Dr. Frankenstein and his assistant Morpho are killed just as they bring their creation to life. The monster is taken by Cagliostro and he now controls the monster and plans to have it mate and create the perfect master race.
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Eugenie, a beautiful but shy young girl, lives with her stepfather, a famous writer specializing in stories of erotica. One day she happens to read one of his "erotic" books and its power ... See full summary »
Women's prison tale, with Lina Romay as Maria who is jailed after killing her father, played by director Jess Franco, who tries to rape her. Lesbian wardens, torture, nudity, sex, insanity and conspiracy round out the formula.
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The businessman Patrick takes his wife Marianne and daughter Linda on a vacation. Patrick's old friend Lorna shows up just in time for Linda's 18th birthday and takes demonic, sexual possession of the girl's body and soul. Written by
The vast filmography of Jess Franco is littered with cheap timewasters that are not of interest to anyone; but among those films are some real gems. Lorna the Exorcist, however, falls somewhere between the two sets of films; it's not vintage Franco, but it's better than a lot of his stuff and does at least make for a decent viewing. I had a feeling that this film may be a rip off of another film released in the early seventies with the word 'Exorcist' in the title; but actually the film is more of a nightmarish fairy tale with some sex involved (although clearly the film is cashing in on the title!). The plot focuses on a businessman named Patrick. He takes his wife and daughter on holiday; but things turn awry for Patrick when a woman named Lorna turns up. Lorna and Patrick had relations some years earlier and it emerges that Lorna is some kind of witch that has power over various women; including his daughter, who is almost ready to turn eighteen. Lorna begins to infiltrate Patrick's life, and he tries to protect his daughter.
The main draw of this film for most Franco fans will undoubtedly be the beautiful Lina Romay who stars as the eighteen year old daughter. The rest of the cast is nothing to write home about; but there is a role for Franco stalwart Howard Vernon, as well as sometimes collaborator Pamela Stanford in the central role. The version of the film that I saw ran for just over eighty minutes, and I wouldn't be surprised to find that its cut as the film is not particularly graphic or disturbing. There is a fair bit of sex; including lesbian sex and we are treated to the entire usual trademark Franco zoom shots. The most memorable scene takes place in the bedroom and involves a really bad case of crabs! The plot itself takes a backseat to the atmosphere and sleaze elements, but it's actually not too badly worked and it does at least succeed in keeping the film interesting for most of the duration. Overall, Lorna the Exorcist is not hugely memorable and is in no way a classic horror film; but it's decent enough stuff and most Franco fans wont regret tracking it down.
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