7.2/10
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6 user 7 critic

Moses und Aron (1975)

Not Rated | | Music, Drama | 5 October 1975 (USA)
Trailer
1:13 | Trailer
In expressive, melodic tones, the fraternal pair debate God's true message and intent for His creations, a conflict that leads their followers - in extravagantly choreographed song and dance - towards chaos and sin.

Writer:

(libretto) (as Arnold Schoenberg)
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Cast

Cast overview:
Günter Reich ...
Louis Devos ...
Eva Csapo ...
Junges Mädchen (as Eva Csapò)
Roger Lucas ...
Junger Mann
Richard Salter ...
Anderer Mann
Werner Mann ...
Priester
Ladislav Illavsky ...
Ephraîmit
Elfriede Obrowsky ...
Kranke (as Friedl Obrowsky)
Helmut Baumann ...
Tänzer
Jürg Burth ...
Tänzer
Nick Frarrant ...
Tänzer
Wolfgang Kegler ...
Tänzer
Michael Molnar ...
Tänzer
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Storyline

In expressive, melodic tones, the fraternal pair debate God's true message and intent for His creations, a conflict that leads their followers - in extravagantly choreographed song and dance - towards chaos and sin.

Plot Summary | Add Synopsis

Genres:

Music | Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

| | |

Language:

Release Date:

5 October 1975 (USA)  »

Also Known As:

Moisés E Aarão  »

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Box Office

Budget:

DEM 1,320,000 (estimated)
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was dedicated to Holger Meins, the former cinematography student who joined a West German terrorist group in the early 1970s and died on hunger strike in prison. This dedication was censored by German broadcasters for the film's first airing in 1975. It should be noticed that the contrast between ideology and actions has a key role in the film, like in Arnold Schönberg's opera. See more »

Crazy Credits

Für Holger Meins, J.M.S. und D.H. See more »

Connections

Referenced in Wie will ich lustig lachen (1984) See more »

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User Reviews

 
An enriching experience
22 February 1999 | by See all my reviews

As of 1998 I've seen the film four times. It's one of those rare films that when I've finished viewing it, I feel as if my intelligence has gained something. Despite the stylization (barely any acting), the film works exceptionally well for those who are willing to let their ideas be challenged.

Incidentally, the version of the film with English-language subtitles provide the only alternative translation of the text that I know, and one that is more faithful to the German. All other English texts are based on the singing text of the vocal score, and thus is shaped to fit to the rhythms of the notes rather than absolutely fidelity to the original meaning.


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