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Joyce Van Patten
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James Earl Jones,
Heavily pregnant Lenore Davis tells her husband, Frank, that she is in labor. They leave their eleven year-old son Chris with their friend Charley and they head to the Community Hospital. Lenore feels that something is wrong and delivers a monster that kills the team in the delivery room and escapes through a skylight. Lieutenant Perkins comes to the hospital to investigate the murder and the press divulges the identity of the parents. Frank discovers a dark secret about Lenore and the baby. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
A hideous mutant baby is born and escapes from the hospital, now it's scared and killing people. They learn that its on its way home, to find protection from its parents.
A pretty decent low-budget exploitation horror film by writer/director Larry Cohan (Q-The winged Serpent), this film takes the abortion issue to another level. A simple plot that's absurdly fun and silly to watch-but it's the cleverness of the script, that never has a dull moment.
The make-up effects and the baby puppet was designed and operated by Rick Baker (An American werewolf in London, Men in black, Ed Wood), the design looks decent enough for a low-budget film and one of his first major film designs, but because of Cohen's great direction we see through the eyes of the baby (in double vision) or it's hidden in the shadows and only small snippets of it are shown. We don't see it fully until the end, giving it a much more creepy feel to the film.
It centers more on the sound effects than the visuals, so there is more of a presence with it's nerve wracking crying and snarling. That actually helps give the atmosphere a dark and bleak feel of depression.
The performances are top notch from Sharon Farrell as the unstable mother Lenore Davies, James Dixon as Lieutenant Perkins and John Ryan as Frank Davis the cold-hearted father who wants his baby killed, his portrayal really does ground the film and brings an emotional element that sucks you in.
One the greatest music composers Bernard Herrmann (Citizen Kane, North by North West, Psycho, Taxi Driver, All that money cant buy) comes up with a superb score and a chilling main theme.
The cinematography is rather good towards to the feel of hysteria and tension, giving it a nauseating aura and good use of the baby's point of view. The film's pace is excellent and leads up to a fine climax.
It's no great feat of its genre, but it deserves merit. A very good film that's helped by it's excellent performances, script, direction and music score.
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