Lou-Jean, a blonde woman, tells her husband, who is imprisoned, to escape. They plan to kidnap their own child, who was placed with foster parents. The escape is partly successful, they take a hostage, who is a policeman and are pursued through to Texas... Written by
Kornel Osvart <email@example.com>
Most of the smaller roles in the film were cast locally, many with non-actors. Not only did that save on transportation and housing expenses, but Steven Spielberg was able to get memorable, authentic performances from the locals. See more »
In 1969, dashed center lines down the road would have been white not yellow. MUTCD introduced all yellow striping in late 1971 and between then and 1975, the roads would be repainted. Texas had white lines up until around the middle of 1973, but the film was made after the conversion to MUTCD '71 hence yellow striping on the roads in the area. See more »
Haven't heard about "Sugarland Express" till recently and I had to see it because it was vintage Spielberg, and I'm a fan. And I wanted to see the young Goldie Hawn. I was not disappointed. It was one of these road-chase movies, bigger than life, but it was unique, especially because it was based on a true story. That fact made me incredulous throughout the film, but everything in Texas is supposed to be bigger than life.
Goldie desperately wants to get her baby back. She was in jail for some minor crimes and was found to be an unfit mother and her baby was put in a foster home and the foster parents were going to adopt him. Despite being a young girl, or maybe because of it, she was desperate to have her baby back. It was a love-child and the mother-love was passionate and obsessive. Hawn played the part to the hilt and used her sexuality and femininity to overcome the objections of her husband who was in a pre-release facility with low security.
She had a plan to help him escape, but he didn't want to risk it, take a chance of being caught and being incarcerated again. He only had four more months to serve. The other inmates were incredulous as they disguised themselves and got an old couple to give them a ride.
From this quiet beginning the film proceeded to repeated crescendos of drama and excitement. Try to imagine the young couple, young officer in tow, leading a chase of police cars, first a few, then a few dozen, then many dozen and ultimately hundreds, law-enforcement officers from all over the state and then snipers and a helicopter.
Lucky for the young couple an old-hand cop realized they were just a couple of kids and he staved off snipers with telescopic long-range rifles and a couple of vigilante gun-nuts.
You know something bad is going to happen at the end, because these kids didn't know what they were doing; they were madly in love and in a fantasy-land of getting their little boy back and living happily ever after in Mexico. Something bad happened, but something good happened. It will be worth your while to see this little classic from one of the greatest directors of the 20th century.
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