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Murder on the Orient Express (1974)

In December 1935, when his train is stopped by deep snow, detective Hercule Poirot is called on to solve a murder that occurred in his car the night before.

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Won 1 Oscar. Another 8 wins & 16 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Mrs. Hubbard (as Harriet Belinda)
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Pierre (as Jean Pierre Cassel)
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Storyline

The first class compartment of the December 1935 departure of the Orient Express from Istanbul is full, unusual for this time of the year. Regardless, famed and fastidious Belgian detective, Hercule Poirot, who needs to get back to London immediately, is able to secure last minute passage in the compartment with the assistance of his friend, Signor Bianchi, one of the directors of the train line who is also making the trip. Some of the first class passengers seem concerned about Poirot's presence on the train. At least one of them has reason to be concerned, as later, another first class passenger, who earlier in the trip asked Poirot to provide protection for him due to several death threats, is found murdered in his stateroom by multiple stabbings. At the time the victim is found, the train is unexpectedly stopped and delayed due to snow in remote Yugoslavia, which may be problematic for the murderer in getting away now that Poirot is on the case, which he is doing as a favour to ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

The greatest cast of suspicious characters ever involved in murder. See more »

Genres:

Crime | Drama | Mystery

Certificate:

PG | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

24 November 1974 (USA)  »

Also Known As:

Mord im Orient-Express  »

Filming Locations:

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Box Office

Budget:

£1,500,000 (estimated)

Gross USA:

$35,733,867, 31 December 1975
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Colour by) (Technicolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

84-year-old Agatha Christie attended the movie premiere in November 1974. It was the only film adaptation in her lifetime, that she was completely satisfied with. In particular, she felt that Albert Finney's performance came closest to her idea of Poirot (though was reportedly unimpressed with her sleuth's moustache). The premiere would be her final public appearance: she died fourteen months later, on January 12, 1976. See more »

Goofs

The film uses a French Railways (SNCF) Class 230G locomotive, including at the departure from Istanbul Sirkeci station, but locomotives on the Orient Express were provided by each State Railway system, and were usually changed at national borders. Only the carriages, not the locomotives, would have worked right through between France and Turkey. See more »

Quotes

[first lines]
Ferry conductor: Your ticket, please.
Mary Debenham: Oh, yes.
Ferry conductor: Welcome aboard, Miss Debenham.
Mary Debenham: Thank you.
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Connections

Referenced in Music for the Movies: Bernard Herrmann (1992) See more »

Soundtracks

Finale
(uncredited)
Composed by Richard Rodney Bennett
Performed by Royal Opera House Orchestra, Covent Garden conducted by Marcus Dods
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Frequently Asked Questions

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User Reviews

 
Still the best introduction to Hercule Poirot for non-readers
25 February 2007 | by See all my reviews

Sidney Lumet directs a great cast through a brilliant cinematic interpretation of one of Agatha Christie's most popular Hercule Poirot Mysteries. The train upon which the great investigator finds himself is halted by an avalanche of snow in the Alps, and two horrible crimes seem to have intersected in the first class cabin. Despite the cramped quarters, the only witness is the murder victim himself, and Poirot must put together the solution from disparate and seemingly contradictory evidence.

The three most striking qualities of this film are its production values, cast, and Finney's exhausting performance. Although a little over-the-top, Finney gets Poirot exactly right - Poirot is played as a somewhat obsessive, slightly manic, and flamboyant Belgian - not at all as a non-English Sherlock Holmes. The cast speaks for itself. Bacall, Perkins, Hiller, Redgrave, York and Bissett are all delightful in their supporting roles. But perhaps the most under-recognized achievement of this film is its cinematography. The film is extremely visually engaging from start to finish. This is achieved by perfect visual pacing, great camera work, spectacular - though somewhat cramped and redundant - sets, good costuming, and a stunningly attractive cast.

Murder on the Orient Express also succeeds in sticking with Christie's original narrative (mostly), and sets a high standard for film versions of the great mystery writers repertoire. From my perspective, the film remains unequaled among the Poirot interpretations and meets the challenge of adapting and simplifying Christie's often complex exposition very nicely.


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