5.1/10
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Superdad (1973)

G | | Comedy, Family | 18 March 1974 (UK)
Charlie McCready is a worried father. His daughter, Wendy will be attending college in the fall, and he feels the crowd she's hanging out with has no ambition, especially her boyfriend, ... See full summary »

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Cast

Cast overview, first billed only:
...
Charlie McCready
...
Bart
...
Sue McCready
...
Cyrus Hershberger
Kathleen Cody ...
Wendy McCready
...
Klutch
...
Ira Kushaw
...
Stanley (as B. Kirby Jr.)
...
Mother Barlow
...
Dr. Skinner on TV
Jonathan Daly ...
Rev. Griffith
...
Mrs. Levin
...
Roger Rhinehurst
Jack Manning ...
Justice of the Peace (as John Manning)
Jim Wakefield ...
House Manager
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Storyline

Charlie McCready is a worried father. His daughter, Wendy will be attending college in the fall, and he feels the crowd she's hanging out with has no ambition, especially her boyfriend, Bart. He knows that Wendy's friends will all be attending the same college, so, he concocts a plan where Wendy will receive a scholarship to a different college. This college being the same one where his wife attended. All goes as planned. Wendy attends Huttington and sees less of her old crowd. Soon Charlie's plan backfires, Wendy discovers her fathers scholarship plan and becomes rebellious. When she starts dating a hippie artist, Charlie realizes he has made a big mistake and must do something before Wendy goes too far. Written by Kelly

Plot Summary | Add Synopsis

Taglines:

Young love is making waves...and Dad's about to get beached! See more »

Genres:

Comedy | Family

Certificate:

G | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

18 March 1974 (UK)  »

Also Known As:

Dai papà... sei una forza!  »

Filming Locations:

 »

Company Credits

Production Co:

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Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Photophone Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Was on the shelf for a year before Disney decided to release it. The film flopped when it was released. See more »

Goofs

The size and shape of the paint stains on Charlie's suit and face during the fight with the artist. See more »

Quotes

College Students: [Chanting] Hershberger is HAMBURGER! Hershberger is HAMBURGER! Hershberger is HAMBURGER! Hershberger is HAMBURGER...
See more »

Connections

Referenced in Auto Focus (2002) See more »

Soundtracks

These Are The Best Times
Written by Shane Tatum
Performed by Bobby Goldsboro
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User Reviews

Superdud is more like it!
5 May 2001 | by (Cherry Hill, New Jersey) – See all my reviews

It's truly sad to see a good cast wasted in this painfully awful alleged "comedy" from the Disney people, but there's an academic interest in "Superdad" as well, to wit: If you want 90 minute capsule definition of everything that was wrong with Disney during the years when Ron Miller was running the studio (1967-81), just watch, or more accurately, endure this film.

I'll expand on this. Miller, who was Disney's son-in-law and an associate producer at the studio, took over the production reigns at Walt Disney's death in late 1966 (Brother Roy Disney still held the purse strings and ran the financial end of things, as his son Roy, Jr., does today). Miller had the technical know-how, but not the genius of picking the right properties and targeting his audience that Walt Disney did, and it's interesting that many of the most successful films made during the Miller years ("The Love Bug," "Bedknobs and Broomsticks," "The Rescuers," "Freaky Friday," and a few others) were films that were still in the planning stage at Walt's death. Instead of real creativity, Miller adopted a "What would Walt do?" policy, and the result was mostly negative. Disney films made during Walt's lifetime, even the occasional box-office failure, were always marked by distinctiveness and creativity, whereas most of Miller's films for Disney were marked by blandness and derivitiveness. Thus, for every "Love Bug," you got at least two films like "Million Dollar Duck," "Gus," "Candleshoe," innumerable "Love Bug" sequels that got worse with each picture, and the film we're ostensibly discussing here, "Superdad."

To see genuinely talented people such as Kurt Russell, Bruno Kirby, and the late Joe Flynn wasting their time with this drek is painful enough to watch as it is, but to see Bob Crane in the truly thankless title role is almost beyond the power of words to express. After the cancellation of "Hogan's Heroes" three years earlier, Crane tried to expand into movies, like his idol, Jack Lemmon. Unlike Lemmon, though, who always came off as likable, even in an unsympathetic role, there was always something vaguely unpleasent, even a little sleazy, about Crane's personality. It was that quality, undoubtedly, that kept him trapped in terms of the roles he played up until his sudden, mysterious, and still unsolved murder in 1978. Crane would certainly appreciate the irony that he's become a bigger celebrity in death than he ever was in life. At the time this film was made, he seemed like just another washed-up ex-TV star trying to make a go of it in films.


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