7.5/10
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Almost Human (1974)

Milano odia: la polizia non può sparare (original title)
Trailer
0:54 | Trailer
A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

Director:

Writers:

(screenplay), (story)
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Cast

Cast overview, first billed only:
...
Giulio Sacchi
...
Commissario Walter Grandi
Laura Belli ...
Marilù Porrino
Gino Santercole ...
Vittorio
Mario Piave ...
Grandi's Assistant
Luciano Catenacci ...
Ugo Majone
Pippo Starnazza ...
Papà
Lorenzo Piani ...
Gianni - Marilù's Boyfriend
Joris Muzio ...
Giulio's Lawyer (as Muzio Joris)
Rosita Torosh ...
Marta
Franco Ferrari ...
Brambilla
Francesco D'Adda ...
Romano
Annie Carol Edel ...
Marta's friend (as Annie Edel)
Giuseppe Castellano ...
Police Inspector with glasses
Tom Felleghy ...
Judge Rossi
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Storyline

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

Plot Summary | Add Synopsis

Taglines:

There is a reason for every living creature ...with one exception. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

14 November 1975 (USA)  »

Also Known As:

Almost Human  »

Filming Locations:

 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Director Umberto Lenzi stated in an interview that his first meeting with Tomas Milian for this film was really difficult because Lenzi felt Milian didn't trust him. Milian had heard rumors that Lenzi was an impulsive, hotheaded director but in the end Lenzi felt that Milian got that he was the right director for the job. This started what Lenzi called a "love-hate" relationship between the two that would continue for a total of 7 films with the actor. See more »

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User Reviews

A depraved thrill-ride for the trash-tolerant
11 January 2003 | by (Pittsburgh) – See all my reviews

This was reportedly released in the U.S. in the 70's in a badly cut form and billed as a horror film.

It is clearly a CRIME film, one that focuses first on the malefactors (led by a crazed, sociopathic Tomas Milian) and only second on the pursuing detective (one mightily p****d-off Henry Silva). The version I saw, supposedly "uncut," certainly did not leave me bored. It's trashy, over the top and exploitative, expressing much the politics of a "Dirty Harry" rip-off with its emasculated cop driven to vigilante tactics and its sleazy anti-hero (Milian) who will literally stop at NOTHING, not even remorseless, cold-blooded murder, just to steal a few bucks out of a cigarette machine. But it didn't leave me bored.

Milian's riveting (as usual) performance--many complain that he exaggerates too much but I feel they're missing the point--suffers greatly due to the bad English dubbing. This is quite frustrating, since Milian speaks English and could have done it himself. The excellent Morricone score also suffers, since the music suddenly gets lowered or stops altogether every time a character speaks. But these are faults, I'm sure, of the English language version and not of the film itself.

The film itself, taken on its own terms, is entertaining as hell. Especially if you think Hell might be entertaining. Milian's character, a small-time hood named Sacchi who is determined to make it big by kidnapping a rich guy's daughter, is on a hell-bent mission. He doesn't care who he kills, tortures or rapes as long as he doesn't leave witnesses. When he's not killing, torturing and raping, he's committing brazen acts such as following the cops who are supposed to be following him and going to the police station to report his own crimes.

It's a bloody crime film that never lets up. It's set in a desperate, anarchic urban landscape where Grandma and Grandpa sell machine guns. Morricone's score adds a whole ominous dimension; the music in the opening credits just says, "Ugly things are about to happen." And they do. Just look for a version with subtitles, if you don't speak Italian.

Quentin Tarantino's mother was blowing his nose, damn straight.


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