|Page 1 of 5:||    |
|Index||49 reviews in total|
I saw this movie for the first time about a year ago and thought it was genuinely pretty creepy. I am from the Scream generation and believe it or not, saw comparisons between this movie and Scream. It made me feel the same way. It was horror with a little bit of mystery. I am hoping for a dvd release of the film. If you haven't seen the movie, give it a try. You might be surprised.
There is the seed of a good campy horror movie here, and there are some genuinely humorous bits here and there. But the storyline is a mess, as if the writer was trying to cram in every element found in previously popular Price movies. At the end (which in itself contains a lot of unanswered questions), there were a lot of unexplained/unresolved stuff and characters left over. I have to wonder if there was some frantic rewriting or last minute editing during the production. There is some value of seeing both Price and Cushing here, though you should know that Cushing doesn't appear that much. I suspect that he was just hired for a few days of shooting, because from the looks of the movie, they didn't have a high budget.
A horror movie star (Vincent Price) returns to his famous role after
years in a mental institution. But the character seems to be committing
murders independent of his will.
This is a great cast! Vincent Price as horror star Paul Toombes, Peter Cushing as his friend Herbert Flay. And even throw in Robert Quarry as Oliver Quayle. Cushing and Price alone sell a film, but Quarry (known to horror fans as Count Yorba) is a welcome addition.
This is probably the sexiest Price film. While he has had his share of female co-stars, and some of them even sort of foxy (see the Phibes films), here is the first time I know of where women are practically throwing themselves at him. Sure, he is past 60 at this point, but still a handsome man in his own right.
I also have to give credit to whoever joined Amicus and AIP together. AIP has consistently made Price a star in their films, and Amicus is a powerhouse in Britain (second only to Hammer). By combining them, that was a work of genius (and I presume why we see Cushing and Price share a screen).
Some critics have bashed the film saying "it could have been written during a lunch break", but I think it is a very touching homage to Price's career in horror, particularly with the showing of some of his past work. Howard Maxford hesitantly approves, saying it has "a fairly successful mixture of chills and humour." I concur.
There are, of course, other Price films to see first. But do not rule this one out -- it is better than some of his other work (I thought it easily topped "Cry of the Banshee") and a real treat to see him alongside Cushing. For as little exposure as this one gets, it is much better than you might think (though, the most overlooked Price film is still probably "Mad Magician").
*** This review may contain spoilers ***
Vincent Price is my favorite actor, and, until recently, Jim Clark's
"Madhouse" was one of the very few Horror films with the Horror icon
that I had yet to see. Since I knew that Price was playing a Horror
actor, who returns to his role after years of mental problems, I was
expecting a film very similar to Price's two most famous 70s films,
"The Abominable Dr. Phibes" (1971) and "Theater of Blood" (1973).
However, "Madhouse" turned out not to be a blatant copy after all.
While it never reaches the greatness of the two previously mentioned
films, "Madhouse", which also features Price's fellow Horror deity
Peter Cushing (another favorite actor of mine) is a very likable
mixture of Horror, Mystery, Parody and Black Comedy and a great homage
to Price's earlier career.
Price plays Horror actor Paul Toombes, who is most famous for playing the role of a villain named "Dr. Death". When his fiancée gets killed, Toombes falls in a state of shock and becomes insane. After treatment and several years without appearing in public, Toombes is invited by a sleazy producer (Robert Quarry) to reprise his role. He therefore comes to England where he is welcomed by his friend, fellow actor, and "Dr. Death" screenwriter Herbert Flay (Peter Cushing). However, soon after Toombes' appearance, a bizarre murder is committed, then followed by another, and corpses begin to pile up. Has Toombes gone mad and brought Dr. Death into real life? Or is there someone else behind the gruesome acts? "Madhouse" is, primarily, worth watching for its great cast. No Horror lover can allow himself or herself to miss a film starring Vincent Price AND Peter Cushing, and though this one is quite far from being among either man's best films, it is obvious that the two Horror deities had great fun making this film. One of my main complaints about "Madhouse" is that Cushing should have had more screen time. The rest of the cast is also very good, Robert Quarry ("Dr. Phibes Rises Again") fits very well in his role of the sleazy producer. The female cast includes Adrienne Corri (who is probably best known as the rape victim in Kubrick's "Clockwork Orange", and who had previously been in "Vampire Circus" of 1972, which is my choice for the greatest Hammer film) as well as the beautiful young Linda Hayden ("Taste The Blood of Dracula").
As mentioned above, the film is a nice homage to Price's earlier career, and features parts of Roger Corman's Poe films, which mark the highlights of Price's impressive career. This film being co-produced by AIP, which produced the Poe films, allowed the film to include actual sequences from these films (the other production company involved were the British Anthology Horror specialists from Amicus). Some of the films featured in this one are "House of Usher" (1960), "Pit and the Pendulum" (1961), "The Haunted Palace" (1963), "Tales of Terror" (1962) and "The Raven" (1963). The sequences that are shown are all supposed to be scenes from the fictional 'Dr. Death' series. "Tales of Terror" and "The Raven" gave the producers the opportunity to credit Boris Karloff and Basil Rathbone, even though they are only seen in archive footage. The film has a nice, morbid sense of humor that often resembles that of "Theater of Blood" and "Dr. Phibes". There is some light and amusing gore, and the killings are wonderfully macabre.
"Madhouse" isn't nearly the same quality as "Theater of Blood" or "The Abominable Dr. Phibes" and yet it is another delightfully macabre 70s Horror Comedy starring the most magnificently sinister actor who ever enriched the world of Horror. Vincent Price, we worship thee!
Despite its star trio of 1970s horror masters--Vincent Price, Peter Cushing and Robert Quarry--"Madhouse" is not so much a horror film as a murder mystery with horror trappings. Very loosely based on Angus Hall's rather trashy novel "Devilday" (in which the central character of horror movie actor "Paul Harvard Toombs" is much more sinister), it features Price in a role that was at the time not too far removed from his real life situation: a film actor who would really like to move past horror films, but who for a variety of reasons was duty bound to keep making them. Price's character suffered a breakdown after his fiancé was horribly murdered. Several years later, after he is contracted to return to his signature role of "Dr. Death" for a television series, a new rash of murders occur and even Toombs himself does not know whether he is responsible or not. Cushing appears as the writer of the "Dr. Death" show and Quarry, in an uncharacteristically amusing performance, plays the producer, a parody of Amicus Films' Milton Subotsky (Amicus and Subotsky co-produced). Adrienne Corri has a bizarre role as a crazed, burn-scarred former actress, who has taken to living in Cushing's basement and raising spiders, which doesn't really fit in with the rest of the film. Still, as a quasi-horror film, "Madhouse" is fine; it contains some great, atmospheric scenes of "Dr. Death" stalking his victims, and despite its flying in from left field, the whole Corri subplot is undeniably unnerving. As a mystery...well, it's not really very hard to figure out who is responsible for the killings. But what "Madhouse" was obviously intended to do, and what it pretty much fails at, is to provide Price with the kind of career summation picture that Peter Bogdanovich gave Boris Karloff through 1968's "Targets." Old film clips from "House of Usher," "Pit and the Pendulum," "Tales of Terror," "The Haunted Palace" and "The Raven" are interspliced to give us a look at the actor's background, but they are not presented in a way that offers any kind of resonance to Toombs/Price's career. I had the opportunity to talk briefly with Vincent Price about this film a couple years after it was made, and he was not very happy with the way it turned out. But purely on the surface level, "Madhouse" is an entertaining, grisly whodunnit that offers good roles to its three stars.
The plot = A horror actor Paul Toombes played by (Vincent Price) whose
biggest and best known role is Dr Death has decided to bow out of the
profession and settle down with his new fiancé, but after a heated
argument, she is attacked by someone dressed as Dr Death and murdered,
Paul Toombes gets blamed and put into an insane asylum. Many years
later he gets released and is persuaded to play Dr Death again, that's
when the murders starts occurring again also...
I came across this rather unknown gem late one night while watching the horror channel and I must say that I rather enjoyed it. This movie stands as a fine example of the 60's and 70's features of it's time so I don't why this movie never gets mentioned or even recognised, as it's a fine form of slasher/thriller made movie with top notch acting from the likes of Vincent Price and Peter Cushing. the film is very striking, and looks very much like the other lush productions from this era.
The storyline is well crafted and keeps you interested throughout, the death scenes are also very elaborate and very violent, plus there are quite a few of them so that will keep the gore hounds happy. My only complaint is the so called shock twist ending, which wasn't really a shock at all, it was way too easy to see past the red herrings and the identity of the killer was pretty easy to figure out. But other than that this movie is on fine form.
The cast like I already said are top notch with great performances from legends such as Vincent Price and Peter Cushing who both add true layers to they're roles and are both greatly missed, as I've enjoyed watching they're horror movies growing up.
All in all "Madhouse" is an excellent horror movie which in a way ahead of it's time that oozes atmosphere and features a memorable character in Dr. Death.
After a mental breakdown following the murder of his bride to be, famed horror actor Paul Toombes (Vincent Price) is persuaded to return to the Dr Death role that made him famous. He is persuaded by a writer friend of his Herbert Flay (Peter Cushing) who is also the scriptwriter of all the Dr Death movies. Soon Toombes finds his mind is again being tested as the series of mysterious deaths that plagued him before, returns. The police soon suspect Toombes of the crimes, but who is the mysterious masked and caped killer that is disrupting filming? Lots of campy and cheesy fun with some horror greats, there's actually some nice visuals too that I hadn't remembered from previous viewings. Not price's best but still good fun.
*** This review may contain spoilers ***
"Madhouse" is a rather original and entertaining Price effort.
Following the release of his latest horror film, actor Paul Toombes, (Vincent Price) announces his intention of retiring his famous character Dr. Death. After the death of his wife, he fulfills his retirement wish, only to be dragged out by producer Oliver Quayle, (Robert Quarry) and old friend Herbert Flay, (Peter Cushing) and the film is soon started. As the production begins, a masked killer starts to slaughter the various people associated with the project. Deciding to carry on, Paul and Oliver keep shooting the film despite the constant murders. Fearing that the creation has taken over his mind and forcing him to act out the vicious murders, he sets out to prove he isn't insane and as he gets closer and closer to the truth, the real discovery of the killer becomes known.
The Good News: There's a surprising lot to like in this film. The fact that this actually has some decent chase scenes is a real shock. There's really a decent amount of them included in the film and they're all quite thrilling to watch. The chase through the scenery in the gardens is a nice one, as is the showdown chase through the movie studios. It's a nice and really long scene that is thrilling to watch. The film's best qualities is that is mixes in traditional giallo aesthetics into a very campy Vincent Price-ish film and manages to pull them off. There's a black-gloved killer going on, stylishly killing off the various participants in a grand scheme that makes no sense, and the murder mystery is used to provide some suspense in the proceedings. It's all there and is included in the film and it fits right in. The sequence inside the pinball room is straight out of a giallo of the grandest order, full of swinging lights, hysterical screaming and the slow, suspenseful approach from the killer towards the victim. It's a marvelous scene that works wonders and is the movie's best scene. It's also got a couple of really nice kills in here, including a nifty decapitation, a sword impaled in the stomach, being crushed in a jerry-rigged movie stunt and a pitchfork through the neck, among others. It's also one of the best endings, which uses the double twist ending to a great effect and really ending on a great note. The inferno unleashed beforehand, where the first burns down the movie set and is captured on tape, leading to the first twist, is a real spectacle that is nevertheless impressive in the long list of films with that same kind of ending. This even features a really neat cast, including three genre regulars in scenery-chewing joy is a sight to behold. Really better than it should be.
The Bad News: There really isn't a whole lot wrong with the film. The biggest is that the film is set-up as a murder mystery, in typical giallo style, only for it to be painfully obvious who the killer is quite early on. That's not a real plus for the film, having the audience much farther along than the characters, and it doesn't generate that much suspense knowing that. The other main mistake is that the mask of the villain, though pretty creative, isn't that creepy. The mask looks overly plastic and doesn't inspire fear the way the great masks do. It's not bad, but there could've been a better mask available. The only other complaint against this is the campiness of the film. It's pretty much full of scenes that clash with each other, and the tones apparent aren't that easy to ignore. They're pretty blatant. This could've been a lot worse than what it is.
The Final Verdict: Mixing in the traditional giallo aesthetics with the campy fun of Price's later career makes this oddly likable, and really doesn't have a lot to dislike. It's a really entertaining film, and is a worthy recommendation for any fan of the three genre fans or of those interested in this time period.
Today's Rating-PG-13: Violence
*** This review may contain spoilers ***
It's got Vinnie The P - Yaaay! Peter Da Cush - Yaaay! AND THEY ACT
TOGETHER!!! Yep, none of your Scream and Scream Again solo stuff here.
Price and Cushing team up as fading horror star Paul Toombes and script
writer Herbert Flay (nope it's not a Carry On Film) creators of a
character by the name of Dr. Death, a big horror hit years ago but not
so hot since the day Toombes discovered his fiancé's decapitated corpse
at a party to celebrate the latest Dr. Death flick. Toombes has an
understandable nervous break-down, being unable to remember if he "did
it" (Yep, it's also one of those "Am I going Barmy?" films).
However an on-form Robert Quarry, sleazy film producer extraordinaire, invites Toombes to make a come back in England in a Dr. Death t.v. series, and of course it's not long before the killings start again...
The Madhouse of the title is presumably the house where ol Pricey stays during his visit, namely because Cushing's wife lives in the basement with a bunch of spiders and is really quite barking. She still seems to fancy Toombes, though.
This is a strange but agreeable little film. Price is not really suited to the part of the cracked-up hero, but maybe he and Cushing exchanged their usual parts. Uncle Cush is brilliant, though -and just wait till you see the end - Price as Cushing as Price (work that one out!)It can be viewed as a forerunner to all those terrible slasher pics and although it's certainly not as good as Theatre Of Blood it does have something unique in cinema history to my knowledge.
Where else would you see a murder on the Michael Parkinson Show?!!!
*** This review may contain spoilers ***
The legendary Vincent Price lands himself the plumb part of veteran horror star Paul Toombes, who returns to acting after spending several years in a sanitarium. Toombes has trouble distinguishing between himself and his most popular creepy role of Dr. Death. Someone starts committing a series of murders while dressed up as Dr. Death. Is Toombes the killer? Or is it someone else? Director Jim Clark, working from a clever script and inspired by Ken Levisan and Greg Morrison, pokes plenty of sly sardonic fun at Price's famous sinister horror star persona, expertly mines a wickedly amusing line in sharp sarcastic humor (the barbed digs at ruthless and selfish showbiz types are especially spot-on), and does a sound job of creating and maintaining a good degree of spooky mysterious atmosphere. Moreover, the able acting from a bang-up cast helps out a lot: the always terrific Peter Cushing as Toombes' loyal writer friend Herbert Flay, Robert Quarry as sleazy producer Oliver Quayle, Adrienne Corri as the bitter, unhinged, and grotesquely disfigured Faye Carstairs Flay, Natasha Pyne as sweet PR specialist Julia Wilson, Linda Hayden as brash opportunistic aspiring actress Elizabeth Peters, and Michael Parkinson as a hearty TV interviewer. The generous use of choice clips from such vintage 60's Roger Corman chillers as "House of Usher" and "The Haunted Palace" greatly enhances the considerable macabre merriment. Although they only appear in a few scenes with each other, it's nonetheless a real treat to see horror icons Price and Cushing acting in a movie together. The ending is deliciously nutty and ironic. Ray Parslow's polished cinematography gives the picture an impressive glossy look. Douglas Gamley's spirited shivery score hits the shuddery spot. An immensely entertaining fright flick.
|Page 1 of 5:||    |
|Plot summary||Ratings||External reviews|
|Parents Guide||Plot keywords||Main details|
|Your user reviews||Your vote history|