5 out of 5 people found the following review useful:
Fine and faithful film version of a great play
(email@example.com) from United Kingdom
10 August 2007
Of all the film versions of Schnitzler's play, this is far and away the
most faithful both to the letter and the spirit of the original.
(Though the celebrated Max Ophuls version, LA RONDE (1950), is the
greater film, it takes extensive liberties with, and rather
romanticises, Schnitzler's text.) Veteran Viennese director Otto Schenk
is perfectly attuned to the cultural nuances of the play, and evokes a
wholly credible and finely-textured recreation of his native city circa
1900, free of the usual clichés and sentimentality. Refreshingly, he
roots the work in its specific historical time and place (even the
Viennese accents sound right) and lets the brilliant text speak for
itself. There is no "opening-out", and the dialogues are played out in
their proper settings, which are very nicely realized.
In a departure from theatrical tradition, Schenk eschews blackouts or
dissolves when it comes to the sex -- as it does in all but one of the
ten two-handers that make up the cycle. Try as one might, the resulting
bouts of matter-of-fact rumpy-pumpy call to mind the jolly German
soft-core porn of the era, and do not entirely work; but it is a brave
and worthwhile experiment, evidently undertaken in a Schnitzlerian
spirit of frankness rather than out of a desire to "sex-up" a costume
The strong ensemble cast do a generally fine job. The performance that
stands out in every way is Maria Schneider's, as the "Sweet Young
Girl": inspired casting and a luminous screen presence.
Sadly, the current version of the DVD (as at 2007) lacks English
subtitles, so non-speakers of German may need to bone up beforehand
with one of numerous available English translations of the play. It's
worth the trouble, though.
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