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The Man with the Golden Gun (1974)

PG  |   |  Action, Adventure, Thriller  |  20 December 1974 (USA)
6.8
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Ratings: 6.8/10 from 64,108 users  
Reviews: 244 user | 102 critic

Bond is led to believe that he is targeted by the world's most expensive assassin and must hunt him down to stop him.

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Cast

Cast overview, first billed only:
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Andrea
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Nick Nack (as Herve Villechaize)
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Richard Loo ...
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Hip (as Soon-Taik Oh)
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'M'
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Marne Maitland ...
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'Q'
James Cossins ...
Yao Lin Chen ...
Chula (as Chan Yiu Lam)
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Storyline

Scaramanga is a hit-man who charges a million dollars per job. He becomes linked to the death of a scientist working on a powerful solar cell, and James Bond is called in to investigate. As he tracks down Scaramanga, he realises that he is highly respected by the killer, but will this prove to be an advantage in the final showdown? Written by Graeme Roy <gsr@cbmamiga.demon.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Roger Moore as James Bond 007 See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

20 December 1974 (USA)  »

Also Known As:

Ian Fleming's The Man with the Golden Gun  »

Filming Locations:

 »

Box Office

Budget:

$13,000,000 (estimated)

Gross:

$21,000,000 (USA)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Vehicles featured included various American Motors cars including two American Motors Cassini (AMC) Coupés, a red 1974 AMC Hornet X Hatchback Special Coupé which performs the spiral loop jump and a brown and gold 1974 AMC Matador X Coupé which became a car-plane which was based on the Aerocar International's Aerocar or Taylor Aerocar; a fleet of green Peninsula Hotel Rolls Royce Silver Shadows; a Cairo Taxi; an MGB; Mercedes-Benz 240D; Longtail Boats riding the Bangkok floating market's canals and waterways known as the Klongs; Scaramanga's diesel-engine Chinese Junk; a Republic RC-3 SeaBee seaplane; and a Hong Kong Harbour Patrol Boat. See more »

Goofs

Scaramanga's gun is made up of a pen, cigarette case, lighter and a cuff link, yet when Scaramanga assembles his gun at the table, he doesn't produce the cuff link. See more »

Quotes

[first lines]
Francisco Scaramanga: Nick Nack! Tabasco!
Nick-nack: Right away, Monsieur Scaramanga.
See more »

Crazy Credits

THE END of THE MAN WITH THE GOLDEN GUN James Bond will return in THE SPY WHO LOVED ME See more »

Connections

Follows From Russia with Love (1963) See more »

Soundtracks

James Bond Theme
Written by Monty Norman
Performed by The John Barry Orchestra
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Much better than its reputation
8 August 2005 | by (London, England) – See all my reviews

The Man With the Golden Gun was producer Harry Saltzman's last hurrah before selling out his share in the Bond series to United Artists to ensure the maximum inconvenience to his detested partner Cubby Broccoli. It's certainly not premium Bond: at times it threatens to turn into an episode of The Avengers, what with Scaramanga's funhouse, his midget servant Nick Nack, it's human statues or the off-kilter angles of MI6's Hong Kong HQ located in the rusting wreck of the Queen Elizabeth, not to mention Roger Moore's more Steed-like Bond. Although there are hints of the lows to come in Moore's tenure – Bond being saved by a pair of schoolgirls or defeating a villain by pretending to be a tailor's dummy – this is still recognisable an old-school Bond film, with thankfully few gadgets, although it's disappointing that the producers provide Scaramanga with an island lair and super-weapon to give Bond something to blow up at the end (a rather half-hearted effort to be sure: instead of a private army, Scaramanga simply has Herve Villachaize and a maintenance man).

Britt Ekland's irritating 'typical silly woman' comic relief was a bit hard to take in 1974 and gets worse with each passing year, but Christopher Lee's Scaramanga is one of the more interesting Bond villains, not least because of his imagined empathy with his prey – he regards himself as Bond's moral and professional equal, the kind of pathological snobbery Fleming's books were full of but the films increasingly abandoned.


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