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Almost Human (1974)
"Milano odia: la polizia non può sparare" (original title)

7.5
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Ratings: 7.5/10 from 986 users  
Reviews: 22 user | 28 critic

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

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Title: Almost Human (1974)

Almost Human (1974) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
...
Giulio Sacchi
...
Commissario Walter Grandi
Laura Belli ...
Marilù Porrino
Gino Santercole ...
Vittorio
Mario Piave ...
Grandi's Assistant
Luciano Catenacci ...
Ugo Majone
Pippo Starnazza ...
Papà
Lorenzo Piani ...
Gianni - Marilù's Boyfriend
Joris Muzio ...
Giulio's Lawyer (as Muzio Joris)
Rosita Torosh ...
Marta
Franco Ferrari ...
Brambilla
Francesco D'Adda ...
Romano
Annie Carol Edel ...
Marta's friend (as Annie Edel)
Giuseppe Castellano ...
Police Inspector with glasses
Tom Felleghy ...
Judge Rossi
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Storyline

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

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Taglines:

It doesn't matter how loud you scream. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

November 1975 (USA)  »

Also Known As:

Almost Human  »

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Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Marc Porel was originally offered the role of Giulio Sacchi. Director Umberto Lenzi had a meeting with him and found him to be "unreliable from both a human and professional point of view." Lenzi told the producer "It's him or me." The producer asked Lenzi if Tomas Milian was OK. Milian's conditions were reasonable so he got the part. See more »

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User Reviews

 
Almost Perfect
5 March 2013 | by (United Kingdom) – See all my reviews

Yet another winner from Umberto Lenzi, one of the masters of the Italian Crime movie (and there are many). For this one, he focuses mainly on the exploits of Guilio (Tomas Milian), a psychopath out for that one big score, who struggles to keep his insanity in check.

Julio's just botched a bank job by getting a bit paranoid and killing a traffic cop, and after receiving a well-deserved kicking from some gangsters, he heads off to his girlfriend's house to mooch some cash. When not getting a kicking or mooching, Guilio hangs around with his petty thief mates, preaching about a big score. After killing yet another cop while being caught stealing from a cigarette machine, Julio stumbles upon his plan – to kidnap the daughter of a wealthy businessman and hold her for ransom. He's got two problems with this plan. The first problem is that Cop Henry Silva is on his trail ever since the murder of the cop at the cigarette machine. The second problem is that Guilio is a complete psycho and kills without thought, leaving a trail of bodies for Silva to find. Silva himself has a problem – he's a victim of the apathy and red tape of the Italian crime system and his fury grows every time he's held back from stomping all over Guilio's head. Although Almost Human is violent and sleazy, it's not as over the top as Violent Naples or The Rat, The Cynic, The Fist. Those two films had a larger cast, more car chases, and more characters to be killed off in various ways. Almost Human on the other hand is Milian's show all the way. Despite, according to the interview on my DVD, Milian being a bit full of himself, he really can act and here he displays every side of a sociopath, from a screaming murderer to a grief stricken boyfriend, to a begging, pathetic weasel (the switches in personality are really impressive). As the film concentrates almost exclusively on Milian, it's slower paced but not without it's set pieces, from Milian and his gang crashing a party, to Milian's drive with girlfriend Anita Strinberg out into the country. I'd say the title doesn't just refer to Milian, but also to Silva, who displays little emotion throughout the film, save his rage against Milian. I recommend this and all the other Lenzi crime movies I've seen: Violent Naples, The Rat, the Cynic, The Fist, and Syndicated Sadists. It's a pity he got bogged down trying to outdo Ruggero Deodato with those vile cannibal flicks, because it's with the crime genre he excelled at.


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