The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the ... See full summary »
In an effort to understand the plight of homeless women living on the streets, young social worker, Carrie Lange (Daphne Zuniga) attempts befriending a homeless woman named Florabelle ('... See full summary »
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of ... See full summary »
Two romantic couples are each married to different people! They really DO love each other. At the beginning Kitty thinks Larry is un-funny, unendurable, and unrelenting. Larry thinks Kitty ... See full summary »
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Little Pinks is in love with a nightclub singer named Gloria. But it is a unrequited love as she does not know that he exists. Pinks is a shy busboy and Gloria only goes out with men who ... See full summary »
Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
This short-lived comedy series featured the legendary Lucille Ball as Lucy Barker, now a grandmother living with her daughter's family, and still getting into the comedic predicaments that ... See full summary »
The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the guardian of her late brother's only child, Patrick Dennis. Her adventures take us from the speak-easies of the roaring 20's to the depression following the great Stock Market crash. She is rescued by a wealthy Southern plantation owner, marries and is widowed suddenly, and through it all, manages to keep things under control. With some help from her dearest friend, Vera Charles, she helps keep things at 3 Beekman Place a rousing free-for-all. Written by
John Deming <firstname.lastname@example.org>
During its initial run at the Radio City Music HAll, "Mame" set the all-time one week box office record for the house at $400,000. See more »
When Mame, Agnes, Ito, and Patrick are preparing to dine with Beau, Mame remarks, "I never thought Santa Claus would look so much like Rhett Butler." This part of the movie is set in the early Great Depression, well before Gone with the Wind or even the book (1936) was released. See more »
Up until around 1970 Lucille Ball was one great comedienne. She was such a perfect clown I only wish more people could have seen her with Bob Hope in "The Facts of Life" because she could do dry deadpan, too. as well as slapstick.
Yep, Lucille Ball was wonderful . . . until "Mame."
Trying to see Lucille Ball in "Mame" is physically impossible because there is so much Vaseline and filters on the camera lenses that you'd need Windex to see her face in some scenes. So even if you see Lucille Ball in "Mame," you can't really see Lucille Ball in "Mame". Which is a blessing.
That's about the nicest thing I can say about "Mame," the movie of the Broadway musical of the movie version of the play (this could go on, but it started with a perfectly funny book called "Auntie Mame"). Giving this a bad rap is like beating a sponge. So it does not matter that the music is croaked rather than sung. Most of the songs weren't much, anyway. There isn't any difference in the first three. "It's Today," "Open a New Window," and "We Need a Little Christmas" are all the same song. (Celene Dion should do an album with them, they're so big and dull. ) The killer ballad "If He Walked Into My Life Today" needs a confident voice (Edyie Gorme won a Grammy for doing it in 1967) that poor Lucille Ball did not possess when she made this movie. (True, Elaine Stritch can't carry a tune in a bucket, either, but at least Stritch can put over a song.)
If you still feel your life is not going to be complete unless you see Lucy in "Mame," notice how there IS dancing in it, but whenever Lucy/Mame starts to do anything beyond a palsied shuffle the camera cuts away, then returns right when the number is over and the star poses with the dancers. Again, it's just as well. Jane Connell got to reprise the role of pathetic Agnes Gooch after Lucille Ball had Madeline Kahn fired to ensure no comic originality would upstage the star. Connell is a stage performer who, like Carol Channing and Ethyl Merman, can't scale down her performances for films, so she joins Lucille Ball in being embarrassing, though for different reasons.
The lavish gowns are by Theadora Van Runkle (Van Wrinkle?) and they provide the color missing in all but one of the cast.
Bea Arthur as the actress Vera Charles, Mame's best friend, ignores everyone and does her own fun thing. If only she was in more scenes. She's too old for her role, too, but at least she didn't maim it.
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