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Directed by | |||
| Guy Hamilton | |||
Writing credits | ||
| Richard Maibaum | (screenplay) and | |
| Tom Mankiewicz | (screenplay) | |
| Ian Fleming | (novel) uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Charles Orme | .... | associate producer | |
| Harry Saltzman | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
| Oswald Morris | (director of photography) | ||
Film Editing by | |||
| Raymond Poulton | |||
| John Shirley | |||
Casting by | |||
| Weston Drury Jr. | (as Weston Drury Jnr.) | ||
| Maude Spector | |||
Production Design by | |||
| Peter Murton | |||
Art Direction by | |||
| John Graysmark | (co-art director) | ||
| Peter Lamont | (co-art director) | ||
Makeup Department | |||
| Paul Engelen | .... | chief makeup artist | |
| Mike Jones | .... | hairdresser | |
| Elaine Bowerbank | .... | hairdresser (uncredited) | |
| Graham Freeborn | .... | makeup assistant (uncredited) | |
| Nick Maley | .... | makeup artist: title sequence (uncredited) | |
Production Management | |||
| Claude Hudson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Andy Armstrong | .... | second second assistant director (uncredited) | |
| Raymond Becket | .... | second assistant director (uncredited) | |
| Terence Churcher | .... | second assistant director (uncredited) | |
| Ray Freeborn | .... | first assistant director: second unit (uncredited) | |
Art Department | |||
| Leon Davis | .... | construction manager | |
| Patrick Weymouth | .... | props | |
| Ernest Archer | .... | assistant art director (uncredited) | |
| Peter Childs | .... | draughtsman (uncredited) | |
| John Chisholm | .... | prop man (uncredited) | |
| Leslie Dilley | .... | draughtsperson (uncredited) | |
| John Fenner | .... | draughtsperson (uncredited) | |
| Peter Howitt | .... | set dresser (uncredited) | |
| Tim Hutchinson | .... | set designer (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
| Ted Mitchell | .... | scenic artist (uncredited) | |
| Michael Redding | .... | location construction manager (uncredited) | |
Sound Department | |||
| Ken Barker | .... | dubbing mixer | |
| Charles Crafford | .... | dubbing editor | |
| Gordon Everett | .... | sound recordist | |
| Christopher Lancaster | .... | dubbing editor | |
| Jim Shields | .... | dubbing editor (as Jimmy Shields) | |
| Norman A. Cole | .... | assistant dubbing editor (uncredited) | |
| Jean Davis | .... | assistant dubbing editor (uncredited) | |
| Pat Gilbert | .... | assistant dubbing editor (uncredited) | |
| Stan Haines | .... | boom operator (uncredited) | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| Gordon Hay | .... | sound camera operator (uncredited) | |
| Patrick Heigham | .... | sound camera operator (uncredited) | |
| Robert Taylor | .... | sound maintenance (uncredited) | |
Special Effects by | |||
| John Stears | .... | special effects | |
| Ron Cartwright | .... | special effects technician (uncredited) | |
| Jeff Clifford | .... | special effects assistant (uncredited) | |
| John Evans | .... | special effects assistant (uncredited) | |
| Malcolm King | .... | special effects assistant (uncredited) | |
| Brian Warner | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Patrick L. Almanza | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) (as Patrick Almanza) | |
| Benjamin Chua | .... | video masters: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Anthony DiMatteo | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Carlos Long | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Jackie Lopez | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Matthew R. Mayberry | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Doran McGee | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Derek Meddings | .... | miniatures | |
| Julie Ornburn | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Daniel Wolfe | .... | damage artist: pristine digital restoration: Lowry Digital Images a DTS company (restoration) | |
| Peter Biggs | .... | miniature special effects assistant (uncredited) | |
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | opticals (uncredited) | |
| Ian Wingrove | .... | miniature special effects assistant (uncredited) | |
Stunts | |||
| W.J. Milligan Jr. | .... | stunt coordinator | |
| Gillian Aldam | .... | stunts (uncredited) | |
| Leslie Crawford | .... | stunt double: Roger Moore (uncredited) | |
| Leslie Crawford | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Eddie Eddon | .... | stunts (uncredited) | |
| Martin Grace | .... | stunt double: Roger Moore (uncredited) | |
| Christopher Lee | .... | stunt driver (uncredited) | |
| W.J. Milligan Jr. | .... | stunt double: Roger Moore (uncredited) | |
| W.J. Milligan Jr. | .... | stunt driver (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Eddie Powell | .... | stunt double: Christopher Lee (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Doug Robinson | .... | stunts (uncredited) | |
| Roy Street | .... | stunts (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
| 'Bumps' Williard | .... | stunt driver (uncredited) | |
| Chin Yuet Sang | .... | stunt actor (uncredited) | |
Camera and Electrical Department | |||
| John Harris | .... | second unit cameraman | |
| Bob Kindred | .... | camera operator | |
| Bert Bosher | .... | electrical supervisor (uncredited) | |
| Bert Bosher | .... | gaffer (uncredited) | |
| Barry Brown | .... | clapper loader: second unit (uncredited) | |
| Colin Manning | .... | camera grip (uncredited) | |
| Roger McDonald | .... | clapper loader (uncredited) | |
| Bob Penn | .... | still photographer (uncredited) | |
| Mike Roberts | .... | focus puller (uncredited) | |
| David Wynn-Jones | .... | camera focus: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Elsa Fennell | .... | wardrobe supervisor | |
| Evelyn Gibbs | .... | wardrobe assistant (uncredited) | |
| Tiny Nicholls | .... | wardrobe master (uncredited) | |
| Colin Wilson | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Graham Farrow | .... | assistant editor (uncredited) | |
| Margaret Miller | .... | second assistant editor (uncredited) | |
| Anthony Stacey | .... | second assistant editor (uncredited) | |
Music Department | |||
| John Barry | .... | conductor | |
| John Barry | .... | music arranger | |
| Monty Norman | .... | composer: The James Bond theme | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Brian Bailey | .... | production accountant | |
| Reginald A. Barkshire | .... | assistant to producers (as Reginald Barkshire) | |
| Maurice Binder | .... | main title designed by | |
| Albert R. Broccoli | .... | presenter | |
| Frank Ernst | .... | location manager | |
| Santa Pestonji | .... | production coordinator: Bangkok | |
| Eric Rattray | .... | location manager | |
| Harry Saltzman | .... | presenter | |
| Elaine Schreyeck | .... | continuity | |
| Diane Appleby | .... | publicity secretary: stills (uncredited) | |
| Terry Bamber | .... | unit runner (uncredited) | |
| Maureen Campbell | .... | publicity secretary (uncredited) | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
| Josie Fulford | .... | continuity: second unit (uncredited) | |
| Sarah Gill | .... | personal secretary: Mr. Juroe (uncredited) | |
| Liz Green | .... | studio production liaison (uncredited) | |
| Bobbie Johnson | .... | assistant production accountant: UK (uncredited) | |
| Charles Juroe | .... | director of publicity (uncredited) | |
| Jean McAllister | .... | production assistant secretary (uncredited) | |
| Sue Parker | .... | secretary: Mr. Saltzman (uncredited) | |
| Ron Phipps | .... | financial representative: UA (uncredited) | |
| John Sargent | .... | assistant production accountant: Hong Kong (uncredited) | |
| Carol Shorenstein | .... | publicity writer (uncredited) | |
| Doris Spriggs | .... | assistant: Roger Moore (uncredited) | |
| Christine Talmage | .... | assistant production accountant: UK (uncredited) | |
| Paul Tucker | .... | assistant production accountant: Thailand (uncredited) | |
| Michael G. Wilson | .... | EON productions: legal and administration (uncredited) | |
| Michael G. Wilson | .... | technical consultant (uncredited) | |
| Jean Winbolt | .... | secretary: Mr. Broccoli (uncredited) | |
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| GoldenEye | On Her Majesty's Secret Service | Live and Let Die | Dr. No | The Living Daylights |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb UK section |
The Man With the Golden Gun was producer Harry Saltzman's last hurrah before selling out his share in the Bond series to United Artists to ensure the maximum inconvenience to his detested partner Cubby Broccoli. It's certainly not premium Bond: at times it threatens to turn into an episode of The Avengers, what with Scaramanga's funhouse, his midget servant Nick Nack, it's human statues or the off-kilter angles of MI6's Hong Kong HQ located in the rusting wreck of the Queen Elizabeth, not to mention Roger Moore's more Steed-like Bond. Although there are hints of the lows to come in Moore's tenure Bond being saved by a pair of schoolgirls or defeating a villain by pretending to be a tailor's dummy this is still recognisable an old-school Bond film, with thankfully few gadgets, although it's disappointing that the producers provide Scaramanga with an island lair and super-weapon to give Bond something to blow up at the end (a rather half-hearted effort to be sure: instead of a private army, Scaramanga simply has Herve Villachaize and a maintenance man).
Britt Ekland's irritating 'typical silly woman' comic relief was a bit hard to take in 1974 and gets worse with each passing year, but Christopher Lee's Scaramanga is one of the more interesting Bond villains, not least because of his imagined empathy with his prey he regards himself as Bond's moral and professional equal, the kind of pathological snobbery Fleming's books were full of but the films increasingly abandoned.