The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Four seemingly-unrelated men board subway train Pelham 1:23 at successive stations. Mr. Blue, Mr. Green, Mr. Grey and Mr. Brown are heavily armed and overpower the motorman and novice conductor to take control of the train. Between stations they separate the front car from the remainder of the train, setting passengers in the back cars and the motorman free. The four demand $1 million ransom within exactly one hour for the remaining eighteen hostages, including the conductor. If their demands are not met in time or their directions are not followed precisely, they will begin to shoot hostages dead, one every minute the money is late. Wisecracking Lt. Zach Garber of the transit police ends up being the primary communicator between the hijackers and the authorities, which includes transit operations, his own police force, the NYPD, and the unpopular and currently flu ridden mayor who will make the ultimate decision of whether to pay the ransom. Unknown to Garber, what may be working on ... Written by
Filming of the subway scenes began in late November 1973 and lasted through January 1974. Though the scenes were filmed on a track that had been out of use since the 1940s, they were close enough to the still functioning A and E lines that takes had to be done in between those trains coming through (to and from Hoyt-Schermerhorn station) because of their noise and lights. See more »
As Mr. Brown is about to pull his gun on the conductor, a man in a black jacket is seen entering the train. Then Mr. Brown pulls his gun and tells the conductor that when the person leaning against the first car (Mr. Blue) gets on, he is to close the doors. The same man in the black jacket gets on again. See more »
Okay, kid, out loud now so's I can hear what you're sayin'.
I'm checkin' the passengers gettin' on and off...
Front and back. Shuttin' the doors. Rear section first and the first section. And the doors are closed. Now I'm checking my indicator lights to make sure all the doors are locked. I remove my switch key and back out the window for a distance of three car lengths to make sure no one's being dragged. 51st Street next stop; next stop, 51st Street. How'd I do?
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Although many of the scenes in this film were taken on transit property, the New York City Transit Authority is not responsible for plot, story and characters portrayed. The Authority did not render technical advice and assistance. See more »
A group of heavily armed men, all wearing the same disguises board a subway train underneath the streets of New York. They quickly take over the train and hold seventeen passengers hostage. They look and talk like professionals. They use codenames. Their ransom demand is One Million Dollars. Are these just maniacs without a plan? And if they do have a plan, how are they all going to escape alive while the world watches?
Right away, this film grabs you and doesn't let go. Every character plays their role remakably and memorably. Enough suspense to keep you chewing your nails until they are stubs...and most of all, a realistic and engrossing storyline. You will literally be on the edge of your seat, wondering where the next plot twist will take you.
You can easily see where Quentin Tarantino borrowed ideas from this movie to make Reservoir Dogs...and in my opinion, this film makes Reservior Dogs look like a second rate film. Its truly a shame most people aren't familiar with this movie and it doesn't have the allure or big star power to draw in new fans seeking out a great film to watch
If you happen to run across The Taking Of Pelham One Two Three though, do not pass it up! This is honestly the best heist movie I've ever seen. 10 out of 10 Rating.
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