Gil and Hank are two independent truckers who run into problems when they are forced to pay off traffic managers to get loads. They also have to pay off highway cops when their rigs are ...
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Dublin; June 16, 1904. Stephen Dedalus, who fancies himself as a poet, embarks on a day of wandering about the city during which he finds friendship and a father figure in Leopold Bloom, a ... See full summary »
This drama takes the form of a story told using documentary material as an intrinsic part of the narrative. In this journey through the dark side of 1950s urban life, the camera follows ... See full summary »
Stephen Dedalus is a young man growing up in Ireland in the early part of the 20th century. His search for knowledge and undestanding, and the decline of his family's circumstances, lead ... See full summary »
Jakub (Matej Merunka), a co-owner of the travel agency Dolce Travel, is departing from Prague for the weekend in his hometown of Telc to celebrate the birthday of his mother. Meets Ilona (... See full summary »
The Illustrated Man is classic Bradbury, a collection of eighteen startling visions of humankind's destiny, unfolding across a canvas of decorated skin, visions as keen as the tattooist's ... See full summary »
Marcus (Michael Brandon), a nice, rich, Jewish boy from New York, meets and falls in love with Jennifer (Tippy Walker), a girl from Oyster Bay, while they are both in Venice. He follows her... See full summary »
Interviews with five former American soldiers who were present at the March 16, 1968 attack on the village of My Lai during the Vietnam War; they discuss the orders that were issued leading... See full summary »
An independent film using the streets, buildings and parks of NYC as sets that was distributed by bottom-feeder Madison Pictures which means it was barely distributed at all, as Madison was... See full summary »
Gil and Hank are two independent truckers who run into problems when they are forced to pay off traffic managers to get loads. They also have to pay off highway cops when their rigs are overweight and bank loans but consider themselves lucky just to be able to keep up the interest payments. Add to that a small, frizzy-wigged highway hooker named Janice, who tempts them with her lurid charms. Written by
Two independent truckies( Bostwick and Drivas) pick up an emotionally battered prostitute(Baff) en route to Chicago. Her presence forces them to change their plans drastically.
Gritty seventies flick has all the hallmarks of the era that make it so great when compared to today's franchised McMovies; excellent performances, gritty characterisation and overall gritty downbeat feel. I found this film to be constantly engaging and intriguing with it's meandering plot taking the viewer on a journey not dissimilar to the film's protaganists. ROAD MOVIE is in a micro genre all by itself and is a fascinating glimpse into the darkside of the truckies' world. The perfs by all three leads are excellent,with Regina Baff a standout as the unstable and unpredictable hooker with a heart of molten lead. The script is solid and the characterisations are full of ambiguity and subtlety. How refreshing to see a flick where the characters aren't cliched cutouts. Cinematography is gritty and portrays the ever changing American landscape as a post apocalyptic wasteland. At times I felt as if I were watching a low key science fiction movie. ROAD MOVIE is an excellent antidote to anyone burnt out by the soulless franchised marketing -driven fx reels that pass for cinema in the current climate.
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