The life of Blues and folk singer Huddie Leadbetter, nicknamed Leadbelly is recounted. Covering the good times and bad from his 20s to 40s. Much of that time was spent on chain gangs in the... See full summary »
Roger E. Mosley,
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
After a boiler explosion aboard an aging ocean liner, a man struggles to free his injured wife from the wreckage of their cabin and ensure the safety of their four-year-old daughter as the ship begins to sink.
Andrew L. Stone
This is the story of David Marshall 'Marsh' Williams, the real life inventor of the world famous M-1 Carbine automatic rifle used in WWII. It all started when Marsh, who was one to do ... See full summary »
Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor... See full summary »
H. Bruce Humberstone
Victor Shanley had once been New York City's most-acclaimed crime-fighting, crusading District Attorney and the scourge of the underworld. But the workaholic demands of the job led him to ... See full summary »
Sam Gallagher (Pat O'Brien), a former foreign correspondent and now a United States Government agent, gets a job through his brother Jeff (Chester Morris), whom he has not seen in seven ... See full summary »
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go. She gets involved with the playboy and never ... See full summary »
Kiki, a poor young woman who sells newspapers on the street corners of Paris, is able to land a job singing and dancing at a nearby theater. While she is there, she invites herself into the... See full summary »
Dave and Rob, fresh from the Police Academy, enrage their captain because they want to do more than controlling the traffic. As penalty they are sent to Brooklyn. However they don't give up, but develop their own methods to fight against dealers, criminals and corrupt colleagues. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The film is notable for seeing the daring duo of the two "Super Cops" use ropes and grappling hooks to scale a building and leap onto criminal villains just like Batman and Robin would do hence their nick-names of Batman and Robin. See more »
Sir? Hantz and me we made all kinds of collars on our own time and all we got so far is called crooks and treated like we got leprosy. A polite question is what the fuck kind of police force is this?
It is a big organization, that's what kind. Like General Motors. Like the Army. It has its own system of doing things. It may be lunatic. Who knows, who cares. But if you are bucking that system your are in TROUBLE!
Even if we aim to improve it?
HmmmBoy... You belong in the New York Police ...
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Two rookie cops join forces to try and make a difference fighting crime on the streets of New York. They quickly learn they must also fight the corruption and bureaucracy in their own police department.
Entertaining and offbeat crime drama from Gordon Parks which served as his first follow-up feature after directing the two successful Shaft films with Richard Roundtree. Like that series, Super Cops is given a big lift by some great on-location shooting in New York City which really captures the gritty look and feel of 1970's street life.
It also benefits from two likable performances from Ron Leibman and David Selby as the rookie duo "affectionately" nick-named Batman and Robin by the locals. The rest of the cast is a solid mix of familiar faces from the crime and blaxploitation films from that era. Standing out is Pat Hingle as a gruff inspector trying to bring down the boys and Sheila Fraser - fresh off her appearance in the Super Fly films - as a prostitute.
The screenplay is based on the real life exploits of NY police officers David Greenburg and Robert Hantz (who both have cameos in the film) and frequently veers between comedy and drama - albeit somewhat unevenly. It is still held together by the engaging story and the smart direction of Parks.
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