| Photos (See all 10 | slideshow) |
| Robert Powell | ... | Gustav Mahler | |
| Georgina Hale | ... | Alma Mahler | |
| Lee Montague | ... | Bernhard Mahler | |
| Miriam Karlin | ... | Aunt Rosa | |
| Rosalie Crutchley | ... | Marie Mahler | |
| Gary Rich | ... | Young Gustav | |
| Richard Morant | ... | Max | |
| Angela Down | ... | Justine Mahler | |
| Antonia Ellis | ... | Cosima Wagner | |
| Ronald Pickup | ... | Nick | |
| Peter Eyre | ... | Otto Mahler | |
| Dana Gillespie | ... | Anna von Mildenburg | |
| George Coulouris | ... | Doctor Roth | |
| David Collings | ... | Hugo Wolf | |
| Arnold Yarrow | ... | Grandfather | |
| David Trevena | ... | Doctor Richter | |
| Elaine Delmar | ... | Princess | |
| Benny Lee | ... | Uncle Arnold | |
| Andrew Faulds | ... | Doctor on Train | |
| Otto Diamant | ... | Professor Sladky | |
| Michael Southgate | ... | Alois Mahler | |
| Kenneth Colley | ... | Krenek (as Ken Colley) | |
| Sarah McClellan | ... | Putzi | |
| Claire McClellan | ... | Glucki | |
| rest of cast listed alphabetically: | |||
| Oliver Reed | ... | Train Conductor | |
| Alex 'Alien' Russell | ... | (uncredited) | |
Directed by | |||
| Ken Russell | |||
Writing credits(in alphabetical order) | ||
| Ken Russell | ||
Produced by | |||
| Roy Baird | .... | producer | |
| Sanford Lieberson | .... | executive producer (as Sandy Lieberson) | |
| David Puttnam | .... | executive producer | |
Cinematography by | |||
| Dick Bush | |||
Film Editing by | |||
| Michael Bradsell | |||
Art Direction by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Shirley Russell | |||
Makeup Department | |||
| Joyce James | .... | hair stylist | |
| Peter Robb-King | .... | makeup artist | |
Production Management | |||
| John Comfort | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mike Gowans | .... | assistant director | |
Art Department | |||
| Andy Andrews | .... | chief props | |
| Roger Christian | .... | associate art director | |
| Paul Dufficey | .... | original oil painting | |
| Jill Quertier | .... | property buyer | |
| Peter Verard | .... | construction manager | |
Sound Department | |||
| Iain Bruce | .... | sound recordist | |
| Ian Fuller | .... | dubbing editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Charlie McFadden | .... | boom operator | |
Special Effects by | |||
| John Richardson | .... | special effects | |
Camera and Electrical Department | |||
| David Cadwallader | .... | camera grip | |
| Eddie Collins | .... | camera operator | |
| Micky Thomas | .... | gaffer | |
| Malcolm Vinson | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Richard Pointing | .... | wardrobe master | |
| Leonard Pollack | .... | assistant costume designer | |
Editorial Department | |||
| Stuart Baird | .... | assistant editor | |
Music Department | |||
| John Forsyth | .... | co-conductor | |
| John Forsyth | .... | music coordinator | |
| Dana Gillespie | .... | composer: song "Alma's Song" | |
| Bernard Haitink | .... | conductor | |
| Koninklijk Concertgebouworkest | .... | orchestra | |
| Michael Moores | .... | music arranger: piano | |
Other crew | |||
| Clinton Cavers | .... | production assistant | |
| Brenda Dale | .... | assistant to producer | |
| Richard Green | .... | location manager | |
| Gillian Gregory | .... | choreographer | |
| Kay Mander | .... | script supervisor | |
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| The Ruling Class | Toto the Hero | Isadora | Edvard Munch | Love in the Time of Cholera |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
I must confess ignorance in regards to the works of Ken Russell until just recently. After viewing "Altered States" I was curious to see more of his work and this little gem was the next film to come to my attention.
What struck me first of all are the remarkable similarities between this film and any number of Kubrick's works. From technique to unexpected and striking visuals, and of course, the use of classical music to underscore the action. Though obviously that's a given considering the subject matter here.
I found the film to be simply mesmerizing. Rather than trying to be some sort of historical document on the life of Mahler, the film gives visual interpretation to Mahler's work, and does so beautifully.