Two fighter pilots (Devane and Bostwick) who flew together in Vietnam are assigned to the elite Air Force Fighter Weapons School (known as "Red Flag") at Nellis AFB, Nevada about a decade ... See full summary »
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London's biggest bank vaults.
The story of John Henry Faulk, a radio/TV personality of the 1950s, who was blacklisted during the McCarthy era. Faulk sued the organization that was behind the blacklisting, and the ... See full summary »
George C. Scott,
Three key actors in this film went on the play the president elsewhere: Ralph Bellamy played Franklin Roosevelt in War and Remembrance (1988) in 1988 and Martin Sheen played the fictional Josiah Bartlett in The West Wing (1999). All three presidents were Democrats, all three actors are Democrats. William Devane played a fictional President Hayes of the US on "Stargate: SG-1" (2004). See more »
President Kennedy's address to the nation is shown as being made from the Oval Office, with the windows behind the President's desk visible in the TV picture. While the actual address did originate from that location, a neutral gray backdrop was placed behind the President's chair, so none of the real background is visible in the tape of the actual telecast. See more »
Some have berated the "The Missiles of October" for being over-long. Nonsense! (One genius who complained did, however, like the performance of "Marin Short". Sounds like a 12 year-old. Hey, maybe he is!) It would have been over-long if it were a boring story with boring performances. But "The Missiles of October" is neither. The story is, of course, riveting, whether you were around during the early sixties or not. And the performances - the guy who cast the three main characters, JFK (William Devane), RFK (Martin Sheen) and Khrushchev (Howard Da Silva), should have got an Emmy. Martin Sheen may have over-done Bobby Kennedy a bit, but it should be noted, that RFK's "Kennedy accent" was much thicker than JFK's, almost to the point of self-caricature.
Nor is the film "dated," as another reviewer would have it. The TV claustrophobic atmosphere is in perfect keeping with the tight, closed, suffocating tension which actually existed in the real situation. The crisis did not occur out of doors, or in halls - it occurred in a few rooms.
"The Missiles of October" possesses the hallmark of classic drama: though you may know how it ends, you want to watch it again and again.
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