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Much Ado About Nothing (1973)

TV Movie  |  Comedy, Romance  |  2 February 1973 (USA)
7.6
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Ratings: 7.6/10 from 90 users  
Reviews: 10 user | 1 critic

Videotape of the Joseph Papp production. Don Pedro and his men (Teddy Roosevelt Roughriders) have returned from the wars. After Beatrice turns down his proposal, Don Pedro decides to ... See full summary »

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Title: Much Ado About Nothing (TV Movie 1973)

Much Ado About Nothing (TV Movie 1973) on IMDb 7.6/10

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Won 1 Primetime Emmy. Another 1 nomination. See more awards »
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Cast

Credited cast:
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Kathleen Widdoes ...
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Rest of cast listed alphabetically:
Charles Bartlett ...
Frederick Coffin ...
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Arny Freeman ...
Jack Gianino ...
George Gugleotti ...
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Mark Hammer ...
Bette Henritze ...
Jeanne Hepple ...
Margaret
Nina Jordan ...
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David Lenthall
Will Mackenzie ...
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Storyline

Videotape of the Joseph Papp production. Don Pedro and his men (Teddy Roosevelt Roughriders) have returned from the wars. After Beatrice turns down his proposal, Don Pedro decides to matchmake her with Benedick (her former boyfriend), but she being an independent-minded, bicycle-riding Suffragette type, it's going to take a bit of trickery. Meanwhile, Beatrice's cousin, Hero, has fallen in love with Benedick's friend, Claudio. But Don Pedro's bastard half-brother, Don John, plots to split them apart, and Benedick finds himself having to choose between his best friend and the woman he loves. Written by Kathy Li

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Comedy | Romance

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2 February 1973 (USA)  »

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User Reviews

 
Best ever.
29 May 2009 | by (United States) – See all my reviews

I've seen quite a few productions of Much Ado, both on film/TV and on stage and I must say this Joseph Papp production with Sam Waterston and Kathleen Widdoes is my absolute favorite. The time period is perfect. And they really used the period and the setting extremely well. Using the Spanish American war as inspiration was...inspiring. Beatrice is both strong and feminine. I think my favorite part is when Beatrice is eavesdropping in the conservatory and the sprinklers come on. While shot on a set, you can still see the roots this production had as a stage play. But that isn't lost when it's brought to the screen. The setting allows for more flexibility in shooting angles and close-ups, but you still get a sense of the intimacy of a stage production. I say "bully!" Two thumbs up.


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