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Murder on the Orient Express (1974)

In December 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

Director:

Writer:

(screenplay)
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865 ( 1,299)
Won 1 Oscar. Another 8 wins & 16 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Pierre (as Jean Pierre Cassel)
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Hardman (as Colin Blankey in opening credits)
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Storyline

Famous detective Hercule Poirot is on the Orient Express, but the train is caught in the snow. When one of the passengers is discovered murdered, Poirot immediately starts investigating. Written by Murray Chapman <muzzle@cs.uq.oz.au>

Plot Summary | Plot Synopsis

Taglines:

The Who's Who in the Whodunnit! See more »

Genres:

Crime | Drama | Mystery

Certificate:

PG | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

24 November 1974 (USA)  »

Also Known As:

Mord im Orient-Express  »

Filming Locations:

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Box Office

Budget:

£1,500,000 (estimated)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In the original opening credits, and still visible on some home media, Colin Blakely's name is misspelled as Colin Blankey. See more »

Goofs

Just after Poirot sips his liqueur (the green drink) in the dining car, a blurry white sedan can be seen zipping across the landscape in a way that cars do not move in the 30s. It appears to be a sedan from the 70s. See more »

Quotes

[first lines]
Ferry conductor: Your ticket, please.
Mary Debenham: Oh, yes.
Ferry conductor: Welcome aboard, Miss Debenham.
Mary Debenham: Thank you.
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Crazy Credits

Opening credits: 1930

THE ARMSTRONG HOUSE, LONG ISLAND, N.Y. See more »

Connections

Referenced in Mike & Mike: Episode dated 23 March 2016 (2016) See more »

Soundtracks

The Body - Remembering Daisy
(uncredited)
Composed by Richard Rodney Bennett
Performed by Royal Opera House Orchestra, Covent Garden conducted by Marcus Dods
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Cast To Die For
14 September 2007 | by (Italy) – See all my reviews

That Sidney Lumet knows how to frame an actor within his or her character is a very well known fact - "The Pawnbroker" "Network" "Dog Day Afternoon" and some other spectacular pieces of acting prove that point unquestionably. Here, there is a sort of "divertissment". Agatha Christie given a first class treatment (not that Margaret Rutherford as Miss Marple wasn't first class, but the production value here is as impressive as the cast) in the hands of Sidney Lumet who knew how to put a bunch of sensational actors in a confined space - "12 Angry Men" for instance and make it riveting. There a 12 Angry people here too and (almost) each part is cast with relish and delight. Albert Finney, marvelous, manages, not only to survive, under the weight of his characterization but to create something bold, exquisitely structured, great fun to watch and to hear. Ingrid Bergman won her third Oscar for her missionary looking after little brown babies - I thought she was a highlight indeed but in my modest opinion, Valentina Cortese for "Day For Night" deserved it that year, Anthony Perkins plays Norman Bates's twin brother, also with a mother fixation and a compelling facial tic. Wendy Hiller was, clearly, having a ball and that, on the screen, is always contagious. Sean Connery and Vanessa Redgrave make a surprisingly hot pair, Lauren Bacall over does it of course but who cares, Jacqueline Bisset is breathtaking, Rachel Roberts a hoot. John Gielgud is John Gielgud and that in itself is a major plus. Colin Blakely does wonders with his moment and Dennis Quilley plays his Italian as if this was a silent movie. Martin Balsam is always fun to watch, no matter the accent. Richard Widmark is splendid in his villainy and Jean Pierre Cassel very moving indeed. The only weak spot in the cast is Michael York. Totally unbelievable. I suspect that "Murder in The Orient Express" 33 years old already, will continue delighting audiences for years to come.


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