| Carole Laure | ... | Miss Monde 1984 / Miss Canada | |
| Pierre Clémenti | ... | Potemkin Sailor | |
| Anna Prucnal | ... | Anna Planeta / Capt. Ann | |
| Sami Frey | ... | El Macho | |
| Jane Mallett | ... | PDG / Chastity Belt Lady | |
| Roy Callender | ... | Jeremiah Muscle | |
| John Vernon | ... | Mr. Kapital | |
| Hansi Roll | |||
| Therese Schulmeister | |||
| Renata Steiger | |||
| Berndt Stein | |||
| Herbert Stumpfl | |||
| Otto Mühl | ... | Member of Therapie-Komune (as Otto Muehl) | |
| Catherine Sola | |||
| Louis Bessières | |||
| Mélanie Brévan | |||
| Fabrice Dague | |||
| rest of cast listed alphabetically: | |||
| Don Arioli | |||
| Barry Baldaro | |||
| Lucia Bensasson | |||
| Daniel Berek | |||
| Paul Birerman | |||
| Denis Boucher | |||
| Ron Burtnett | ... | (credit only) | |
| Marpessa Dawn | ... | Mama Communa | |
| Christiane Eckerlin | |||
| Vittorio Fiorucci | |||
| Max Fischer | |||
| Sonny Forbes | (as Sony Forbes) | ||
| Robin Gammell | |||
| Isabelle Ganz | |||
| Carlos Hathwell | |||
| Sabine Haudepin | |||
| Mathieu Leger | |||
| Noelle Leirig | |||
| Jimmy Loftus | |||
| George Melly | |||
| Michèle Mercure | |||
| Beverly Murray | |||
| Beryl Rodriguez | |||
| Michel Seguin | |||
| Roland Topor | |||
| Dominique Tremblay | |||
| Vivian Vachon | |||
| Marie Daniele Van Berchem | |||
Directed by | |||
| Dusan Makavejev | |||
Writing credits(in alphabetical order) | ||
| Dusan Makavejev | ||
Produced by | |||
| Richard Hellman | .... | producer | |
| Vincent Malle | .... | producer | |
| Helène Vager | .... | executive producer | |
Original Music by | |||
| Manos Hatzidakis | |||
Cinematography by | |||
| Pierre Lhomme | |||
Film Editing by | |||
| Yann Dedet | |||
Camera and Electrical Department | |||
| Jean Chiabaut | .... | camera operator | |
| Yann Le Masson | .... | camera operator | |
| Pierre Zucca | .... | still photographer | |
Other crew | |||
| Mario Nadeau | .... | production assistant | |
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| Salon Kitty | Munich | Salò, or the 120 Days of Sodom | The Holy Mountain | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
Unfairly labeled as excessive and perverse, this film is really a very fascinating, intricate study into the recesses of the sexual mind. It looks at sex in all it's complexities. It exposes it as a very primal need. It also shows how the sexual side of the person can have a personality all of it's own.
The film starts off with a very amusing satire on the media and how commercialize they have made sex. It involves a game show were a rich millionaire must choose which female virgin he would like for a wife. There's even a doctor on hand to examine them and make sure each one is genuine.
This very quickly becomes the ongoing theme in the film, which is how society loves to 'package' sex and yet really can't. Director Makavejev feels that the sex instinct is too deep to be able to channel completely. Therefore he has the rest of the film go off on wild tangents that may not make sense to some. Yet he is not trying to tap into the logical mind he is trying to get in touch with the senses that make up sex and do not follow the same type of 'logic'. He is trying to bring out the sexual side of the viewer and digs very deeply into his own sexual mind to do it.
The final result is a almost non-stop barrage of unique, lasting visuals. Some are funny, stimulating, artsy, and yes even grotesque. Yet sex does have all these qualities to it so therefore any true movie about sex should also have them. Overall this thing is very lyrical, compelling, and well shot.
By not boxing sex into any type of 'standard' is what makes this different from just about any other erotic film. Most directors seem to feel that two sweating bodies between satin sheets is all you need to make a sex film. Here you get something much more daring and expansive. Showing sex in both it's beauty and ugliness. There's interracial sex, underage sex, food sex, vomiting, scatology, water sports, and even violent sex. Sure it's sometimes vulgar yet it still remains provocative and fascinating to the more sophisticated set.
Star Laure is incredibly beautiful. She submits herself to her difficult role with a almost complete abandon. Had she not this film would not have worked as well.
There's also some really amazing shots. One includes star Laure being carted around in a suitcase with her head sticking out. This is also one those rare films outside of Paul Morrissey's TRASH that features more shots of the male genitals than the females.