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| Index | 21 reviews in total |
15 out of 17 people found the following review useful:
Incredibly brave or incredibly reckless?, 5 January 2003
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Author:
Jonathon Dabell (barnaby.rudge@hotmail.co.uk) from Todmorden, England
The Klansman could be one of two things. It is either a brave exploration of
racial hatred and violence in the US Deep South. Or, it is a reckless film
which is trying to generate entertainment by exploiting racial tension. I
don't agree with the majority of critics who say that this film is violent
and trashy rubbish.... in my eyes, it poses enough interesting questions and
pushes the audience out of their comfort zone sufficiently to be a
worthwhile film. I wouldn't say that it's a great, misunderstood
masterpiece, but it is definitely a film that needs reappraisal.
The story is set in Atoka County, Alabama, where race relations are balanced
on a knife edge. The rape of a white woman by a negro triggers off a
campaign of Ku Klux Klan violence, including the castration of a black
youth, which in turn leads to retaliation by black extremists such as O.J.
Simpson. Thrown into the struggles are Lee Marvin (the town sherriff who
knows that racism is bad but tolerates it in order to cling to a degree of
order) and Richard Burton (a landowner who sympathises with blacks, but is
haunted by memories of what the Klan did to his grand father).
The film contains at least one unwatchable rape scene and some tasteless
dialogue. It also suffers because Burton is so clearly miscast as a
southern sympathiser (his accent is dodgy and he seems disinterested in the
story). However, it takes a highly chraged theme and deals with it
interestingly and provocatively. The violence jolts you out of your chair
and forces you to think about the two sides of the argument. The climax is
memorable and leaves you feeling empty and sick, especially at the waste of
life caused by the single-minded, lethal actions of racist extremists.
A decent film, then, worth seeing for yourself. The critics got this one
wrong. Give it a go.
8 out of 8 people found the following review useful:
Inferior production about racism with lots of violence, rape and unpleasant issues, 13 August 2009
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Author:
ma-cortes
Hard-edge social drama centers around racial conflicts and is one of
the most strange cinematic forays in this theme. The film begins with a
bill captioning : ¨Drive carefully you are in Wallace County¨. This is
the tale of a sheriff (Lee Marvin) in an US Southern town and a rich
owner (Richard Burton) who protects the black men. Marvin receives a
huge amount of hostility from the non-tolerant white establishment
making his job very hard and every around has to decide the values
really lie. The Ku Klux Klan (comes from Greek, Ku Klus that means band
or circle and Klan that means family) pursues and mistreats the black
people and the sheriff attempting to keep peace on racial tensions.
When a young woman has been violently raped (Linda Evans), the white
men immediately declare the culpability an African-American named Garth
(O.J.Simson). He flees to the backwoods and wishes revenge. Meanwhile
the Klansmen form some lynching party hunts and pursue him. The young
on the run because the violent group seek to destroy him. But the
racist posse kidnaps a beautiful African-American (Lola Falana) and
rape her.
This is a horrifying story of racial violence and xenophobia with
countless shots of violation , burning crosses and frequent bad taste.
Unfortunately, this is another example of a serious movie about
xenophobia and racism in which white roles predominate and
African-American characters provide background. Terence Young treads a
brutal, gory path in this low-powered look at warped , evil white
inhabitants of an American town , and the comparatively clean role
played by Richard Burton. Big-name cast is wasted as Cameron
Mitchell,Linda Evans, Luciana Paluzzi, David Huddleston as the Mayor,
they only partially shine. Rumors circulated about Lee Marvin and
Richard Burton , both of whom utterly drunk during the shooting. Even
the all star cast can't save this movie because is a nightime Soaper
and an exploitation story. Lousy cinematography by Lloyd Ahern and Aldo
Tonti, as is necessary an urgent remastering. Furthermore notorious
conflicts among producers, director, screenwriters (Sam Fuller, Millard
Kauffman) and actors made a real flop. Mid-budget production, and the
producers would like to thank the citizens of Oroville for their
enthusiastic help and cooperation in the making of the film. The
picture belongs a period in which made stories is similar style
concerning on racial problems , such as ¨Hurry Sundown¨(1967, by Otto
Preminger with Michael Caine, John Philip Law, Jane Fonda), ¨The
liberation of L.B. Jones¨(70, by William Wyler with Lee J Cobb, Roscoe
Lee Browne and again Lola Falana), ¨Tick, Tick¨ (70 by Ralph Nelson
with George Kennedy, Jim Brown), and the Oscarized ¨In the heat of the
night¨(by Norman Jewison with Sidney Poitier). And in the 8os
stands out ¨Missisipi Burning¨ (by Alan Parker with Willem Defoe and
Gene Hackman). Rating : 4,5, below average.
8 out of 9 people found the following review useful:
Nowhere near as bad as some people claim! Muddled, but still watchable., 12 April 2003
Author:
Infofreak from Perth, Australia
I'd heard a lot ABOUT 'The Klansman' but had never seen it before, and hearing the behind the scenes stories (original director an co-writer Sam Fuller walking off set, stars Lee Marvin and Richard Burton both being allegedly so drunk they couldn't remember making it!) I imagined that it was going to be one of the worst movies ever made. It isn't. Now it isn't all that good, mind you, but it's watchable b-grade trash, and Marvin puts in a good performance, drunk or not. Burton's accent is I agree not too good but he is okay, especially if he like Marvin was as drunk as they say he was. The rest of the cast includes the notorious O.J. Simpson as a one man black revolutionary with a gun and an attitude, 'The Big Lebowski's David Huddleston is a racist mayor, and legendary character actor Cameron Mitchell ('Hombre', 'Ride In The Whirlwind', 'The Rebel Rousers',etc.) as the wonderfully named Butt Butt Cates, the later two both being members of the KKK. Linda Evans also appears as a rape victim who sets off a chain of events which end off in violence and tragedy. The main problem with the movie, and this is most likely because of the drama off camera, is that the movie can't decide whether it's trying to be a serious message movie or an exploitation film using racism as an excuse for some sensationalistic thrills. 'Mandingo' made the following year (and its sequel 'Drum') managed to juggle both approaches with a little more success, but 'The Klansman' suffers for its lack of a clear direction. Even so, this movie is nowhere near as bad as many people claim (people who I imagine have never actually WATCHED it) and is still reasonably entertaining, especially if , like 'Reservoir Dogs' Mr Blonde, you are a big Lee Marvin fan.
7 out of 8 people found the following review useful:
Caveat Emptor, 18 January 2007
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Author:
danwhitehead1 from Irving, Tx.
I vote one star strictly for the DVD version; the original film I would give three stars just because it was so bad. The DVD version of this film is a nightmare. When this film was released I was the night projectionist in a grind house in downtown San Diego, California. It was so incredibly offensive that I immediately put it in my "Cult Classics" list. Imagine my horror upon watching the DVD!! The soundtrack is perfectly horrible (which is a shame as the opening song by the Staple Singers is a great period piece) and the "editing" is a hatchet job, to say nothing of being a close relative to book burning. The pitiful Pollyannas who did this have completely robbed the film of its impact. What kind of world do these people think we're living in anyway? I strongly advise against purchasing the DVD until it is completely restored to its original content.
9 out of 12 people found the following review useful:
"I Am The Grand Exalted Cyclops", 11 April 2007
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Author:
bkoganbing from Buffalo, New York
There is a lot of opinion out there that The Klansman belongs on the
list of fifty worst films of all time. It's pretty bad, but I've seen
far worse.
Putting it in its proper context, The Klansman is set in the years
right after the Voting Rights Act has been in force for a while. It's
not lost on any of the people of this unnamed Alabama county that there
is a black majority out there who if they start voting now, a lot of
the power structure will be radically changed. It's the underpinning of
the reason the Ku Klux Klan exists. That David Huddleston is also mayor
of the town and Grand Exalted Cyclops of the local KKK chapter is a
very typical Alabama story for generations.
Lee Marvin is the local sheriff and as he conceives his duty it's also
to protect the good name of the town and keep the peace. Bringing
criminals to justice is second place in his thinking as you'll see by
his actions. Richard Burton is a local landowner whose family has long
been opposed to the ways of the area, his great grandfather in fact was
a judge who was hung for opposing secession before the Civil War. He
has a bunch of elderly blacks he keeps on as rent free tenants which
has a certain element of the town worked up.
Anyway both their efforts come to naught as there is one bloody
showdown in the end.
The Klansman falls back on a lot of stereotypes, racial and otherwise,
in the film. It also has a very muddled message in the end, you'll wind
up scratching your head as to what all of it really means.
It also in my knowledge has the only rape scene in the history of film
that you might wind up laughing at. Cameron Mitchell is Marvin's deputy
and a loyal Klansman. At one point under cover of his badge he arrests
Lola Falana and takes her to a warehouse where he rapes her with the
rest of the white sheet boys standing around gawking. It's staged so
stupidly you might actually wind up laughing. That and the fact that
who could take Mitchell's character so seriously with a name like Butt
Cutt Bates.
Life did imitate art however. O.J. Simpson is in this and he's a black
avenger after Klansmen capture and kill a friend of his. He goes around
executing the hooded swine. But we well know what happened with O.J. in
real life.
Samuel Fuller pulled out of directing after changes in his script were
made and Lee Marvin wanted to pull out, but couldn't because he'd
signed a contract. Richard Burton was doing just about anything at this
point, he just sort of saunters through the film with a very cheesy
southern accent.
Pass this one by folks, pass it by.
7 out of 9 people found the following review useful:
Insidiously enjoyable, 6 February 2001
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Author:
(executor@tesco.net) from Dundee, Scotland
I must confess a certain amount of guilt in enjoying this movie. It bumbles
along at a shockingly easy-to-watch pace and stops well short of making any
intelligent moral statement condeming racial prejudice (the dilema inherent
in the Sheriff character was an exception). Normally the type to turn this
kind of film off I found the way in which it used such serious themes as an
excuse to unashamedly descend into an action thriller worryingly
entertaining. At times you kind of got the feeling the screenplay writers
had scripted a plot and strenuously tried to fit serious racial points
around them. At times the violence became good guy/bad guy driven just like
that in
Dr. No, also directed by Young.
Perhaps this is the genius of the movie - making a profound statement as to
the way cinema tends to illicit an emotive response from the viewing public
by making entertainment out of serious issues. Somehow I think
not.
4 out of 4 people found the following review useful:
Unbelievable and grotesque., 28 February 2009
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Author:
(winner55) from United States
What was director Young (Dr. No) thinking of taking on this project?!
This is every bit as bad as I've heard. To begin with, there's the
script, certainly among the worst ever written. Then there's the
acting, very stereotypical of its day, except with the stars, Marvin
and Burton, who clearly have no idea what they are doing here and don't
really care. Then there's the anachronisms - the script belongs to the
'60s, it's 5 years out of date. Then of course the morality - while the
Klan is rightly to be condemned, can a black murderer be justified? Can
he just be asked to leave the county as the sheriff does here?
Ridiculous. And then there's the "action" climax - confusing and
improbable.
Was Young high when he did this? I can't think of any other excuse.
Bad when not just awful.
3 out of 3 people found the following review useful:
Silly TV movie of the week on the big screen is unintentionally funny, 26 July 2009
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Author:
dbborroughs from Glen Cove, New York
*** This review may contain spoilers ***
Infamous film starring Richard Burton and Lee Marvin about the rape of a white woman in small southern town. Its decided that the person responsible is a black man played by OJ Simpson. They go after him with an unbridled zeal while Richard Burton (with a bum leg that comes and goes depending upon the shot) and Lee Marvin try to keep the peace. This film came to my attention in one of the Medved's worst film anthologies. I don't know if I would consider it a worst film of all time, however I will say that its one of the most wrong headed. Its the sort of message movie that Hollywood did in the 1960's and which deteriorated quickly into movie of the week on TV. This is a movie of the week with an "A" movie cast. I think this might have worked but the cast doesn't work on any level. Its often as simply as the wrong casting of Welshman Richard Burton as a Southerner. At other times its incredibly silly as it tries to sell us on the evils of racism with David Huddleston as the Mayor of the town and lead Klansman a role that he played for laughs as Olson Johnson in Blazing Saddles the same year (and elsewhere any other times). I admire the film trying to take on an evil straight on but its just all wrong. Its a turkey, yes but not one of the worst films of all time.
5 out of 7 people found the following review useful:
I can't believe a TV cut exists (?), 16 September 2004
Author:
mlrobinson from Lexington, SC
Mr. Mike's Couch Time Movie Review: I just watched a budget DVD version
of this picture. All the curse words but not the "N" words were all
edited out. This is easily the worst piece of film that Lee Marvin has
ever been associated with. In fact, it's the worst piece of film HOKE
HOWELL has ever been associated with! At least Howell can tell his
grand-kids that Linda Evans played his wife in a movie....(Hello, get
me casting....) The entire plot of the film is edited out of this
version. Did they make a TV cut to capitalize on the mini-series Roots?
Maybe that explains this. I can't believe that an airline movie print
exists either of this monstrosity.
Lots of familiar faces for stereotyped celluloid of the Old South:
Cameron Mitchell, David Huddleston (if you guessed the corrupt Mayor
give yourself 5 points!), Howell. But some of the oddest casting ever:
Richard Burton co-stars with Marvin, as a left-leaning liberal,
peace-loving friend to all races (at least all the women of all the
races.) Early on, he's in the sack with Luciana, the local policewoman.
There's an implied relationship (this is 1974) with Lola Falana. And
after (unbelievably) trying to persuade a hippie clergyman to seduce
the recently raped Linda Evans (?), Burton has to dirty his hands with
this one too. I mention Falana. She's very good in this movie. As is
(drumroll) OJ Simpson, Simpson plays (in this version) just a guy whose
fed up with the Klan. Maybe in the complete version, it's Simpson who
turns out to be the undercover FBI agent, since Marvin, the Sheriff,
repeatedly catches Simpson only to let him go. Who knows? Who cares.
The soundtrack is not to be missed either (insert sarcasm here)
Memorable scenes: the Klan funeral interrupted by sniper fire, a
high-speed herse chase, and 2 car explosions. Then there's the comedic
(?) fight scene between Mitchell and Richard Burton and Richard
Burton's stand-in.
I just love bad film making. And this didn't disappoint. The Klansman
gets 3 potatoes one for Richard Burton's stand-in, one for Richard
Burton's on-again, off-again southern (?) accent, one for Richard
Burton's on-again, off-again limp
2 out of 2 people found the following review useful:
Yet, were they groggy?, 9 March 2010
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Author:
Cristi_Ciopron from CGSM, Soseaua Nationala 49
*** This review may contain spoilers ***
It's odd to think that Burton was still in his 40s when he made this
movie; a piece of sleazy 'social awareness', arguably in the vein of
the Eurothrillers, THE KLANSMAN boasts a cast numbering Burton, Marvin,
Mitchell, Lola Falana, Luciana Paluzzi, Mrs. Evans
. And Young at the
helm
--after a few movies with Bronson
.
So call it _blaxploitation if you wish
--it's nonetheless
_blaxploitation directed by Young (the 'James Bond' director) and
performed by Burton and Luciana Paluzzi among others
.
Luciana Paluzzi was a Bond actress (playing Fiona Volpe); she was also
one of the Femmine _insaziabili .
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