Hubert Bonisseur de la Bath, aka OSS 117, is the French spy considered by his superiors to be the best in the business. The year is 1967 - he's been sent on a mission to Rio de Janeiro, to ... See full summary »
Sir Sidney Ruff-Diamond looks after the British outpost near the Khybar pass. Protected by the kilted Third Foot and Mouth regiment, you would think they were safe. But the Khazi of Kalabar... See full summary »
The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse's hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search. While they search for the Grail, scenes of the knight's tales appear and why they have the name they have. Throughout their search they meet interesting people and knights along the way. Most of the characters die; some through a killer rabbit (which they defeat with the holy ... Written by
The famous depiction of galloping horses by using coconut shells (a traditional radio-show sound effect) came about from the purely practical reason that the production simply couldn't afford real horses. See more »
Towards the end of Brother Maynard reading the message in the cave, Sir Robin lowers his shield, and it can be seen that he is played by a stand-in and not Eric Idle, who is playing Brother Maynard instead. See more »
WHAT is the capital of Assyria? I don't know that!
I do know, however, that Monty Python and the Holy Grail is one of the funniest movies ever made. Let's face it, if the Python hadn't showed up in 1969, someone would have created them by now, or the world would be a much sadder place. Alongside Life of Brian, which is the sextet's masterpiece, Holy Grail is an excellent start if you want to get addicted to their surreal humor.
As suggested in the title, the film deals with the Arthurian stories, freely reinterpreted by the Python ensemble: after recruiting his knights, including Sir Lancelot (John Cleese), Sir Robin (Eric Idle), Sir Bedevere (Terry Jones) and Sir Galahad (Michael Palin), King Arthur (Graham Chapman) embarks on a mission from God (also Chapman, voice only though): to seek and find the Holy Grail. No need to say, the journey is going to be perilous, but also hilarious, our heroes doing their "best" to screw everything up.
As in Life of Brian, there are so many good bits choosing just one or two feels reductive and disrespectful, given the material. It's pure comedy gold from start to finish, a non-stop gag marathon: from the mock Scandinavian subtitles in the opening credits to the argument about swallows, from the Killer Rabbit to the Black Knight and the jaw-dropping epilogue, you will keep grinning like never before (if you're unfamiliar with these comedians, that is). Actually, after some serious thinking I can select two particular sequences as particularly memorable: the Knights who say "Ni!" and the Bridge of Death. The rest of the film is ace too, but those two scenes are the ones I can't stop thinking of fondly whenever the movie is mentioned.
Oh, and let's not forget Terry Gilliam's vital contribution: he doesn't appear that much as an actor (his Bridgekeeper is absolute genius, though), but he compensates that with the remarkable animations used to depict part of this epic adventure. Speaking of epic, this picture has one of the most brilliant tag-lines in comedy history, if not film history in general.
Oh yes, the world wouldn't be quite the same without the Monty Python. Even the most miserable person on the planet will laugh like a lunatic after viewing any of their films.
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