McQ (1974)

Director:

John Sturges

Writer:

Lawrence Roman (written by)

Release Date:

6 February 1974 (USA)

Genre:

Action | Drama | Crime

Tagline:

The cop no one can stop. Even the cops. [DVD]

Plot:

Police Lieutenant Lon McQ investigates the killing of his best friend and uncovers corrupt elements...

Plot Keywords:

Police | Private Detective | Hitman | Drugs | Detective

Cast

John Wayne	...	McQ
Eddie Albert	...	Kosterman
Diana Muldaur	...	Lois
Colleen Dewhurst	...	Myra
Clu Gulager	...	Toms
David Huddleston	...	Pinky
James Watkins	...	J.C. (as Jim Watkins)
Al Lettieri	...	'Santiago'
Julie Adams	...	Elaine
Roger E. Mosley	...	Rosey
William Bryant	...	Stan Boyle
Richard Kelton	...	Radical
Joe Tornatore	...	Freddy LaSalle
Dick Friel	...	Bob Mahoney
Richard Eastham	...	Walter Forrester
Fred Waugh	...	Bodyguard
rest of cast listed alphabetically:
Larry Buck	...	Grogan (uncredited)
Leslie Carlson	...	Radical (uncredited)
Robert Dietrich	...	1st Heistman (uncredited)
Matt Donovick	...	2nd Heistman (uncredited)
Jack Evans	...	Harry (uncredited)
Azizi Johari	...	Minor Role (uncredited)
James Johnson	...	1st Patrol Car Officer (uncredited)
Gary Lynn	...	1st Patrol Car Officer (uncredited)
Arthur Mason	...	Sal (uncredited)
Steve McDonald	...	Police Officer (uncredited)
Cynthia Mitchell	...	2nd Fox (uncredited)
Steve Moriarty	...	Hospital Orderly / Driver (uncredited)
John Price	...	Punk Kid (uncredited)
Eugene Rice	...	Workman (uncredited)
Chuck Roberson	...	Bodyguard (uncredited)
Marvin Rosand	...	Property Officer (uncredited)
Kim Sanford	...	Ginger (uncredited)
George Selvidge	...	Commissioner (uncredited)
Steve Singer	...	Emergency Doctor (uncredited)

Directed by
John Sturges

Writing credits
Lawrence Roman		(written by)

Produced by
Arthur Gardner	....	producer
Jules V. Levy	....	producer (as Jules Levy)
Lawrence Roman	....	co-producer
Michael Wayne	....	executive producer

Original Music by
Elmer Bernstein

Cinematography by
Harry Stradling Jr.		(director of photography)

Film Editing by
William H. Ziegler		(as William Ziegler)

Casting by
Nessa Hyams

Production Design by
Walter M. Simonds		(as Walter Simonds)

Set Decoration by
Anthony C. Montenaro		(as Tony Montenaro)

Makeup Department
Joe DiBella	....	makeup artist (as Joe Di Bella)
Dave Grayson	....	makeup artist (as David Grayson)

Production Management
Michael S. Glick	....	unit production manager

Second Unit Director or Assistant Director
Jerry Grandey	....	second assistant director
Ronnie Rondell Jr.	....	second unit director (as Ron R. Rondell)
Ric Rondell	....	first assistant director

Art Department
Jerry Graham	....	property master
Bob McLing	....	assistant property master (uncredited)

Sound Department
Tex Rudloff	....	re-recordist
Charles M. Wilborn	....	sound

Special Effects by
Howard Jensen	....	special effects

Stunts
Denny Arnold	....	stunts (uncredited)
Bobby Bass	....	stunts (uncredited)
Gary McLarty	....	stunt driver (uncredited)
Hal Needham	....	stunt driver (uncredited)
Chuck Roberson	....	stunts (uncredited)
Ronnie Rondell Jr.	....	stunts (uncredited)
Fred Waugh	....	stunts (uncredited)
Glenn R. Wilder	....	stunts (uncredited)

Camera and Electrical Department
Bernie Abramson	....	director of photography: second unit (uncredited)

Costume and Wardrobe Department
Luster Bayless	....	wardrobe

Music Department
Elmer Bernstein	....	conductor (uncredited)
Jack Hayes	....	orchestrator (uncredited)
Leo Shuken	....	orchestrator (uncredited)
Dan Wallin	....	scoring mixer (uncredited)

Transportation Department
James D. Brubaker	....	transportation coordinator (as James Brubaker)

Other crew
Wayne Fitzgerald	....	title
John Franco	....	script supervisor
Thomas John Kane	....	assistant to producers (as Thomas J. Kane)
Robert L. Levy	....	production coordinator (as Robert Levy)
Jack Casey	....	unit publicist (uncredited)
June Foray	....	voice: disk jockey, various (uncredited)

Production Companies

• Batjac Productions (as A Batjac and Levy-Gardner Production)

Distributors

• Warner Bros. (1974) (USA) (theatrical) (as Warner Bros A Warner Communications Company) (also as Warner Bros. Pictures A TimeWarner Company)
• Columbia-Warner Distributors (1974) (UK) (theatrical)
• Warner Bros. (1974) (France) (theatrical)
• Warner-Columbia Filmverleih (1974) (West Germany) (theatrical)
• National Broadcasting Company (NBC) (1976) (USA) (TV) (original airing) (pan/scan)
• Warner Home Video (2005) (Germany) (DVD)
• Warner Home Video (1995) (USA) (VHS)
• Warner Home Video (2005) (USA) (DVD)
• Warner Home Vídeo (Brazil) (VHS)

Other Companies

• Cinemobile System  locations by (as Cinemobile Systems)
• Military Armament Corporation  special weapon
• People and the Officials of the City of Seattle, The  the producers wish to express their thanks to: for their cooperation in the filming of this motion picture (as the People and the Officials of the City of Seattle)

Also Known As:

Runtime:

111 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Finland:K-16 | Norway:16 | Sweden:15 | USA:PG | UK:15 (video rating) (1988) | Australia:M | West Germany:16 (nf) | UK:15 (tv rating) | UK:AA (original rating)

Filming Locations:

Aberdeen, Washington, USA

Company:

Batjac Productions

Trivia:

This is the only movie that western-director John Sturges and cowboy-actor John Wayne made together.

Goofs:

Audio/visual unsynchronized: None of McQ's daughter's lines match what she's saying. It appears that her entire dialog was overdubbed by another actress.

Quotes:

[McQ has just test-fired a MAC-10 submachine gun, and is putting it inside his leather bag. Jack, the gun shop owner reacts to this]
Jack:You're not going to take it, are you?
Det. Lt. Lon McQ:Just say it's a loan.
Jack:Lon, it's not licensed!
Det. Lt. Lon McQ:Jack, neither am I.

Movie Connections:

Referenced in "Mystery Science Theater 3000: Mitchell (#6.12)" (1993)

Wayne liked that Trans Am for all the 'Horse' power

This is just not typical Wayne. Not like the westerns of which he had critical acclaim. To take into account that Wayne already had a body full of 'cancer' when he was making this film. In example, being that just two movies (barely a year and a half) later, he had to have oxygen administered to him, on the set of that last movie that he acted in 'The Shootist'. That was do to the fact that on the set of that old western picture that was shot in about, 1948' out in a desert area, where there had been previous nuclear testing performed. The location managers, happened to put the production company on that site to shoot the movie, it wasn't Wayne being stupid or his fault it was where they were set up to work...everyone else from that movie was gone long ago, Wayne was one of the last to go. Considering all the 'weight' on top of him, I really enjoyed the story and the action, and I am utterly impressed at the caliber of performance that Wayne brought to this picture!!

Also I wanted to mention my respect for Lawrence Roman and John Sturges, the writer and the director, who were the other part in making this what it was.

The back drop of Seattle was especially interesting to me, being born in the northwest originally. It seemed a different setting for Wayne, altogether. Astheticlly pleasing.

Also an impressive aspect for me in this is, John Wayne has a deep commanding voice of course and yet offers sympathy and sensitivity for the other characters at times. On the other hand he also didn't take crap from those around him looking to give it to him.

I guess thats a real balancing act, that kind of makes him sensible too I would think.

Inasmuch I reverted back to my childhood days with the partly cloudy skies of Washington, "The state" as I watched 'Lon' (Wayne) move around the city from place to place, tracking the trail of 'antagonist' Manny Santiago (lettieri). Pretty fun at the point that Lon is in the Men's room with Santiago, pounding him for all he's got and bloodying the city's cornerstone criminal. Lon would return to his bachelor landing pad, out at the dock, his trusty boat. An attempted car theft and after a loud commanding shout, Lon drops the fleeing felon with a single 'solid' aimed gunshot! POW!! Awesome Wayne stuff. Watching him take the witness's statement with the recorder was classic seventies persona kind of nostalgia.

I recommend this feature to any truly discriminating Wayne fan that has not seen it. It was a departure from his other major roles. I think, even though, as it has been said Mr. Morrison always played John Wayne in everything that he ever did. I once heard a man from Hawaii say, "It doesn't matter what the movie on the marque was, if John Wayne is in it, I'm gonna go see it." Lets face it...it was never his 'range of character' that people went to see anyway.

Just good Ol' John Wayne. For me, this movie is right around the caliber of 'BULLITT' (McQueen) Wayne comes through with 'Cowboy' style.(***)