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The Night Porter (1974)

Il portiere di notte (original title)
R | | Drama | 1 October 1974 (USA)
After a chance meeting at a hotel in 1957, a Holocaust survivor and the Nazi officer who tortured her resume their sadomasochistic relationship.

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(screenplay), (screenplay) | 5 more credits »
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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Max
...
...
...
Giuseppe Addobbati ...
Stumm
...
Countess Stein
Nino Bignamini ...
Adolph
Marino Masé ...
Atherton (as Marino Mase')
Amedeo Amodio ...
Bert
Piero Vida ...
Day Porter
Geoffrey Copleston ...
Kurt
Manfred Freyberger ...
Dobson (as Manfred Freiberger)
Ugo Cardea ...
Mario
Hilda Gunther ...
Greta
Nora Ricci ...
The Neighbor
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Storyline

Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

The Most Controversial Picture of Our Time!

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

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Language:

Release Date:

1 October 1974 (USA)  »

Also Known As:

The Night Porter  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor) (Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Romy Schneider turned down the role of Lucia. Mia Farrow was considered, as well as Dominique Sanda, before Charlotte Rampling was selected based on her work alongside Dirk Bogarde in Luchino Visconti's The Damned (1969). See more »

Quotes

Max: [describing Lucia] My little girl...
See more »

Connections

Featured in Charlotte Rampling on 'The Night Porter' (2006) See more »

Soundtracks

The Magic Flute
Written by Wolfgang Amadeus Mozart
Performed by Karl Böhm
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User Reviews

I can't get this out of my head!
8 September 2004 | by (thevalley) – See all my reviews

I saw this film quite by accident last night on IFC and have been walking around in a state of near tears ever since. What really struck me about the story was not the sadomasochistic aspect which I actually found to be rather minor, (He slaps her around a bit and there is a scene where she is chained to a bed), but rather the tenderness and love shown by Max. He calls her "his little girl" throughout the movie and indeed that seems to be the most accurate description of his feelings. I couldn't help thinking of Lolita and indeed it is a similar idea. In both stories the man is both the tormentor and the tormented. Because he is in a position of absolute power of course he is the exploiter, but also it is almost as though he is held captive by "her", the illusive girl/child/women he want to both take care of the way one would a daughter and also penetrate like a lover. And in both stories this proves of course to be impossible as the mans very nature (in one case he is a pedophile, in another a Nazi) prevents it from being so.


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Dull and slow orson-13
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Just plain crappy. huttlover
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