Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
Mike Vecchio and Susan Henderson are preparing for their upcoming wedding. However, they seem to be the only two people at the wedding that are happy. Mike's brother Richie and his wife ... See full summary »
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
The title on screen is actually a shot of the back of the jacket of one of the gang members, and the ungrammatical "The Lord's of Flatbush" is exactly how it is rendered, to show that these guys may be lords of Flatbush, but they're not lords of English grammar. See more »
The movie is set in 1957 but the motorcycle Chico is riding is a 1966 Harley Davidson FLH. See more »
If you ever show my girl a ring like that again, you know what's gonna be written on your tombstone? "I was dumb enough to show Frannie Malincanico a $1600 ring," ya got that?
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If you grew up in this time and place, or a reasonable facsimile, you will understand and appreciate this little gem of a movie. If you didn't, you won't.
Those of us that did will instantly recognize the time, place and character types portrayed here.
Its strong points are its accurate capture of the milieu and the characters. In that case, the lack of character development is a positive part of the characters themselves, not a shortcoming. We know at the outset that most of them are not going to be able to break out from who or what they are, and the ones that survive Viet Nam will end up back in the neighborhood or a transplanted version of it. Even when one character recognizes his limited prospects, we're not really sure that he is going to be able to do anything about it. That's what gives the story line, such as it is, its bite.
On the other hand, the meandering plot and the technical shortcomings keep this film from achieving all that it could have. If the plot had come up to the standards of the characters and the period accuracy, and if just a little more attention had been paid to technique, this would have been a classic.
As it is, it's not quite there. But despite its shortcomings, it deserves a place among others of its type.
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