| John Savage | ... | Robert Strong | |
| Will MacMillan | ... | Edward Strong (as W.G. McMillan) | |
| Anne Saxon | ... | Joanna Strong | |
| Meridith Baer | ... | Deborah Holt | |
| Frank Scioscia | ... | Benjo | |
| Jon Oppenheim | ... | Fat Man | |
| Tom Mahoney | ... | Thin Man | |
| Jan DeCarlo | ... | Mrs. Strong | |
| Jack Cooper | ... | Mr. Strong | |
| Larry Sontag | ... | Hood (as Larry Powers) | |
| Gillian Gordon | ... | Lena | |
| Michael Ruben | ... | John Strong | |
| Ray Valente | ... | Messenger | |
| Robert Baines | ... | Literary Agent | |
| Bruce G. Sparks | ... | Producer #1 | |
| Carter Stevens | ... | Producer #2 (as Malcolm S. Worob) | |
| Noel Casabona | ... | Hood | |
| Lucien Bohbot | ... | Girl in Cafe |
Directed by | |||
| Joseph Ruben | |||
Writing credits(in alphabetical order) | ||
| Joseph Ruben | ||
Produced by | |||
| Jonathan Noah Krivine | .... | producer (as Jonathan Krivine) | |
| Joseph Ruben | .... | producer | |
| Carter Stevens | .... | line producer (uncredited) | |
Original Music by | |||
| John Savage | |||
Cinematography by | |||
| Bruce G. Sparks | |||
Film Editing by | |||
| George Bowers | |||
Casting by | |||
| Kit Carter | |||
Art Direction by | |||
| Michael Bane | |||
Makeup Department | |||
| Gillian Gordon | .... | makeup artist | |
Production Management | |||
| Jonathan Noah Krivine | .... | unit manager (as Noah Krivine) | |
| Robert J. Rosenthal | .... | production manager (as Robert Rosenthal) | |
Second Unit Director or Assistant Director | |||
| Robert J. Rosenthal | .... | assistant director (as Robert Rosenthal) | |
Art Department | |||
| Marjorie Walzer | .... | statue artist | |
Sound Department | |||
| Felipe Borrero | .... | sound | |
| Hank Gotzenberg | .... | sound editor | |
| Hugh Little | .... | sound mixer | |
| James McCalmont | .... | sound assistant (as Jim McCalmont) | |
| Bruce G. Sparks | .... | sound re-recording mixer | |
Special Effects by | |||
| Chris Harrison | .... | special effects | |
Camera and Electrical Department | |||
| Franklin Feinberg | .... | gaffer | |
| Jon Krauss | .... | assistant camera | |
| Jonathan Sarno | .... | grip | |
| Chuck Slade | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Joan Adelman | .... | wardrobe | |
Editorial Department | |||
| Kevin Lee | .... | assistant editor | |
| Peter Miller | .... | assistant editor | |
Music Department | |||
| Jesse Frederick | .... | music arranger | |
| Hank Gotzenberg | .... | music editor | |
| John Savage | .... | vocals | |
Other crew | |||
| Andrew Fisher | .... | script consultant | |
| Gillian Gordon | .... | script supervisor | |
| Eiko Levitch | .... | production assistant | |
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| Malibu High | Policewomen | Felicity | The Student Nurses | Night Call Nurses |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
As the first movie I have seen out of the 32-pack of "Drive-In Cult Classics" by Mill Creek, I have to admit I was pleasantly surprised. Joseph Ruben would continue directing for the next 30 years after this debut film, and it's no surprise as you can see his talent, especially when compared to a lot of the other trash that was being made at that time. Everything about this movie fits perfectly into the drive-in formula (softcore nudity/sex, etc), but it doesn't use these as a crutch, rather stands well on its own as a story. The script leaves a little something to be desired in terms of character depth, but Ruben tried to layer them, and the audience is treated to a clever twist. Definitely not a great movie, but not a terrible one and by far one of the better in the genre.