Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in... See full summary »
According to the DVD sleeve notes, this movie was the first major screen role for Henry Winkler and Sylvester Stallone. The film is informally notable for being the picture that starred both Rocky and The Fonz. See more »
In the opening credits the camera pans the skyline of NY, and shows the construction of the Twin Towers in the background. The movie is set in the late 1950s and the Twin Towers were not constructed until the 1970s. See more »
If you ever show my girl a ring like that again, you know what's gonna be written on your tombstone? "I was dumb enough to show Frannie Malincanico a $1600 ring," ya got that?
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A good, decent film about leaving adolescence behind, and the threshold to adulthood.
Sylvester Stallone is very good as Stanley, the pug of the gang, who is facing fatherhood and marriage, and tries to amiably go along. He's not too bright, but he understands there is much more out there. His scene on the roof with Perry King is his way of trying to communicate that the world they have been living in is coming to an end, but, through their dreams and imagination, they can go places and experience other things. Things are changing for him, and he instinctively realizes there is much more to the world than their little corner of Brooklyn.
Perry King's Chico, on the other hand, is brighter than he lets on, and he understands all too well what is out there and is waiting for them. The trouble is, in the adult world, he will never again have the freedom and power that he has running the streets with the Lords. Growing up is not something he looks forward to. He resents what he sees as the end of the road. He wouldn't mind living out the rest of his life with the Lords, prowling the streets, knocking up girls, fighting with the clean cut kids. In this world, he is powerful and respected, but he senses it coming to an end. His argument on the roof with Stanley is his rejection of dreaming or imagining something, or somewhere, else. His unfortunate episode with Susan Blakely is his inability to relate to her as another human being. To him, she is still just a chick to be laid, not someone he may have to relate to. Everyone around him is growing up and passing him by, and Chico resents it. He basically wants things to stay just as they are.
The final rumble at the football field is an example of the Lords in their element, when they are at their happiest. The aftermath of the fight (the accident) is a further reminder that this life is at an end, and adulthood awaits, whether they are ready for it or not.
A decent, entertaining movie. Quite an interesting character study, well-acted, especially by King and Stallone.
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