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Phantom of the Paradise (1974)

A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise.

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Nominated for 1 Oscar. Another 3 wins & 4 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Winslow / The Phantom
...
...
...
George Memmoli ...
Philbin
...
The Juicy Fruits / The Beach Bums / The Undeads
Jeffrey Comanor ...
The Juicy Fruits / The Beach Bums / The Undeads
Peter Elbling ...
The Juicy Fruits / The Beach Bums / The Undeads (as Harold Oblong)
Colin Cameron ...
Band
David Garland ...
Band
Gary Mallaber ...
Band
Art Munson ...
Band
Mary Margaret Amato ...
Swan's Entourage
Rand Bridges ...
Swan's Entourage
Jim Bohan ...
Swan's Entourage
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Storyline

Rock opera version of The Phantom of the Opera which also serves as a dark satire of the music business. Notorious record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from meek and nerdy composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. Written by Max Davison <RockyHexorcist2785>

Plot Summary | Plot Synopsis

Taglines:

He's been maimed and framed, beaten, robbed and mutilated. But they still can't keep him from the woman he loves. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

1 November 1974 (USA)  »

Also Known As:

Phantom  »

Box Office

Budget:

$1,300,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Movielab)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The "electronic room" in which Winslow composes his cantata (and where Swan restores his voice) is in fact an actual recording studio, The Record Plant. The walls covered with knobs are in reality a huge, custom-built Moog electronic synthesizer. Dubbed TONTO, this instrument was featured on several albums by the pioneering electronica duo T.O.N.T.O.'s Expanding Head Band, and it still exists. See more »

Goofs

At the end of the film, Winslow/The Phantom takes his mask off twice. See more »

Quotes

Beef: Oh, I knew I shouldn't be screwing around with the dead man's music. This place is possessed.
Arnold Philbin: What are you talking about?
Beef: You trying to tell me you didn't hear that shriek? That was something trying to get out of its premature grave, and I don't want to be here when it does.
Arnold Philbin: Opening night prima donnas. Look, iron man. If you so uptight, take a shower and cool off.
Beef: My pleasure... bones.
See more »

Crazy Credits

The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »

Connections

Referenced in Dressed in Purple: Nancy Allen on 'Dressed to Kill' (2012) See more »

Soundtracks

Life at Last
Written by Paul Williams
Sung by Ray Kennedy
See more »

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User Reviews

A long lost, but not forgotten Midnight Movie Classic
16 November 2001 | by (Boulder City) – See all my reviews

Still playing on double-bills with The Rocky Horror Picture Show in England, Brian DePalma's foray into the psychodelic world of the musical excesses that was the 70's becomes more than just another rock musical. With a fusion of Faust, Dorian Grey, Phantom of the Opera, the Twilight Zone (courtesy of an opening narration by Rod Serling)and Psycho, using multiple camera angles cleaved into split screens, we follow the tragic trials and tribulations of one Winslow Leech (William Findley, the scary side splitting surgeon of DePalma's "Sisters"), composer, whose music is stolen by mook henchman Philbin (George Memmoli, Joey Clams of Scorsese's "Mean Streets")on the orders of his boss, rock impresario Swan (song writer Paul Williams, in a role that must have had him giddy) to be used in the opening of his new rock palace, The Paradise.

Attempting to get his music back, Winslow befriends a young, up and coming singer called Phoenix (Jessica Harper, who many have accused of being woefully miscast. Watch for her in "My Favorite Year"). Beaten by Philbin, set up on drug charges by Swan, subjected to stainless steel dentures because of Swan's own campaign to wipe out dental decay in the penal system, Leech escapes prison upon hearing his music on the radio, breaks into the record factory, and when caught, accidentally has his faced mauled by a hot record press, and sent moaning in pain into the East River.

Swan continues his preps for the opening, using his former 50's doo-wop group, the Juicy Fruits, now a surfer band called The Beach Bums (Later, they become a Kiss-like bunch called The Undead. The band is made up of the same three actors, Archie Hahn, Jeffery Commanor and Harold Oblong. Watch for Hahn in many more films, including "Innerspace" as the deadly deliveryman), to perform Winslow's music. A shadowy figure, donning a leather bodysuit, lame lined cape and a hawk-like mask invades the Paradise and starts reeking havoc.

From here, all the cliches play out from Phantom of the Opera, but in one absolutely looney twist is the addition of a fay glitter rock star called Beef (Gerrit Graham, singing voice by Ray Kennedy), who delivers a Hitchcock homage that will never let you look at Janet Leigh in the Bates Motel shower the same way ever again. Toss in a bit of Dorian Grey, with a videotape instead of a portrait taking on the years(and we wonder about Dick Clark's never aging profile!), a strange transformation of several musical themes, all familiar but somehow morphed into different personnas, and you have a cult classic on your hands.

This movie fits into so many different viewer interest groups. First, the DePalma fans, watching his early work before classics like "Sisters", "Carrie" and "Dressed To Kill"; for musicians/soundtrack fanatics, the mutation of a handful of themes into different works, as well as an incidental soundtrack filled with string quartets, classic piano and organ; for movie trivia fans, the appearance of the star of one of DePalma's all time suspense/horror classics as a production associate, not as an actress (I'm not telling you. watch the credits!).

For the rest of us, a great popcorn night movie that will leave you laughing, tapping your feet and wondering "Where was I when this movie came out and how did I miss it the first time?"


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