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The Man with the Golden Gun (1974)

6.8
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Ratings: 6.8/10 from 60,191 users  
Reviews: 240 user | 94 critic

Bond is led to believe that he is targeted by the world's most expensive assassin and must hunt him down to stop him.

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(screenplay), (screenplay), 1 more credit »
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Title: The Man with the Golden Gun (1974)

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Cast

Cast overview, first billed only:
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Andrea
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Nick Nack (as Herve Villechaize)
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Richard Loo ...
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Hip (as Soon-Taik Oh)
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'M'
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Marne Maitland ...
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'Q'
James Cossins ...
Yao Lin Chen ...
Chula (as Chan Yiu Lam)
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Storyline

Scaramanga is a hit-man who charges a million dollars per job. He becomes linked to the death of a scientist working on a powerful solar cell, and James Bond is called in to investigate. As he tracks down Scaramanga, he realises that he is highly respected by the killer, but will this prove to be an advantage in the final showdown? Written by Graeme Roy <gsr@cbmamiga.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

The man with the golden gun is ready to assassinate James Bond. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 December 1974 (USA)  »

Also Known As:

Ian Fleming's The Man with the Golden Gun  »

Filming Locations:

 »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$21,000,000 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

In both the source novel and this film, the Scaramanga character has an additional nipple which in reality can be a real biological occurrence. It is known as a supernumerary nipple but can also be called an accessory nipple or third nipple. The medical name for such can be either polythelia or polymastia. In this movie though, it is referred to as a superfluous papilla. In the James Bond parody movie Austin Powers in Goldmember (2002), the Goldmember character also has a third nipple. See more »

Goofs

Upon impact, the first police car that hits the overturned taxi has no windows open, and the driver is wearing a seat belt but no cap. In the next shot, the driver's window is open, and the officer inside is wearing a cap but no seat belt. See more »

Quotes

[first lines]
Francisco Scaramanga: Nick Nack! Tabasco!
Nick-nack: Right away, Monsieur Scaramanga.
See more »

Crazy Credits

THE END of THE MAN WITH THE GOLDEN GUN James Bond will return in THE SPY WHO LOVED ME See more »

Connections

Referenced in The Trip (2010) See more »

Soundtracks

The Man With The Golden Gun
Music by John Barry
Lyrics by Don Black
Title song sung by Lulu
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Much better than its reputation
8 August 2005 | by (London, England) – See all my reviews

The Man With the Golden Gun was producer Harry Saltzman's last hurrah before selling out his share in the Bond series to United Artists to ensure the maximum inconvenience to his detested partner Cubby Broccoli. It's certainly not premium Bond: at times it threatens to turn into an episode of The Avengers, what with Scaramanga's funhouse, his midget servant Nick Nack, it's human statues or the off-kilter angles of MI6's Hong Kong HQ located in the rusting wreck of the Queen Elizabeth, not to mention Roger Moore's more Steed-like Bond. Although there are hints of the lows to come in Moore's tenure – Bond being saved by a pair of schoolgirls or defeating a villain by pretending to be a tailor's dummy – this is still recognisable an old-school Bond film, with thankfully few gadgets, although it's disappointing that the producers provide Scaramanga with an island lair and super-weapon to give Bond something to blow up at the end (a rather half-hearted effort to be sure: instead of a private army, Scaramanga simply has Herve Villachaize and a maintenance man).

Britt Ekland's irritating 'typical silly woman' comic relief was a bit hard to take in 1974 and gets worse with each passing year, but Christopher Lee's Scaramanga is one of the more interesting Bond villains, not least because of his imagined empathy with his prey – he regards himself as Bond's moral and professional equal, the kind of pathological snobbery Fleming's books were full of but the films increasingly abandoned.


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