Abandoned by his father at an early age, Jim MacLaine seems to have inherited the old man's restlessness. Despite his apparent intelligence, Jim decides not to take the exams that would ... See full summary »
A young hot-headed motorbike enthusiast inherits the prototype for an incredibly fast machine which was designed by his brother. He successfully gets the finance for it, and uses the bike ... See full summary »
An investigator on the Moscow police force relentlessly pursues the solution to a triple homicide which occurred in Moscow's Gorky Park. He finds that no one really wants him to solve the ... See full summary »
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
Director Michael Apted revisits the same group of British-born children after a seven-year wait. The subjects are interviewed as to the changes that have occurred in their lives during the ... See full summary »
Although the main cast are perfectly groomed and attired for the period in the early-'60s concert scenes, this does not stretch to the extras (the crowd, and in particular the security staff) who are all clearly from 1974. Some of the music also sounds 1970s rather than 1960s. See more »
The male dancers ( extras )in the dance hall scene, dancing to "the tits and bums" were supplied by the Army Apprentices College,Harrogate, Yorkshire, UK. In particular John HICKMAN, Peter COSSON and Neil TURNER. See more »
Stardust starts off beautifully. Jim McLaine (David Essex) is working at a carnival in England where business is slow that night, as it is Nov. 22, 1963. In the background is Neil Sedaka singing "Happy Birthday Sweet Sixteen". McLaine meets an old mate (Adam Faith) and tells him the little rock and roll band he's in needs a road manager. Faith sees opportunity and moulds the band known as the Stray Cats into a vehicle for Jim McLaine. There are so many great and true to life moments in this movie, the early recording sessions, Faith's behind the scenes manoeuvering, Larry Hagman arriving when the Stray Cats make it big to muscle in on things, and Jim McLaine's typical 1960's rock and roll odyssey. Essex and Faith are excellent (who says rockers can't act?) and it's a still relevent look at the "star maker machinery behind the popular songs". This picture is a sequel to That'll Be the Day, which is more about McLaine's coming of age in early 60's England, that is a great movie in it's own right, but the two can be watched independently of each other. Very highly recommended. Oh yes, the ending is as well directed, dramatic and atmospheric as the beginning. Great job Michael Apted!
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