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The Enigma of Kaspar Hauser (1974)

Jeder für sich und Gott gegen alle (original title)
Not Rated | | Biography, Drama, History | November 1974 (USA)
Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note.

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5 wins & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Walter Ladengast ...
Professor Daumer
Brigitte Mira ...
Kathe, Servant
Willy Semmelrogge ...
Circus director
Michael Kroecher ...
Lord Stanhope
Hans Musäus ...
Unknown Man
Henry van Lyck ...
Cavalry Captain
Gloria Doer ...
Frau Hiltel
Volker Prechtel ...
Hiltel the prison guard
Herbert Achternbusch ...
Bavarian Chicken Hypnotizer
Wolfgang Bauer
Wilhelm Bayer ...
Taunting Farmboy
Franz Brumbach
Johannes Buzalski
Helmut Döring ...
Little King
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Storyline

Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results. Written by Mike D'Angelo <mqd8478@is2.nyu.edu>

Plot Summary | Add Synopsis


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

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Release Date:

November 1974 (USA)  »

Also Known As:

The Enigma of Kaspar Hauser  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor) (uncredited)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Werner Herzog's said at his Rogue Film School, that the following scenes were shot with a Super-8mm camera: a) The opening scene on the river. b) The montage of landscape shots early in the film. c) Right after the man in black teaches Kaspar how to walk. d) The Caucasus pyramid sequence. e) The caravan in the desert with the old man tasting the sand. Herzog talked about how, for some of the landscape shots early in the film, he mounted a telephoto lens on the end of wide angle lens onto his Super 8 camera. This distorted the edges of the images and created a white/halo effect around the frame. On the DVD audio commentary of this film he mentions how for the Caucasus pyramid sequence he projected the image onto a screen and than re-photographed the image with a 35mm camera at a different frame rate from the projected speed. He also used this technique with the caravan in the desert sequence. See more »

Goofs

After Kaspar is left in the town square, there is one shot of him where the way he holds the note, and the way the bandanna is tied, that is different from before or after. See more »

Quotes

Professor Daumer: Kaspar, what's wrong? Are you feeling unwell?
Kaspar Hauser: It feels strong in my heart... The music feels strong in my heart... I feel so unexpectedly old...
Professor Daumer: You've been such a short time in the world, Kaspar...
Kaspar Hauser: Why is everything so hard for me? Why can't I play the piano like I can breathe?
Professor Daumer: In the two short years you have been here with me, you have learned so much! The people here want to help you make up for lost time.
Kaspar Hauser: The people are like wolves to me.
Professor Daumer: No. You mustn't say that...
See more »

Crazy Credits

Opening credits prologue: One Sunday in 1828 a ragged boy was found abandoned in the town of N. He could hardly walk and spoke but one sentence.

Later, he told of being locked in a dark cellar from birth.He had never seen another human being, a tree, a house before.

To this day no one knows where he came from - or who set him free.

Don't you hear that horrible screaming all around you? That screaming men call silence? See more »

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User Reviews

 
One of the great masterpieces of The New German Cinema
7 May 1999 | by (Salt Lake City, Utah) – See all my reviews

Kasper Hauser is one of the great masterpieces of the New German Cinema and stands as one Werner Herzog greatest achievements. It is a powerful movie that will strike at the heart of the viewer through it's strong visuals and thought provoking story. Those who are use to the spoon fed narratives of Hollywood may find Kasper Hauser hard to deal with. But those who are willing to engage themselves both mentally and spiritually will find the movie richly rewarding.


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