An offbeat, episodic film about three friends, Paul, a shy love-seeker, Lloyd, a vibrant conspiracy nut, and Jon, an aspiring filmmaker and peeping tom. The film satirizes free-love, the ... See full summary »
Brian De Palma
Robert De Niro,
Naive young lady Karen wants to help her struggling amateur filmmaker boyfriend Christopher raise enough money so he can divorce his wife. Meanwhile, jolly psycho prankster Otto stalks the ... See full summary »
Keith Gordon is a creative young man who films the oddball doings of his family and peers. "The Maestro" appears frequently to give him pointers on his techniques. It's almost a film about ... See full summary »
Rock opera version of The Phantom of the Opera which also serves as a dark satire of the music business. Notorious record tycoon Swan has sold his soul to the devil for eternal youth and success - 20 years ago. Swan's current scheme is to steal the music from meek and nerdy composer Winslow Leach to celebrate the opening of his rock palace, The Paradise. While trying to stop Swan, Leach was framed and convicted for drug dealing, and becomes the victim of a freak accident that leaves him horribly disfigured. He takes refuge in the cavernous Paradise, hiding his mangled face beneath an eerie mask and planning gruesome vengeance upon Swan - and everyone else who has hurt him. Written by
Max Davison <RockyHexorcist2785>
The Death Records logo is optically printed over the originally planned Swan Song label at several points in the film. See more »
When Winslow is visiting the Death Records building for the first time, Swan Song Enterprises is visible above the doors. Swan Song was apparently changed to Death Records by the producers to avoid legal hassles with Led Zeppelin's Swan Song label. See more »
Like a circus on parade. Seldom close enough to see. I wonder through an angry crowd, and wonder what's become of me. To work it out, I let them in. All the good guys and the bad guys that I've been. All the devils that disturb me, and the angels that defeated them somehow. Come together in me now.
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The closing credits feature a series of montages of the cast members, identifying each by name, starting with the musical trio (Oblong, Hahn, Comanor) and concluding with William Finley as Winslow/The Phantom. These montages are made up of shots ostensibly from the movie, and most of them are, but there are also numerous outtakes. See more »
This is probably one of those ones that most people either love or hate, so there isn't that much point in trying to sell it to anyone. I've been hugely attached to it since it came out. I don't think I'm alone in saying that it's "my" answer to Rocky Horror (which to me is simply "entertaining" - which is no insult). A lot of people seem to really dislike Paul Williams. But, love him or hate him, he threw himself completely into the role of Swan. To me, Swan is one of the best comical or semi-comical villains ever (it took me a long while to think of it, but I wonder whether his use of the word "Excellent" in one scene might have inspired Mr. Burns' line on The Simpsons). Everyone else was very good in it, obviously Gerritt Graham as Beef, and George Memmoli as Philbin. I wish , in the first place, that there were FEWER tongue-in-cheek horror films (or whatever you want to call them), and in the second place, that they were as original as this one.
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