A girl arrives from London to visit her estranged relatives in a remote castle for the reading of her father's will. After a while she discovers that they are all in fact dead and her ... See full summary »
Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
In all the annals of exploitation cinema, there has never been anything quite like it: Take a luscious young bride (beautiful Playboy centerfold Ursula Fellner) thrust into a brutal prison ... See full summary »
Horror mystery about the residents of a Louisiana castle who are being murdered by a masked killer. When the family arrives for the reading of Marion's will, his wife is strapped to the ... See full summary »
Edmund and Dorothy Yates are freed after fifteen years in an asylum. Edmund covers up for his wife who is a murderer and a cannibal and Dorothy's daughter Debbie and stepdaughter Jackie, ... See full summary »
A young doctor kills himself after a medical committee terminates his research into human embryos, considering it too inhumane. His wife then seeks revenge on those who drove her husband to... See full summary »
The businessman Patrick takes his wife Marianne and daughter Linda on a vacation. Patrick's old friend Lorna shows up just in time for Linda's 18th birthday and takes demonic, sexual possession of the girl's body and soul. Written by
No, this is not another European cash-in on "The Exorcist", unlike what it's title may suggest. It is, however, the most disturbing and shocking Jess Franco film I've seen. Hell, it is one of the most disturbing horrors I've seen, which is surprising considering this is a virtually bloodless film. It's horror relies, instead, in it's totally demented instances of psychosexual hysteria that can also be found in works such as "Possession" or "Dr. Jekyll and his Women". Franco haters tend to dismiss his work as amateurish and crude, and this criticism can be applied, in a way, to this film in particular. However, in this case, it works in favor of the film, coming across as making it's raw, gritty atmosphere all the more authentic. André Bénichou's haunting, experimental score also adds a lot to it. And for those who think Lina Romay has little to do in the director's works other than having to masturbate in close-ups, her performance here is a truly stunning tour-de-force that has to be seen to be believed, up there with other portrayals of sexually frustrated women in horror films, such as Catherine Denueve in "Repulsion" or Mimsy Farmer in "The Perfume of the Lady in Black". Her sex scenes with the equally bewildering Pamela Stanford (the titular villain), though graphic, are anything but sexy, and her final, extended "intimate" sequence is bound to make your jaw drop to the floor, not only because of what is shown, but also because of it's context. And that's not even the film's most shocking bit to begin with (anyone who's seen the film know about THE particular scene I'm referring to, and I dare not spoil it for those who haven't seen it). "Lorna the Exorcist" seems to have some kind of popularity with Franco haters, so I beg you to give it a shot. Even if you don't like it at all, one can't deny it will haunt you for days to follow.
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