After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Inspired by the Stanley Milgram obedience research, this TV movie chronicles a psychology professor's study to determine why people, such as the Nazis, were willing to "just follow orders" ... See full summary »
Based on a true story, Tod Lubitch is born with a deficient immune system (which is unlike being born with AIDS). As such, he must spend the rest of his life in a completely sterile ... See full summary »
God has had just about enough of the human's attitude so he will destroy the planet very soon. It is up to a struggling inventor and a bank teller, both with very amateur criminal minds, to... See full summary »
Tony Franciosa plays a detective who's on the trail of a murderer whose mutilated and predominantly male victims are found encased in silken cocoons. He eventually tracks the killer's path ... See full summary »
Francesa Kinsolving, a very pregnant widow whose husband was rescently killed in action in Vietnam, travels to visit her late husband's mother in a snowy Minnesota town only to get snowed ... See full summary »
Businessman Richard Crenna, getting ready for a dinner party in his New York City high-rise apartment, hears two gunshots coming from a nearby complex and sees a shadowy figure in the distant window; after reporting it to the police, Crenna is attacked in his basement by a man he cannot identify. Skeptical police investigator Vic Morrow has him come down to the station to identify guys from a line-up--which hardly seems logical, but never mind. Crenna gets feisty fiancée Patty Duke Astin involved, but when she is attacked through a chain-locked door (!), Crenna takes matters into his own hands. Completely illogical non-mystery steals liberally from Hitchcock's "Rear Window", but hasn't an ounce of the Master's style or wit (not even low-budget style or wit). Cast is rather weak: Crenna is so low-keyed throughout much of the movie that his eventual outburst in a bank seems to come from nowhere, while Astin wears kooky '70s outfits and makes exaggerated faces (both stars are wasted). Henry Winkler and John Travolta have uncredited bits, while Peter Link's score inappropriately--though amusingly--calls up the blaxploitation movies of this era (good for laugh, but totally out of place for a square movie-of-the-week like this). The New York locations seem to be well-captured, though a credit at the end suggests the picture was filmed in California! Either way, it's one lousy "Nightmare".
4 of 6 people found this review helpful.
Was this review helpful to you?