5.9/10
340
6 user 13 critic

Lovin' Molly (1974)

Spanning nearly 40 years from 1925 to 1964, two Texas farm boys, straight-arrow Gid and laid-back Johnny, fight over the affections of the beautiful and headstrong Molly Taylor, who ... See full summary »

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(novel), (screenplay)
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Cast

Cast overview:
...
...
Johnny
...
...
Mr. Frye (as Ed Binns)
...
Sarah Peters
Conard Fowkes ...
Eddie White
Claude Traverse ...
Mr. Taylor
John Henry Faulk ...
Mr. Grinsom
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Storyline

Spanning nearly 40 years from 1925 to 1964, two Texas farm boys, straight-arrow Gid and laid-back Johnny, fight over the affections of the beautiful and headstrong Molly Taylor, who consistently refuses to marry either of them. Written by matt-282

Plot Summary | Add Synopsis

Taglines:

If there's a love story in you, this movie will touch it.

Genres:

Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

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Language:

Release Date:

14 April 1974 (USA)  »

Also Known As:

Molly, Gid & Johnny  »

Filming Locations:


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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Johnny's surname is never revealed. See more »

Quotes

Mr. Fry: People are the hardest animals in the world to raise. That's 'cause nobody got around to breedin' them right in the first place.
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User Reviews

Two friends vie for the same woman through the years.
4 October 1999 | by (Jersey City, NJ) – See all my reviews

Coming on the heels of The Last Picture Show, this Larry McMurtry adaptation must've sounded like a sure thing with the likes of Beau Bridges, Anthony Perkins, and Blythe Danner before the cameras and the great Sidney Lumet behind but ultimately this film is a case of too much too soon. This story, which resembles last year's The Hi-Lo Country, could've been much more interesting in the hands of others. Bridges and Danner give their acting chops a good exercise but it's a case of bringing on newcomers before their time while Perkins is just miscast period. Even Lumet shows he's in unfamiliar territory by shooting the outdoor sequences in a flat, TV movie fashion while keeping the performances more in tune with the melodramatic films of yesteryear instead of being true to the times in which the film was made. Imagine what Sam Peckinpah or Martin Ritt could've done with the material. Neither being completely horrible or forgivably worthwhile, Lovin' Molly will remain an interesting footnote in the careers of all involved.


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