In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and ...
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Charles drifts through politics, religion and psychoanalysis, rejecting them all. Once he realises the depth of his disgust with the moral and physical decline of the society he lives in, ... See full summary »
Henri de Maublanc
Both the parents of a young teen who walks with crutches, goes on each their secret meeting with lovers, both surprising each other at the family's county home. The daughter arrives and initiates a guessing game of "Chinese roulette".
Rainer Werner Fassbinder
In the bourgeois circles of Europe after the Great War, can anything save the modern man? Harry Haller, a solitary intellectual, has all his life feared his dual nature of being human and being a beast. He's decided to die on his 50th birthday, which is soon. He's rescued from his solipsism by the mysterious Hermine, who takes him dancing, introduces him to jazz and to the beautiful and whimsical Maria, and guides him into the hallucinations of the Magic Theater, which seem to take him into Hell. Can humor, sin, and derision lead to salvation? Written by
The day went by just as days go by. I killed it in accordance with my primitive and withdrawn way of life. I worked for an hour or two, had pains, took some opium and lay in a hot bath for two hours. Was glad when the pains consented to disappear. All in all it wasn't exactly a day of rapture. Perhaps the time is come to follow the example of Adalbert Stifter: a fatal accident while shaving...
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I first saw this film back in 76 or 77, I think. A strange little underground art-house cinema (which is now a Burger King) in Melbourne...
It remains with me as a thing of beauty, its environments and music always evoking a wave of optimism. This is an exploration of the possibilities of the human spirit, as well as a joyous declaration of non serviam. An aesthetic revolt into surrealism, it suited the time well.
The animated sequences in particular are very impressive: as a means of dealing with the concepts of 'The Treatise on the Steppenwolf' within the film, but separate from the body of the narrative.
The film is not Hesse's novel, but a magical gesture towards the novel. As an adaptation of a complex and sophisticated novel it is a valiant effort. I will cheerfully admit that this, along with Lindsay Anderson's if... was what ultimately interested me in studying cinema.
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