| Jeannie Bell | ... | Diana 'T.N.T.' Jackson (as Jeanne Bell) | |
| Stan Shaw | ... | Charlie | |
| Pat Anderson | ... | Elaine | |
| Ken Metcalfe | ... | Sid (as Ken Metcalf) | |
| Chiquito | ... | Dynamite Wong | |
| Imelda Ilanan | ... | Joe's Assistant | |
| Leo Martinez | (as Leo Martin) | ||
| Max Alvarado | |||
| Percy Gordon | |||
| Chris Cruz | |||
| Joonee Gamboa | (as John Gamble) | ||
| rest of cast listed alphabetically: | |||
| Joe Mari Avellana | ... | (uncredited) | |
| Shirley Washington | ... | (uncredited) | |
Directed by | |||
| Cirio H. Santiago | (as Cirio Santiago) | ||
Writing credits | ||
| Dick Miller | (written by) and | |
| Ken Metcalfe | (written by) (as Ken Metcalf) | |
Produced by | |||
| Cirio H. Santiago | .... | producer (as Cirio Santiago) | |
| Roger Corman | .... | executive producer (uncredited) | |
Original Music by | |||
| Tito Sotto | |||
Cinematography by | |||
| Felipe Sacdalan | (as Philip Sacdalan) | ||
Film Editing by | |||
| Barbara Pokras | (as Barbara Progress) | ||
| Gervacio Santos | (as Gervasio Santos) | ||
Art Direction by | |||
| Ben Otico | (as Ben Otica) | ||
Second Unit Director or Assistant Director | |||
| Jun Amazan | .... | assistant director (as John Amazon) | |
Sound Department | |||
| Willie Arce | .... | sound (as William Arkush) | |
| Demetrio de Santos | .... | sound mixer | |
Camera and Electrical Department | |||
| Eddie Buenaflor | .... | assistant camera | |
Editorial Department | |||
| Rudy Cabrales | .... | assistant editor | |
| Rufino Cabrales | .... | assistant editor | |
Other crew | |||
| J. Lo | .... | martial arts instructor | |
| Renato Morado | .... | martial arts instructor | |
| Aurelio R. Navarro | .... | production assistant (as A.R. Navarro) | |
| Art Tecson | .... | production assistant | |
| C. Tan Siu Tong | .... | martial arts instructor | |
| Boni Uy | .... | martial arts instructor | |
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| Rush Hour 2 | The Professional: Golgo 13 | Double Impact | Coffy | King of New York |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
From Roger Corman's New World Pictures, the script was co-written by actor Dick Miller (a frequent player in Corman's films). Director Santiago worked (uncredited) on many Corman flicks, three of which starred Pam Grier. Shapely Jeanne Bell (a former "Playboy" Playmate) is just one of many Grier lookalikes Santiago would put in his later films.
This is an ultra-cheap chop-socky martial arts flick with a slight twist. In what could be called "Foxy Brown in Hong Kong", the casting of two black actors, Bell and Stan Shaw, give it the appearance of a Blaxpoitation film. But the two genres never blend. The result is an awkward, implausible fish-out-of-water feeling.
The derivative revenge plot unfolds with Diana "TNT" Jackson, a foxy, karate-kicking babe, roaming the mean streets of Hong Kong after her brother is killed in a drug deal. And before you know it, everybody is Kung Fu fighting -- but these cats are not "fast as lightning". In fact, this has some of the slowest and least convincing fight scenes ever filmed. It looks more like rehearsal footage. Jackson is supposedly so skilled that she routinely pummels half a dozen Chinese thugs at a time. Plus, her fighting style also includes frequent acrobatic back- flips that just look silly.
Posing as a bad-ass looking for action, she infiltrates a powerful heroin smuggling ring with absurd ease. This is incongruously led by two Americans -- Sid (Ken Metcalf), a dapper white dude who looks and behaves more like a college professor, and his black henchman Charlie (Shaw). Jackson seduces Charlie, and some dated jive-talk dialog ensues -- along with several shoot-outs, fights, and a totally predictable ending.
Watching Bell's flat, featureless performance, one appreciates Pam Grier all the more. Grier generated a charisma and sex appeal that jumped off the screen, even when the scripts were terrible (and they usually were). Although Bell is lovely to look at, especially in her two obligatory nude scenes, her personality and acting skills are as bland as steamed rice.
Although this movie is consistently awful with nothing to recommend it, there is one scene that is hard to forget (though poorly filmed and executed). In a dark bedroom, Jackson, nude except for a pair of black bikini briefs, kicks the crap out of a gang of goons who have abducted her. An almost iconic scene. Don't be surprised if Tarantino does an homage to it some day.