Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
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Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note; he later explained that he had been held captive in a dungeon of some sort for his entire life that he could remember, and only recently was he released, for reasons unknown. His benefactor attempts to integrate him into society, with intriguing results. Written by
Mike D'Angelo <email@example.com>
When sitting at table, a man tries to take Kaspar's hat. Kaspar's left hand changes between shots. See more »
Kaspar, what's wrong? Are you feeling unwell?
It feels strong in my heart... The music feels strong in my heart... I feel so unexpectedly old...
You've been such a short time in the world, Kaspar...
Why is everything so hard for me? Why can't I play the piano like I can breathe?
In the two short years you have been here with me, you have learned so much! The people here want to help you make up for lost time.
The people are like wolves to me.
No. You mustn't say that...
See more »
Even if this film had failed on the level of character or narrative (which it doesn't), I would still love this movie for its incredible imagery. The memory/dream sequences are haunting and will never leave my head. The opening shot of a field, long blades grass bowing under the wind to the music of Pachelbel, is extraordinary. And of course there's the performance of Bruno S, the most intensely hypnotic and genuine performance you will ever see.
But my favorite scene is of the impresario and the dwarf king and his kingdom. This is a true Herzog moment -- bizarre but somehow still a moment of striking epiphany -- the dwarf a parallel, isolated soul to Kasper's own isolated, lonely soul. The extremity and weirdness of moments like these seem commonplace and everyday in a Herzog film, and therefore somehow commonplace and everyday even in our own lives.
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