Several old college friends converge at a mansion, ostensibly for a pleasant reunion. Larry Dann, the most easygoing of the bunch, comes to the conclusion that all is not well in the old ... See full summary »

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Cast

Complete credited cast:
Anthony Bate ...
Dr. Borden
Larry Dann ...
Talbot
...
Sophy Kwykwer
Sally Grace ...
Girl
...
Rennie
Leigh Lawson ...
Robert
Vivian MacKerrell ...
Duller
...
Mc Fayden
...
Matron
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Storyline

Several old college friends converge at a mansion, ostensibly for a pleasant reunion. Larry Dann, the most easygoing of the bunch, comes to the conclusion that all is not well in the old dark house. For one thing, he's run across several people whom he's never met. For another, they all seem to be of a different time and place. Written by Ørnås

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Horror

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19 March 1974 (UK)  »

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Ghost Story  »

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1.85 : 1
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The final cinema film of Barbara Shelley. See more »

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Referenced in The Big Box: To the Devil a Daughter (2009) See more »

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User Reviews

 
Pretty lacking ghost story
22 April 2014 | by (Edinburgh, Scotland, UK) – See all my reviews

Three college acquaintances spend time in an old Victorian mansion. One of them starts seeing visions of events from the previous century, involving a young woman who previously lived in the house. These hallucinations seem to involve an incident where her brother committed her to an insane asylum despite nothing actually being wrong with her.

Ghost Story has a reasonably interesting cast at its disposal. It includes the ultra-camp Murray Melvin (The Devils, Barry Lyndon) as the effeminate host who invites the others to the mansion; friend of The Rolling Stones Marianne Faithful also stars in the role of the ghostly girl, while To the Manor Born's Penelope Keith also appears. But unfortunately, even with this cast there is terrible chemistry between the actors. Meaning its difficult becoming very involved in their story and it is a weak story at that. The narrative is split into two threads – the current day and the ghostly flashback – but the period story is far superior to the anaemic contemporary one. This means that when events return to the three foppish central characters the film really drags. There are admittedly some decent sequences in the ghostly section such as the scene in the asylum. But overall, there really isn't enough good material here to make this obscurity worth checking out.


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