The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard ... See full summary »
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One of Luis Bunuel's most free-form and purely Surrealist films, consisting of a series of only vaguely related episodes - most famously, the dinner party scene where people sit on ... See full summary »
Director:
Luis Buñuel
Stars:
Jean-Claude Brialy,
Adolfo Celi,
Michel Piccoli
Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole ... See full summary »
Director:
Giorgos Lanthimos
Stars:
Christos Stergioglou,
Michele Valley,
Aggeliki Papoulia
Two drifters go on a pilgrimage from France to Santiago de Compostela in Spain. Along the way, they hitchhike, beg for food, and face the Christian dogmas and heresies from different Ages.
Director:
Luis Buñuel
Stars:
Paul Frankeur,
Laurent Terzieff,
Alain Cuny
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ... See full summary »
Director:
Mike Leigh
Stars:
David Thewlis,
Lesley Sharp,
Katrin Cartlidge
The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard for sex, death, and revolutionary talk. The beauty queen passes from a wealthy husband whose honeymoon delight is to urinate on her, to a muscular keeper who punches her, stows her in a suitcase, and ships her to Paris, to a lip-synching rock idol with whom she has a love spasm, to an Austrian commune complete with a banquet of vomit, urine, feces, chopped dildos, and wet nurses. By then she's in a fetal position, until everyone's rescued by reminders that "it's just a movie." Written by
<jhailey@hotmail.com>
The film was rejected for a UK cinema certificate by the BBFC in 1975. See more »
Quotes
Mr. Kapital:
[speaking about his new bride Miss Canada]
So now I have acquired a lady of the house... A personal jewel... but above all... a purified sanitation system for unchecked waste!
See more »
I've seen people write that the only true Surrealist films were made in the 20's-30's with of course Bunuel's Un Chien Andalou heading the pack. Now "Sweet Movie" might not be a true Surrealist film, but I think an argument can be made that it's definitely surrealism that follows the path of the aforementioned classic from Bunuel. I've seen Jodorowsky referenced to describe it, and to me it was reminiscent of Fernando Arrabal's stuff, aside from the obvious shocking imagery and 70's vibe.
I've just watched it, and besides some symbolism (repressed/sheltered life vs "liberation"), I'm not going to champion the film as having some deep meaning behind it. There is an evident juxtaposition of innocence (Miss Virginity) and the surreal messed up journey she embarks on and the abuse she has to endure, along with interspersed Holocaust footage and a parallel tale of a supposedly Communist woman and her deviant activities and relationship with a fellow revolutionary. What ensues are scenes that are designed to shock, but Makavejev would probably say that he wanted to "Freudian out" with it. Despite the plethora of shock scenes, there are definitely humorous parts and it's all done in a lighthearted manner to me).
I didn't think it was great, as it was too much of an amalgamation with no strong substance, but it still works for what it was (see above) and besides being offbeat it had an inviting festive vibe (combined with the exploitation!). I suppose art-house exploitation is a proper title.
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I've seen people write that the only true Surrealist films were made in the 20's-30's with of course Bunuel's Un Chien Andalou heading the pack. Now "Sweet Movie" might not be a true Surrealist film, but I think an argument can be made that it's definitely surrealism that follows the path of the aforementioned classic from Bunuel. I've seen Jodorowsky referenced to describe it, and to me it was reminiscent of Fernando Arrabal's stuff, aside from the obvious shocking imagery and 70's vibe.
I've just watched it, and besides some symbolism (repressed/sheltered life vs "liberation"), I'm not going to champion the film as having some deep meaning behind it. There is an evident juxtaposition of innocence (Miss Virginity) and the surreal messed up journey she embarks on and the abuse she has to endure, along with interspersed Holocaust footage and a parallel tale of a supposedly Communist woman and her deviant activities and relationship with a fellow revolutionary. What ensues are scenes that are designed to shock, but Makavejev would probably say that he wanted to "Freudian out" with it. Despite the plethora of shock scenes, there are definitely humorous parts and it's all done in a lighthearted manner to me).
I didn't think it was great, as it was too much of an amalgamation with no strong substance, but it still works for what it was (see above) and besides being offbeat it had an inviting festive vibe (combined with the exploitation!). I suppose art-house exploitation is a proper title.