The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flair for life and a razor-sharp wit. Her life is suddenly changed when she becomes the ...
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An American actor (Arthur Tyler) impersonating an English butler is hired by a nouveau riche woman (Effie Floud) from New Mexico to refine her husband and headstrong daughter (Aggie). The ... See full summary »
Nicky and Tacy are going to be married. Nicky wants to save up money for a house, but Tacy dreams of starting off with their own home on wheels--a trailer. After the two are hitched, they ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Susan and Lorenzo have been married for over five years and they are starting to drift apart. So into her life comes an angel, which only Susan can see, to tell her that there will be ... See full summary »
The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flair for life and a razor-sharp wit. Her life is suddenly changed when she becomes the guardian of her late brother's only child, Patrick Dennis. Her adventures take us from the speak-easies of the roaring 20's to the depression following the great Stock Market crash. She is rescued by a wealthy Southern plantation owner, marries and is widowed suddenly, and through it all, manages to keep things under control. With some help from her dearest friend, Vera Charles, she helps keep things at 3 Beekman Place a rousing free-for-all. Written by
John Deming <firstname.lastname@example.org>
The first image seen of Lucille Ball, the b/w portrait seen in the den preceding the main titles, is a shot taken during the "Open A New Window" segment at the burlesque theatre, which takes place later in the movie. She's in the same dress, hat and fox wrap, and even has her hands in a bag of popcorn. See more »
When Mr. Babcock and Mame argue, she has her hands protectively on Patrick's shoulders. Shot cuts to Babcock saying "That's not a school, it's the Garden of Eden," and when it cuts back to the longer shot, her hands are covering Patrick's ears. This odd bit of continuity is due to cut dialogue, in which she declares "What could be more wholesome and natural?" and he responds "It is not wholesome and natural for boys and girls to run around half nude." Mame is shown covering Patrick's ears while responding "Mr. Babcock! Not in front of the B-O-Y!" See more »
I'm thrilled by the style and wit of each jest that you make. It's bracing to me. Trade quips with my bosom buddy. You Woolcott, you Benchley, you snake.
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It has been a puzzlement to me ever since seeing Mame in it's premiere run way back in 1974, that so many people have so many different views of this movie. It is either absolutely loved or positively hated by the people who see it. I believe Lucille Ball is, and always will be Mame. She plays the character exactly the way she should be played, hard, tender, funny, bitchy, loving, sophisticated and free-spirited.
This film has a bright cheery look and feel with big splashy production numbers which lovingly look back at the grand old Hollywood Musicals of the past. The production values are stunning, with beautiful sets and costumes that are truer to the period than the ones in Auntie Mame. The supporting cast is great, with Bea Arthur as Vera Charles and Jane Connell as Gooch. And concerning the complaints about the filming of Lucy through gauze, just go back to the MGM Musicals of the 40's and 50's and you'll see almost every major female star, young and old, filmed through heavy gauze.
I've come to the conclusion that this movie has been labeled a bomb for so long that some people already have their minds made up not to like it before the opening credits have ended. And the ones who see it for the first time without any idea of it's troubled history, end up loving it!
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