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Almost Human (1974)
"Milano odia: la polizia non può sparare" (original title)

7.5
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Ratings: 7.5/10 from 1,058 users  
Reviews: 22 user | 28 critic

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

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Cast

Cast overview, first billed only:
...
Giulio Sacchi
...
Commissario Walter Grandi
Laura Belli ...
Marilù Porrino
Gino Santercole ...
Vittorio
Mario Piave ...
Grandi's Assistant
Luciano Catenacci ...
Ugo Majone
Pippo Starnazza ...
Papà
Lorenzo Piani ...
Gianni - Marilù's Boyfriend
Joris Muzio ...
Giulio's Lawyer (as Muzio Joris)
Rosita Torosh ...
Marta
Franco Ferrari ...
Brambilla
Francesco D'Adda ...
Romano
Annie Carol Edel ...
Marta's friend (as Annie Edel)
Giuseppe Castellano ...
Police Inspector with glasses
Tom Felleghy ...
Judge Rossi
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Storyline

A psychotic small-time criminal realizes that the everyday robberies, rapes and murders he commits aren't making him all that much money, so he figures to hit the "big time" by kidnapping the daughter of a rich man.

Plot Summary | Add Synopsis

Taglines:

It doesn't matter how loud you scream. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

November 1975 (USA)  »

Also Known As:

Almost Human  »

Filming Locations:


Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

American actor Richard Conte was originally cast in the part of Commissario Walter Grandi. Conte however died shortly before filming began and production could not be halted. The first available actor for the part was Henry Silva. Silva at the time was mostly known for playing villains and killers so director Umberto Lenzi had to work hard to try to make him fit the character of a cop. See more »

Connections

Features The Violent Professionals (1973) See more »

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User Reviews

 
First rate police thriller from Umberto Lenzi!
23 June 2006 | by (Beverley Hills, England) – See all my reviews

Umberto Lenzi's Almost Human is a film that takes in all the best elements of seventies Italian cinema and blends it all into one deliriously entertaining thriller! Umberto Lenzi is, of course, more famous for his cannibal and zombie films; but I have it on good authority that his real talent lies in police thrillers, and even though this is my first Poliziotteschi from Lenzi; it appears that would indeed be the case. The film takes obvious influence from successful American films such as Dirty Harry, but it's also obvious that Lenzi has added his own spin on the sub-genre, as the sadistic director implants a lot of scenes that wouldn't be out of place in an exploitation film. Almost Human is graphically violent throughout, and that is certainly no bad thing! The film follows a career criminal known as Giulio Sacci who realises that he's not making a lot of money out of small time crime and so hatches a plot to kidnap a wealthy man's daughter and hold her for ransom. It's not long before Milan's toughest cop; Inspector Walter Grandi gets on the case and sets into motion a bloodthirsty chain of events!

The cast and crew is like a who's who of Italian cinema. Lenzi himself has directed a number of the best Italian films, while nobody will disagree that films such as The Strange Vice of Mrs Wardh and The Case of the Bloody Iris make Ernesto Gastaldi one of Italy's finest scriptwriters. The cast is superb, and benefits from two strong lead male performances. Thomas Milan, perhaps best known for performances as Django and a starring role in Fulci's Don't Torture a Duckling, gives a sadistic and charismatic lead performance, while Henry Silva is his opposite number. There are support roles for the likes of Anita Strindberg and Ray Lovelock, and just to top things off; Almost Human is scored by the great Ennio Morricone! The plot is superb and continually delivers the unexpected as the lead character descends further into bloodthirsty insanity. Lenzi does a good job of presenting a dirty and gritty atmosphere for the film, and ensures that the film feels like a police thriller with several car chases and shootouts. Italian films are known for being cheap and nasty; but that isn't the case here, as the production values are good and the film always feels professionally made. Highly recommended for the fan of Italian cinema!


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