In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and ...
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1962. A young generation rebels against the Establishment. Peace activist Eik Skaløe meets Iben and falls head over heels in love, but Iben refuses to commit herself to one man only. ... See full summary »
Ole Christian Madsen
In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He's decided to die on his 50th birthday, which is soon. He's rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humor, sin, and derision lead to salvation? Written by
The day went by just as days go by. I killed it in accordance with my primitive and withdrawn way of life. I worked for an hour or two, had pains, took some opium and lay in a hot bath for two hours. Was glad when the pains consented to disappear. All in all it wasn't exactly a day of rapture. Perhaps the time is come to follow the example of Adalbert Stifter: a fatal accident while shaving...
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I have long been a fan of Hermann Hess and have read Steppenwolf innumerable times and will most likely reread it many more times. With this kind of familiarity of a book it would normally be quite unlikely that a movie adaptation would be found to be satisfying. This movie is the very rare exception. Max von Sydow is the perfect Harry Haller! The Magic Theatre was done very well! I highly recommend this movie to all who Herman Hesse fans.
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