A young man is accidentally sent 30 years into the past in a time-traveling DeLorean invented by his friend, Dr. Emmett Brown, and must make sure his high-school-age parents unite in order to save his own existence.
Michael J. Fox,
In future Britain, charismatic delinquent Alex DeLarge is jailed and volunteers for an experimental aversion therapy developed by the government in an effort to solve society's crime problem - but not all goes according to plan.
The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse's hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search. While they search for the Grail, scenes of the knight's tales appear and why they have the name they have. Throughout their search they meet interesting people and knights along the way. Most of the characters die; some through a killer rabbit (which they defeat with the holy ... Written by
Terry Gilliam was originally supposed to play Sir Gawain, whose role would have consisted of repeatedly breaking the fourth wall and pointing out how special effects and other aspects of the film's production were achieved. His role ultimately ended up being turned into Patsy, with his medium awareness jokes being summed up in the character's only speaking line: when he sees Camelot Castle, he says "It's only a model". (The stage play gives Patsy a much bigger role.) See more »
During the Camelot song, a musician hits a servant with a mallet but the arm holding the mallet is swung fully in front of the servant rather than hitting him on the head. See more »
The following are inserted into the real opening credits. They start as subtitles "translating" the credits into a "Pidgin-English-Swedish". (Though genuine Swedish does not use ø or ë.)
Mønti Pythøn ik den Hølie Gräilen Røtern nik Akten Di Wik Alsø wik Alsø alsø wik Wi nøt trei a høliday in Sweden this yër? See the løveli lakes The wøndërful telephøne system And mäni interesting furry animals The characters and incidents portrayed and the names used are fictitious and any similarity to the names, characters, or history of any person is entirely accidental and unintentional. Signed RICHARD M. NIXON Including the majestik møøse A Møøse once bit my sister... No realli! She was Karving her initials on the møøse with the sharpened end of an interspace tøøthbrush given her by Svenge - her brother-in-law - an Oslo dentist and star of many Norwegian møvies: "The Høt Hands of an Oslo Dentist", "Fillings of Passion", "The Huge Mølars of Horst Nordfink"... We apologise for the fault in the subtitles. Those responsible have been sacked. Mynd you, møøse bites Kan be pretti nasti... We apologise again for the fault in the subtitles. Those responsible for sacking the people who have just been sacked have been sacked. Møøse trained by YUTTE HERMSGERVØRDENBRØTBØRDA Special Møøse Effects OLAF PROT Møøse Costumes SIGGI CHURCHILLMøøse Choreographed by HORST PROT III Miss Taylor's Møøses by HENGST DOUGLAS-HOME Møøse trained to mix concrete and sign complicated insurance forms by JURGEN WIGG Møøses' noses wiped by BJØRN IRKESTØM-SLATER WALKER Large møøse on the left hand side of the screen in the third scene from the end, given a thorough grounding in Latin, French and "O" Level Geography by BO BENN Suggestive poses for the Møøse suggested by VIC ROTTER Antler-care by LIV THATCHER The directors of the firm hired to continue the credits after the other people had been sacked, wish it to be known that they have just been sacked. The credits have been completed in an entirely different style at great expense and at the last minute. Executive Producer JOHN GOLDSTONE & "RALPH" The Wonder Llama Producer MARK FORSTATER Assisted By EARL J. LLAMA MIKE Q. LLAMA III SY LLAMA MERLE Z. LLAMA IX Directed By 40 SPECIALLY TRAINED ECUADORIAN MOUNTAIN LLAMAS 6 VENEZUELAN RED LLAMAS 142 MEXICAN WHOOPING LLAMAS 14 NORTH CHILEAN GUANACOS (CLOSELY RELATED TO THE LLAMA) REG LLAMA OF BRIXTON 76000 BATTERY LLAMAS FROM "LLAMA-FRESH" FARMS LTD. NEAR PARAGUAY and TERRY GILLIAM & TERRY JONES See more »
WHAT is the capital of Assyria? I don't know that!
I do know, however, that Monty Python and the Holy Grail is one of the funniest movies ever made. Let's face it, if the Python hadn't showed up in 1969, someone would have created them by now, or the world would be a much sadder place. Alongside Life of Brian, which is the sextet's masterpiece, Holy Grail is an excellent start if you want to get addicted to their surreal humor.
As suggested in the title, the film deals with the Arthurian stories, freely reinterpreted by the Python ensemble: after recruiting his knights, including Sir Lancelot (John Cleese), Sir Robin (Eric Idle), Sir Bedevere (Terry Jones) and Sir Galahad (Michael Palin), King Arthur (Graham Chapman) embarks on a mission from God (also Chapman, voice only though): to seek and find the Holy Grail. No need to say, the journey is going to be perilous, but also hilarious, our heroes doing their "best" to screw everything up.
As in Life of Brian, there are so many good bits choosing just one or two feels reductive and disrespectful, given the material. It's pure comedy gold from start to finish, a non-stop gag marathon: from the mock Scandinavian subtitles in the opening credits to the argument about swallows, from the Killer Rabbit to the Black Knight and the jaw-dropping epilogue, you will keep grinning like never before (if you're unfamiliar with these comedians, that is). Actually, after some serious thinking I can select two particular sequences as particularly memorable: the Knights who say "Ni!" and the Bridge of Death. The rest of the film is ace too, but those two scenes are the ones I can't stop thinking of fondly whenever the movie is mentioned.
Oh, and let's not forget Terry Gilliam's vital contribution: he doesn't appear that much as an actor (his Bridgekeeper is absolute genius, though), but he compensates that with the remarkable animations used to depict part of this epic adventure. Speaking of epic, this picture has one of the most brilliant tag-lines in comedy history, if not film history in general.
Oh yes, the world wouldn't be quite the same without the Monty Python. Even the most miserable person on the planet will laugh like a lunatic after viewing any of their films.
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