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Lady Snowblood 2: Love Song of Vengeance (1974)
"Shura-yuki-hime: Urami Renga" (original title)

6.4
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Ratings: 6.4/10 from 1,285 users  
Reviews: 17 user | 21 critic

Lady Snowblood is caught in the politics of early 20th century Japan.

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Title: Lady Snowblood 2: Love Song of Vengeance (1974)

Lady Snowblood 2: Love Song of Vengeance (1974) on IMDb 6.4/10

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Cast

Complete credited cast:
Meiko Kaji ...
Jûzô Itami ...
Ransui Tokunaga
Kazuko Yoshiyuki ...
Aya Tokunaga
...
Shusuke Tokunaga
Shin Kishida ...
Seishiro Kikui
Tôru Abe ...
Terauchi Kendo
Rin'ichi Yamamoto ...
Inspector Maruyama
Kôji Nanbara ...
Toad
Masasuke Hirose ...
Shiba Yutaro (as Shosuke Hirose)
Shunsuke Mizoguchi ...
Sekiguchi Eizo
Akira Hamada ...
Okada Takichi
Hiroshi Ishiya ...
Yoshizawa
Mizuho Suzuki ...
Narrator
Shôichi Hirose
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Storyline

Lady Snowblood (Shurayuki-hime) is caught by the police and sentenced to death for her crimes (in Lady Snowblood I). As she is sent to the gallows she is rescued by the secret police who offer her a deal to assassinate some revolutionaries. Written by Fred Cabral <ftcabral@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama | Thriller

Certificate:

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Parents Guide:

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Details

Country:

Language:

Release Date:

15 June 1974 (Japan)  »

Also Known As:

Lady Snowblood 2: Love Song of Vengeance  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

At one point, a man fires multiple rounds at Yuki from a sawed off shotgun. However, without reloading he fires many more rounds than a shotgun of that size could hold in the magazine. See more »

Connections

Referenced in Kill Bill: Vol. 1 (2003) See more »

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User Reviews

Another sequel that fails to live up to the predecessor.
17 May 2001 | by (Oakland) – See all my reviews

The first film had a solid story, good acting, and some nice stylistic flourishes. This film has a rambling story that doesn't carry any of the emotional weight of the first one. Kaji Meiko was spell binding in the original, but here she isn't given much to do. The sword fighting scenes are far less bloody than the original which is a good or bad thing depending on your taste. To me it's bad. The straight choreography of both films was lacking compared to Hong Kong films and some of the better Samurai films, but the exaggerated gruesomeness of the original's scenes gave it a kick. Here it seems as though they were trying to shoot the scenes as quickly as possible (lots of long takes). The second film didn't have the humor either. Just stick with the first one.


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