The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the ... See full summary »
In an effort to understand the plight of homeless women living on the streets, young social worker, Carrie Lange (Daphne Zuniga) attempts befriending a homeless woman named Florabelle ('... See full summary »
Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who ... See full summary »
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Hat check man Louis Blore is in love with nightclub star May Daly. May, however, is love with a poor dancer, but wants to marry for money. When Louis wins the Irish Sweepstakes, he asks May... See full summary »
This short-lived comedy series featured the legendary Lucille Ball as Lucy Barker, now a grandmother living with her daughter's family, and still getting into the comedic predicaments that ... See full summary »
The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the guardian of her late brother's only child, Patrick Dennis. Her adventures take us from the speak-easies of the roaring 20's to the depression following the great Stock Market crash. She is rescued by a wealthy Southern plantation owner, marries and is widowed suddenly, and through it all, manages to keep things under control. With some help from her dearest friend, Vera Charles, she helps keep things at 3 Beekman Place a rousing free-for-all. Written by
John Deming <firstname.lastname@example.org>
Lucille Ball's involvement in this film began in an interesting way. She felt that Rosalind Russell had clearly gotten some of her "inspiration" for her performance in the non-musical Auntie Mame (1958) from Miss Ball's character on the TV series, I Love Lucy (1951). She then put up $5,000,000 on the agreement that she would be considered for the lead. See more »
When Mame, Agnes, Ito, and Patrick are preparing to dine with Beau, Mame remarks, "I never thought Santa Claus would look so much like Rhett Butler." This part of the movie is set in the early Great Depression, well before Gone with the Wind or even the book (1936) was released. See more »
[after Patrick and Pegeen say he can't go to Siberia with Mame]
You know what your problem is mom? You don't Live Live LIVE! Life is a Banquet and most sons of bitches are starving to death!
See more »
Yes, Lucille was filmed in soft focus. No, Lucille did not play Mame exactly like Rosalind Russell. Yes, Warner Brothers was foolish in rejecting Angela Lansbury. But if you are willing to look past that, you will find a WONDERFUL motion picture.
Although Paul Zindel perhaps changed more than necessary in his script rewrite, this is still some GREAT material. And one could not have asked for better direction or supporting cast. Gene Saks did a wonderful job on all counts...the cinematography is marvellous (if you can find the wide-screen version) and the whole film is delightfully theatrical. The art direction is to die for; Ball's singing notwithstanding, the musical arrangement is superior to the Broadway recording (possibly excepting "It's Today" and the title number [although it's still very much enjoyable]); and Wayne Fitzgerald's title sequence is one of the best in film history. Although there are a few notes here and there that may make one wince, Ball's singing is really NOT THAT BAD.
Folks expecting a musical duplicate of AUNTIE MAME, however, are in for a surprise. Rosalind Russell's performance, which I love, was outrageously campy; Ball interprets Mame quite differently, and plays her much less flamboyantly. Her portrayal is not as inherently funny as Russell's, but Ball is still a grand actress, and she shows real human emotions very well in MAME. Did Angela Lansbury deserve the film role? Most definitely. Lansbury, of whom I am an enormous fan, devoted years of her life to perfecting the role on Broadway (and she DID perfect the role), and she was more than willing to do the film. It is indeed a tragedy that we have no film record of her performance, but that should not be a factor in judging the quality of this film. Ball was perhaps older than the role called for, but she was an able Mame. Everyone around her, especially the great Bea Arthur and the superb Jane Connell (undoubtedly one of the most underappreciated comic actresses alive), is brilliant.
What was Ball doing in this picture in the first place? Although she had wanted the part badly ever since AUNTIE MAME was released, it was NOT her financial backing that took this part away from Lansbury. Initially she avidly pursued the role (not even her confidante Desi Arnaz could talk her out of it), but after she broke her leg in 1973 she had a sort of reality check. Realising that she was not in any kind of shape for the part, she told the producers that she was backing out of the movie. Warner Brothers promptly flew a representative out to see her and insist on delaying production for her, saying that she was the only reason the picture was being made in the first place. Lucy was a somewhat insecure person, as well as a person always concerned about others' jobs; feeling that dropping out of the picture would leave everyone else working on it out of a job, she acquiesced. Even when the director begged for Angela Lansbury, Warner Brothers refused on the basis of "star power." It was balderdash, of course, but the business side of show business unfortunately is always in the way of the artistic side.
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