Tamara and Sasha were separated during the war. Now (1957) Sasha is visiting Moscow for five days and by chance recognizes the house where Tamara used to live. She is still living there with her nephew Slava.
Olga Voznesenskaya is a silent screen star whose pictures are so popular that underground revolutionaries risk capture to see them. She's in southern Russia filming a tear-jerker as the ... See full summary »
Early in the 20th century, family and friends gather at the country estate of a general's widow, Anna Petrovna. Sofia, the new wife of Anna's step-son, recognizes Misha, the brother-in-law ... See full summary »
In July 1942, in the Second World War, the rearguard of the Red army protects the bridgehead of the Don River against the German army while the retreating soviet troops cross the bridge. ... See full summary »
Cinematographic adaptation of classical Russian play "Dowry-less" by A. Ostrovsky. Noble but poor widow seeks to arrange marriage for her three daughters. She maintains "open house" or ... See full summary »
Young Siberian writer Volodya meets Kolya in the Moscow metro in his visit to a famous author. Volodya and Kolya's friend Sasha adventure their love interests in their own way, while Kolya sets out to help them.
Ilya Semenovich Melnikov is a history teacher in an ordinary Soviet high school. He is a very good teacher and his students and colleagues treat him with a great deal of respect. However, ... See full summary »
Third film based on Boris Akunin's "Priklucheniya Erasta Petrovicha Fandorina" series of novels. On a train from St. Petersburg to Moscow general Khrapov was killed and no one else but ... See full summary »
Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his village with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things... See full summary »
Mosfilm gave the production crew exactly 5400 m of color Kodak stock for the whole movie, therefore parts of the movie and some demanding sequences, like the train robbery, had to be filmed on cheaper black and white stock. See more »
Mikhalkov's probably only true masterpiece, best-ever "borshch" Western
Should really be recognized as a Western classic, or at least world's best "Eastern" - Mikhalkov follows the rules of the genre impeccably, easily weaving in 1920's Russia setting, revolutionary romanticism and "cool" charismatic bad guys, a rare thing in Soviet cinema. Cast is superb - probably the best combination of young actors of the decade, including Mikhalkov himself as Yesaul.
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