Mame (1974)

The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the ... See full summary »

Director:

Gene Saks

Writers:

Patrick Dennis (novel), Jerome Lawrence (play),

Stars:

Lucille Ball, Bea Arthur, Robert Preston

Nominated for 2 Golden Globes.

Cast

Cast overview, first billed only:
Lucille Ball	...	Mame Dennis
Bea Arthur	...	Vera Charles
Robert Preston	...	Beauregard Jackson Pickett Burnside
Bruce Davison	...	The Older Patrick
Kirby Furlong	...	Young Patrick
Jane Connell	...	Agnes Gooch
Joyce Van Patten	...	Sally Cato
Doria Cook-Nelson	...	Gloria Upson (as Doria Cook)
Don Porter	...	Mr. Upson
Audrey Christie	...	Mrs. Upson
John McGiver	...	Mr. Babcock
Bobbie Jordan	...	Pegeen (as Bobbi Jordan)
Patrick Labyorteaux	...	Peter
Lucille Benson	...	Mother Burnside
Ruth McDevitt	...	Cousin Fan

Storyline

The musical revolves around the antics of Mame Dennis, a fun-loving, wealthy eccentric with a flare for life and a razor sharp wit. Her life is suddenly changed when she becomes the guardian of her late brother's only child, Patrick Dennis. Her adventures take us from the speak-easies of the roaring 20's to the depression following the great Stock Market crash. She is rescued by a wealthy Southern plantation owner, marries and is widowed suddenly, and through it all, manages to keep things under control. With some help from her dearest friend, Vera Charles, she helps keep things at 3 Beekman Place a rousing free-for-all.

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Plot Keywords:

romantic rivalry | expectant mother | based on stage musical based on stage play | heavily pregnant mother | unwed pregnancy | 

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Taglines:

She'll coax the blues right out of your heart!

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Genres:

Musical

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

27 March 1974 (USA)

Also Known As:

Ante todo, mujer

Filming Locations:

Georgia, USA

Box Office

Budget:

$12,000,000 (estimated)

Company Credits

Production Co:

American Broadcasting Company (ABC), Warner Bros

Technical Specs

Runtime:

132 min

Sound Mix:

Stereo

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Another bit of the "Open A New Window" sequence filmed but cut depicted Mame and Patrick on a tandem bicycle in costumes that were not used anywhere else in the film, but are often seen in publicity shots, including here on IMDb. Similarly, Mame and Patrick were to be seen playing her glass piano, and this is another widely circulated publicity shot, despite being cut.

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Goofs

Mame claps her hands together and asks "Where's all of last year's tinsel and stuff?" Then the camera angle changes and Mame's hands are suddenly spread apart.

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Quotes

Mame: Could you be persuaded to have a drink, dear?
Vera Charles: Well, maybe just a TINY triple!

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Connections

Version of Auntie Mame (1958)

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Soundtracks

"Finale: Open A New Window/Mame"
Performed by Lucille Ball and Company

User Reviews

Absolutely one of my favourite movies

Yes, Lucille was filmed in soft focus. No, Lucille did not play Mame exactly like Rosalind Russell. Yes, Warner Brothers was foolish in rejecting Angela Lansbury. But if you are willing to look past that, you will find a WONDERFUL motion picture.

Although Paul Zindel perhaps changed more than necessary in his script rewrite, this is still some GREAT material. And one could not have asked for better direction or supporting cast. Gene Saks did a wonderful job on all counts...the cinematography is marvellous (if you can find the wide-screen version) and the whole film is delightfully theatrical. The art direction is to die for; Ball's singing notwithstanding, the musical arrangement is superior to the Broadway recording (possibly excepting "It's Today" and the title number [although it's still very much enjoyable]); and Wayne Fitzgerald's title sequence is one of the best in film history. Although there are a few notes here and there that may make one wince, Ball's singing is really NOT THAT BAD.

Folks expecting a musical duplicate of AUNTIE MAME, however, are in for a surprise. Rosalind Russell's performance, which I love, was outrageously campy; Ball interprets Mame quite differently, and plays her much less flamboyantly. Her portrayal is not as inherently funny as Russell's, but Ball is still a grand actress, and she shows real human emotions very well in MAME. Did Angela Lansbury deserve the film role? Most definitely. Lansbury, of whom I am an enormous fan, devoted years of her life to perfecting the role on Broadway (and she DID perfect the role), and she was more than willing to do the film. It is indeed a tragedy that we have no film record of her performance, but that should not be a factor in judging the quality of this film. Ball was perhaps older than the role called for, but she was an able Mame. Everyone around her, especially the great Bea Arthur and the superb Jane Connell (undoubtedly one of the most underappreciated comic actresses alive), is brilliant.

What was Ball doing in this picture in the first place? Although she had wanted the part badly ever since AUNTIE MAME was released, it was NOT her financial backing that took this part away from Lansbury. Initially she avidly pursued the role (not even her confidante Desi Arnaz could talk her out of it), but after she broke her leg in 1973 she had a sort of reality check. Realising that she was not in any kind of shape for the part, she told the producers that she was backing out of the movie. Warner Brothers promptly flew a representative out to see her and insist on delaying production for her, saying that she was the only reason the picture was being made in the first place. Lucy was a somewhat insecure person, as well as a person always concerned about others' jobs; feeling that dropping out of the picture would leave everyone else working on it out of a job, she acquiesced. Even when the director begged for Angela Lansbury, Warner Brothers refused on the basis of "star power." It was balderdash, of course, but the business side of show business unfortunately is always in the way of the artistic side.