Robert Rath is a seasoned hitman who just wants out of the business with no back talk. But, as things go, it ain't so easy. A younger, peppier assassin named Bain is having a field day ... See full summary »
Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
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When Stanley, Butchy and Wimpy go to steal a car in a lot, it's a dry night. As they are driving the car out of the lot, the roads are wet and the car's windshield is soaked with rain. See more »
If you ever show my girl a ring like that again, you know what's gonna be written on your tombstone? "I was dumb enough to show Frannie Malincanico a $1600 ring," ya got that?
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Here we have early film appearances from a number of guys who went on to varying degrees of stardom. I think this is mostly what this movie's good reputation is based on. But I didn't find it quite so compelling as a film.
This flick is about four high school boys in 1950's Brooklyn who belong to a "social-athletic club" (others would say gang) called the Lords. As is often the case in movies, they all look like they saw the end of high school some years before. The four (Perry King, Sylvester Stallone, Henry Winkler, Paul Mace) are poised on the brink of adulthood and the responsibility that it will bring. The film is shot in a manner that is almost cinema verite, with lots of hand-held cameras getting grainy-looking closeups. The dialog also is obviously meant to be realistic, but I found it often less than scintillating. I waited around for the bigger issues to be tackled and the larger truths to be revealed, but they are not exactly enlightening, either. A faux-'50's music soundtrack doesn't help much.
Despite these negative comments, I would give 'The Lords of Flatbush' a marginal "thumbs up," mostly for effort. It does do a good job of depicting the culture and local color of the place and time it represents. But this is no definitive film about either coming of age or life in Brooklyn in the 1950's.
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