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Lancelot of the Lake (1974)
"Lancelot du Lac" (original title)

7.1
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Ratings: 7.1/10 from 2,303 users  
Reviews: 32 user | 34 critic

A million miles away from 'Camelot' or 'Excalibur', this film ruthlessly strips the Arthurian legend down to its barest essentials. Arthur's knights, far from being heroic, are conniving ... See full summary »

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Title: Lancelot of the Lake (1974)

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Cast

Cast overview, first billed only:
Luc Simon ...
Laura Duke Condominas ...
La Reine (The Queen)
Humbert Balsan ...
Vladimir Antolek-Oresek ...
Le Roi (The King)
Patrick Bernhard ...
Mordred (as Patrick Bernard)
Arthur De Montalembert ...
Lionel
Charles Balsan
Christian Schlumberger
Jean-Paul Leperlier
Marie-Louise Buffet
Marie-Gabrielle Cartron
Antoine Rabaud
Jean-Marie Becar
Guy de Bernis
Edit

Storyline

A million miles away from 'Camelot' or 'Excalibur', this film ruthlessly strips the Arthurian legend down to its barest essentials. Arthur's knights, far from being heroic, are conniving and greedy men who, just before the film starts, have failed miserably to find the Holy Grail. Aimlessly resentful at first, the developing relationship between Lancelot and Queen Guinevere focuses their rage, leading to inevitable tragedy... Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Genres:

Drama | History | Romance | War

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Details

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Release Date:

26 September 1974 (France)  »

Also Known As:

Lancelot of the Lake  »

Company Credits

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Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Richard Linklater's director of photography Lee Daniel states that this films' long tracking shots had a great influence on the long takes in "Slacker". See more »

Goofs

When the knight is stabbed in the gut, the blood is visibly coming from the sword instead of the wound. See more »

Connections

Referenced in Wear (2015) See more »

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User Reviews

 
Zombies in Armour
19 January 2010 | by (Berlin, GER) – See all my reviews

According to George A. Romero, Bresson has made only zombie films, and this one indeed suggests this conclusion. Inspired by Cocteau's Les chevaliers de la table ronde, the director created an absolutely unspectacular, scanty, masterful historical scenery which ultimately destroys all romantic imaginations of knighthood. Lancelot and his colleagues strut around stoically, preferably full-armoured, with a lowered visor and even when the helmet's off, there's not one emotion to read on the knights' faces which blink towards a world that is doomed to failure, a world that has lost its pivot because of guilt, doubts, a growing consciousness which calls itself into question. There's only one long shot in the entire film which stimulates the viewer in thinking beyond the pictures into a spiritual dimension which always has been Bresson's intention and theme. Lancelot is an impressively consequent, utterly economically told film that raises the big questions of life, love, faith, loyalty, honour and treason.


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