A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
Famous detective Hercule Poirot is on the Orient Express, but the train is caught in the snow. When one of the passengers is discovered murdered, Poirot immediately starts investigating. Written by
Murray Chapman <firstname.lastname@example.org>
The film boasts 58 Oscar nominations and 14 wins (not including 2 Honorary wins) from its principal cast and crew. Martin Balsam (1), Ingrid Bergman (3; 7 nods), Sean Connery (1), John Gielgud (1; 2 nods), Wendy Hiller (1; 3 nods), Vanessa Redgrave (1; 6 nods), Paul Dehn (1; 2 nods), Geoffrey Unsworth (2; 4 nods), Anne V. Coates (1; 5 nods), Tony Walton (1; 5 nods) and Jack Stephens (1; 2 nods) are Oscar winners; Lauren Bacall and Sidney Lumet are Honorary Oscar winners. Albert Finney (5), Bacall (1), Anthony Perkins (1), Rachel Roberts (1), Richard Widmark (1), Lumet (5), Richard Rodney Bennett (3) and producers Richard B. Goodwin (1) and John Brabourne (2) are Oscar nominees. See more »
The British officer who escorts Poirot on the ferry thanks him for saving the honor of the British garrison in Jordan. The Kingdom of Jordan did not exist until 1946. In 1935 it was the Emirate of Transjordan. See more »
This whodunit story by Dame Agatha is excellent. She has always been my favorite writer of detective fiction. I keep returning to the film version, however, not because of the story but because of the film's sheer elegance and style. It is awash in elegance ... the majestic cinematography; the glamorous clothes; the delightfully eccentric aristocratic characters; the mysterious yet refined musical score. The film is so theatrically regal I'm surprised that it did not feature a representative of British royalty.
The setting is Europe in the 1930's. The pace is slow and relaxed. And while the dialogue is in English, the film has a deliciously international flavor, with a mix of interesting accents and word pronunciations. Heavy on dialogue, the film never seems overly talky, the result of a clever screenplay and lush visuals. Humor is included in the script usually in the form of tasteful put-downs. Example: an attractive Mrs. Hubbard comments: "Don't you agree the man must have entered my compartment to gain access to Mr. Ratchett?" The aging Princess Dragomiroff responds in a deadpan tone: "I can think of no other reason, madam."
In his portrayal of Hercule Poirot, Albert Finney almost literally disappears into the role, a tribute to convincing makeup and to Finney's adroit acting. His performance is appropriately idiosyncratic, deliciously hammy, and theatrical, every bit as entertaining in this film as Peter Ustinov is in subsequent Christie movies. The rest of the cast has ensemble parts, my favorite being Wendy Hiller whose Princess Dragomiroff comes across as royal, proud, and very eccentric.
With its snowy landscapes, ornate and cozy interiors, and subdued lighting, "Murder On The Orient Express" is an excellent movie to watch on a cold, winter night, snuggled under a blanket or next to a warm fireplace with a cup of cappuccino or a glass of cognac. Just be sure that all knives and daggers in your mansion are out of reach from your staff of servants.
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