Thirteen years after WWII a concentration camp survivor (Rampling) and her tormentor, currently the night porter at a Vienna hotel, meet again and fall back into their sado-masochistic relationship. Written by
Ed Sutton <firstname.lastname@example.org>
In the flashback with the ballet dancer, dancing in a kind of gym, there is a shot with a poster of Himmler against a pillar. There are also 2 guards standing on the right. A bit later the same angle and the poster is gone and the guards have disappeared. See more »
[Max and Lucia are laughing while caressing each other]
Ah, no, no. Too fast, too fast. Too long. Too long.
Oh, Max, Max...
Tell me, why'd you come? Tell me. Tell me!
I WANT YOU!
Tell me what to do. Tell me where to go. Tell me what to do.
Tell me what to do!
[...] See more »
In some ways this film is still very shocking. Although it is neither violent nor vulgar, the situation is disturbing and violent -actually it's something we DON'T see with our eyes: a psychological violence.
Some years after the end of Second World War, a woman meets in a hotel her jailer during her concentration camp period. He was an SS officer, now he's a night porter. With him she re-starts a relationship made of attraction and sadomasochism.
The film is shocking because it describes an insane situation, led by two insane people. These are the disturbing elements of the film, because spectators don't feel well in seeing that. The atmosphere has something very icy and miserable. I think it's precisely Liliana Cavani's goal: a study of insanity, without self-indulgence.
After 30 years "Night porter" remains a gem. An intelligent movie, full of provocation. Charlotte Rampling and Dirk Bogarde are extraordinary.
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