The original German version of the film was dedicated to Holger Meins, the former cinematography student who joined a West German terrorist group in the early 1970s and died on hunger strike in prison. This dedication was censored by German broadcasters for the film's first transmission in 1975. It should be noticed that the contrast between ideology and actions has a key role in the film, like in Arnold Schönberg's opera. See more »
Schoenberg's music will not be to all tastes, but I bought the Michael Gielen / ORF soundtrack recording after seeing this film, something I didn't do after viewing The Lion King or Titanic. Gielen, incidentally, is Schoenberg's son-in-law.
I found this production riveting with intense performances from the two principals. An austere staging suits the score.
I would love an opportunity to see this film again. Any chance that Cinematheque Ontario will reprise their Opera As Cinema series? The other films in the series to rival Moses and Aaron in quality if not in style were Katerina Izmailova, Boris Godunov, and Tales of Hoffman.
Schoenberg returned to the faith of his forefathers after experiencing persecution at the hands of us Christians. He really came back with a vengeance.
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