The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard ... See full summary »

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Cast

Cast overview, first billed only:
...
Miss Monde 1984 / Miss Canada
Pierre Clémenti ...
Potemkin Sailor
Anna Prucnal ...
Capitaine Anna Planeta
Sami Frey ...
El Macho
Jane Mallett ...
Mrs. Alplanalpe
Roy Callender ...
Jeremiah Muscle
...
Aristote Alplanalpe, AKA M. Kapital
Hansi Roll
Therese Schulmeister
Renata Steiger
Berndt Stein
Herbert Stumpfl
Otto Muehl ...
Member of Therapie-Komune
Catherine Sola
Louis Bessières
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Storyline

The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard for sex, death, and revolutionary talk. The beauty queen passes from a wealthy husband whose honeymoon delight is to urinate on her, to a muscular keeper who punches her, stows her in a suitcase, and ships her to Paris, to a lip-synching rock idol with whom she has a love spasm, to an Austrian commune complete with a banquet of vomit, urine, feces, chopped dildos, and wet nurses. By then she's in a fetal position, until everyone's rescued by reminders that "it's just a movie." Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Drama | Mystery

Certificate:

Unrated | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

12 June 1974 (France)  »

Also Known As:

Um Filme Doce  »

Box Office

Budget:

CAD 700,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The Italian dialogue was dubbed by Pier Paolo Pasolini and Dacia Maraini. See more »

Quotes

Miss Monde 1984: Hitler! DirtyJew!
Jeremiah Muscle: They call me... Neanderthal.
See more »

Connections

Referenced in Three Colors: White (1994) See more »

Soundtracks

Réel de L'Arrivée
Dominique Tremblay and Denis Boucher
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User Reviews

 
Prurient interest is not irrelevant
3 August 2004 | by (New South Wales, Australia) – See all my reviews

There are some films that are designed to shock, some designed to titillate, some that delight in disgusting the view. For Makavejev, shock, disgust and titillation are never the purpose, but a means to a form of psycho-liberation. Makavejev in Sweet Movie hurtles us head first into the confronting theses of Post-Freudian Wilhelm Reich. We are forced to confront our relationship to our primal beings. He literally smears our consciousness with faeces, vomit and carnality.

We cannot watch orgiastic scenes of regressive acts, a sensual striptease played out inches from the faces of young boys, Carol Laure masturbating in a pool of molten chocolate without a visceral reaction. We are forced to confront our own repressed desires and shine a light in the dark recesses of our own psyche.

Here is revolution at it's most personal, montaged together with lashings of wild humour. Allow your head to give up control and come along for the ride. Recommended to anyone who is willing to put their concept of themselves on the line a risk a flirtation with prurient madness.

8/10


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