolution. As a mirror of a dark period in American history, Chain Saw remains one of the best evocations yet of the era, as a group of young individuals, returning to the nostalgic home of their childhood, stumble into the raw and irrational cruelty of the modern world.
The movie has a weak, though functional storyline, one that has since became the staple for slasher movies; a group of teenagers get lost, stumble across evil and get stalked and killed. But Chain Saw isn't about storyline and plot; it's about creating an experience, a sensory overload. The cast and crew work tirelessly to create scenes and images that are raw and powerful and ultimately, against all expectations, beautiful. Leatherface's travesty of motherly domesticity as he prepares dinner, his child-like dance in the dawn light, the open door at the gas station, the van making it's slow turn off the road towards the derelict and ivy clad Hardesty residence are all images that burn themselves into your consciousness after just a single viewing.
The cinematography is exceptional. Watching the Special Edition, you'd never know that this was shot on 16mm in poor light. The picture quality is outstanding, the colors rich and vibrant, the blacks inky and menacing. The brilliant azure skies, the jade green of the grass, the bright red generator, the searing sunlight and stifling shadows. Every frame seems saturated in nicotine gold. Beautiful.
Though not always likable, the actors are always believable. Performances are universally startling, but special mention has to go to Marilyn Burns. Though she has little more to work with than the clichéd screaming heroine, she works it with remarkable conviction. It was a traumatic shoot, and it shows. Few actresses have so effectively conveyed mind-numbing terror.
The soundtrack is exceptional and deserves more recognition. It is a great testimony to the experimentation and risk taking attitude of the era that all melody is destroyed under an industrial ambient soundscape of metallic clangs, scrapes and screams, evoking the atmosphere of the local slaughterhouse and the Family's state of mind. Terrifying.
Despite the complete lack of gore or extreme physical violence, The Texas Chainsaw Massacre continues to horrify and holds up the countless, shot-on-video, slasher clones of subsequent years for the puerile crap that they truly are. Whether by accident or design, this one is a classic.
9 out of 10
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