| Luc Simon | ... | Lancelot du Lac | |
| Laura Duke Condominas | ... | La Reine (The Queen) | |
| Humbert Balsan | ... | Gauvain | |
| Vladimir Antolek-Oresek | ... | Le Roi (The King) | |
| Patrick Bernhard | ... | Mordred (as Patrick Bernard) | |
| Arthur De Montalembert | ... | Lionel | |
| Charles Balsan | |||
| Christian Schlumberger | |||
| Joseph-Patrick Le Quidre | |||
| Jean-Paul Leperlier | |||
| Marie-Louise Buffet | |||
| Marie-Gabrielle Cartron | |||
| Antoine Rabaud | |||
| Jean-Marie Becar | |||
| Guy de Bernis | |||
| Philippe Chleq |
Directed by | |||
| Robert Bresson | |||
Writing credits | ||
| Robert Bresson | (written by) | |
Produced by | |||
| Jean-Pierre Rassam | .... | producer | |
| François Rochas | .... | producer | |
| Jean Yanne | .... | producer | |
| Alfredo Bini | .... | producer (uncredited) | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Pasqualino De Santis | (director of photography) (as Pasqualino de Santis) | ||
Film Editing by | |||
| Germaine Artus | (as Germaine Lamy) | ||
Production Design by | |||
| Pierre Charbonnier | |||
Set Decoration by | |||
| Jean Boulet | |||
Makeup Department | |||
| Éliane Marcus | .... | key makeup artist (as Eliane Marcus) | |
Production Management | |||
| Michel Choquet | .... | production manager | |
| Philippe Lièvre | .... | unit manager (as Philippe Lievre) | |
Art Department | |||
| Pierre Cadiou | .... | assistant production designer | |
| Michel Suné | .... | property master (as Michel Sune) | |
Sound Department | |||
| Bernard Bats | .... | sound engineer | |
| Jacques Carrère | .... | sound mixer (as Jacques Carrere) | |
| Daniel Couteau | .... | foley recordist | |
| Bernard Rochut | .... | boom operator | |
Special Effects by | |||
| Alain Bryce | .... | special effects | |
| Leslie Gilles | .... | special effects assistant | |
Stunts | |||
| Yvan Chiffre | .... | stunts | |
Camera and Electrical Department | |||
| Jean Chiabaut | .... | camera operator | |
| Mario Cimini | .... | camera operator | |
| Jacques Dorot | .... | assistant camera | |
| Dominique Le Rigoleur | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Raymonde Ventura | .... | wardrobe | |
Editorial Department | |||
| Arlette Lalande | .... | assistant editor | |
Music Department | |||
| William Flageollet | .... | music engineer | |
Other crew | |||
| Claude Bertonazzi | .... | administrator | |
| Robert Chevereau | .... | administrator | |
| Blanche Cochet | .... | production secretary | |
| Geneviève Cortier | .... | script girl | |
| Jean Pieuchot | .... | general manager | |
| Recent Posts (updated daily) | User |
|---|---|
| Correct running length? | HolyShackles |
| WORST MOVIE I've seen in a long time | lordgoblinking |
| Backs of legs?? | rayincumbria |
| roots of 'holy grail' | vfirth64 |
|
|
|
|
|
| Excalibur | Perceval | King Arthur | Ran | Alexander |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
I'll start my comment with my comments on the other comments :) The exaggerated blood spurts is of course ridiculous and I believe was meant to be. This is also what Monty Python parodied, not the other way around as others had put it. And why else would they not? It's transcendental! The actors looking like rockstars ... good thing it's vogue in the 70s and besides, the setting is the medieval period its fitting. What do they want, spikes and high crew cuts? And the complaint about the expressionless actors, I rather think that it is because the drama is in the emotions that the viewers feel for the characters.
And now for my film comments... maybe because I have such a penchant for the medieval period and familiar with the legend that I wholly liked it. And sure I found many symbolisms which I did not understand but I certainly did see the beauty. I loved the way it was filmed, the costumes, the speech, the passion... yes passion! For instance, Gawain/Guvain's devotion to Lancelot and yet remained loyal to the king. I didn't mind the repetitious cuts/editing style as I'm sure they have meanings for which I am still yet to uncover. And gladly I will.
The only complaint I have (yes, I also have a nit-pick but it's minimal *wink*) Lancelot looked a lot older than King Arthur. He's supposed to be this strapping man! Anyway, that is easy to get over with. This film is certainly something that I would love to watch again. Read PTA-fan's review and maybe you'll learn something you may have failed to see. I know I did.