Gil and Hank are two independent truckers who run into problems when they are forced to pay off traffic managers to get loads. They also have to pay off highway cops when their rigs are ... See full summary »
Adapted from James Joyce's Ulysses, Bloom is the enthralling story of June 16th, 1904 and a gateway into the consiousness of its three main characters: Stephen Dedalus, Molly Bloom and the extraordinary Leopold Bloom.
In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a ... See full summary »
Based on the infamous novel by Leopold Sacher-Masoch this fine film follows the perverted passions of a young couple as Severin watches the beautiful Wanda writhing naked amongst furs. His ... See full summary »
Not so quiet, Joey and Carl's days in Clichy... The two men, living in a small apartment, are penniless writers, with not enough to eat, which does not prevent them from enjoying life. One ... See full summary »
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
The Illustrated Man is classic Bradbury, a collection of eighteen startling visions of humankind's destiny, unfolding across a canvas of decorated skin, visions as keen as the tattooist's ... See full summary »
An independent film using the streets, buildings and parks of NYC as sets that was distributed by bottom-feeder Madison Pictures which means it was barely distributed at all, as Madison was... See full summary »
Gil and Hank are two independent truckers who run into problems when they are forced to pay off traffic managers to get loads. They also have to pay off highway cops when their rigs are overweight and bank loans but consider themselves lucky just to be able to keep up the interest payments. Add to that a small, frizzy-wigged highway hooker named Janice, who tempts them with her lurid charms. Written by
An evocative portrait of the industrial American underbelly of the 70's
Occupying that particular niche where the grindhouse and the art-house overlap and sharing an ambiguous air of the American dream turned South with such distinctly 70's underground classics like TWO-LANE BLACKTOP and VANISHING POINT, ROAD MOVIE, although far from a rousing success even as a cult exploitation movie, its obscure, almost forgotten, status fully justified, enhanced by haphazard directing and storytelling deficiencies of all calibre, is a peculiar beast: moody and evocative enough to dismiss as without merits, but too technically challenged to ever come into its own or become visceral or absorbing enough to make its roughshod nature work in its favour.
The story of two independent truck drivers making their way to Chicago to deliver a meat cargo who pick up on their way a whore all out of luck plays second fiddle to the moody portrait of the squalid underbelly of 70's industrial America captured through grainy guerilla tactics. Huge factories smoking in the distance, old iron barrels rusting away in garbage heaps, derelict warehouses, small, nameless towns and cheap motels - all captured from the windows of a moving truck give to the movie a raw, bleak atmosphere that ends up being its strongest point. The director tries for something 'artsier', and while he's no Werner Herzog and the movie is no STROSZEK, the found locations in all their seemy glory enhance an otherwise lackluster film.
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