Shanks (1974)A mute puppeteer uses a deceased scientist's invention to control dead bodies like puppets. Director:William CastleWriter:Ranald Graham |
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Shanks (1974)A mute puppeteer uses a deceased scientist's invention to control dead bodies like puppets. Director:William CastleWriter:Ranald Graham |
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| Cast overview: | |||
| Marcel Marceau | ... |
Malcolm Shanks /
Old Walker
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Tsilla Chelton | ... |
Mrs. Barton
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Philippe Clay | ... |
Mr. Barton
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Cindy Eilbacher | ... |
Celia
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Helena Kallianiotes | ... | |
| Larry Bishop | ... | ||
| Don Calfa | ... | ||
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Biff Manard | ... |
Goliath
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Mondo | ... | |
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Read Morgan | ... |
Policeman
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| William Castle | ... |
Grocer
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Phil Adams | ... |
Beethoven
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Lara Wing | ... |
Little Girl
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Malcolm Shanks is a sad and lonely man, deaf, mute and living with his cruel sister and her husband, who delight in making him miserable. His only pleasure, it seems, is in making and controlling puppets. Thanks to his skill, he is offered a job as a lab assistant to Dr. Walker, who is working on ways to re-animate dead bodies by instering electrodes at key nerve points and manipulating the bodies as if they were on strings. When the professor suddenly dies one night, Shanks gets the idea to apply their experimental results to a human body, and then to start exacting some revenge. Written by Jean-Marc Rocher <rocher@fiberbit.net>
I am sure the cult followers of this film will not like my review, but that's partly what makes this film a cult classic--either you like it or you don't. Even with nothing else to do on a late Friday night, and a stiff drink, a bag of chips, and the need to escape from the cares of the week, I found myself flipping to other channels during the painfully slow segments of this film. The (un)editing and overall incredibly slow flow of this story made it a struggle to stay tuned in. If properly edited, it could have easily been a half-hour "Tales from the Dark Side." In fact, the quality of the shots and lighting made me convinced that it was a made-for-TV film.
All that said, it's interesting to see the movie once, as if it was assigned in a "70s film appreciation" class. But be prepared with something else to do--like sorting receipts for taxes, or playing solitaire.
You may find yourself yelling at the screen--"How many times does the editor have to cut back to his face? We've got the point! Now move on with the action!!!" and, "could he walk down that hallway any slower???" My favorite part of the movie was watching the great body movement of the actors who played the re-animated zombies. And it's funny that Marcel was NOT the best one of these!