| Claude Akins | ... | Sonny Pruitt | |
| Frank Converse | ... | Will Chandler | |
| Richard Angarola | ... | Victor DiAngelo | |
| Sondra Blake | ... | Connie DiAngelo | |
| Janis Hansen | ... | Cathy | |
| Ann Coleman | ... | Betty | |
| Titos Vandis | ... | Guido | |
| Ernest Sarracino | ... | Emilio | |
| Michael Crisher | ... | Alfonso | |
| Chris D'Anthony | ... | Vincent | |
| James Nolan | ... | Wilson (as Jim Nolan) | |
| Bart Burns | ... | Dispatcher | |
| Richard O'Brien | ... | Construction Boss | |
| Paul Mantee | ... | Man in Windbreaker | |
| rest of cast listed alphabetically: | |||
| Louie Elias | ... | Thug (uncredited) | |
| Chuck Hicks | ... | Muscle (uncredited) | |
| Roy Jenson | ... | Attendant (uncredited) | |
| Gene Tracy | ... | Thug (uncredited) | |
| Episode Crew |
Directed by | |||
| Bernard L. Kowalski | |||
Writing credits | ||
| Barry J. Weitz | (creator) and | |
| Phillip D'Antoni | (creator) | |
| Robert L. Collins | (writer) (as Robert Collins) and | |
| Herb Meadow | (writer) | |
Produced by | |||
| Philip D'Antoni | .... | executive producer | |
| Barry J. Weitz | .... | producer | |
Original Music by | |||
| Don Ellis | (music composed and conducted by) | ||
Cinematography by | |||
| Dennis Dalzell | (director of photography) | ||
Film Editing by | |||
| Bud Klutchman | (as Bud Klotchman) | ||
Casting by | |||
| Louis DiGiaimo | |||
Set Decoration by | |||
| Phil Abramson | (as Phillip Abramson) | ||
Production Management | |||
| Kenneth Utt | .... | in charge of production | |
| David Whorf | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Steven Bernhardt | .... | first assistant director (as Steve Bernhardt) | |
| Louie Elias | .... | second unit director | |
| Robert Jeffords | .... | second assistant director | |
Sound Department | |||
| Don J. Bassman | .... | re-recording mixer (as Don Bassman) | |
| Jack Solomon | .... | production sound | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects (uncredited) | |
Stunts | |||
| Carey Loftin | .... | stunt driver | |
Camera and Electrical Department | |||
| Gary Muller | .... | co-first assistant camera (uncredited) | |
Editorial Department | |||
| Michael Cipriano | .... | assistant editor | |
| Howard Deane | .... | supervising film editor | |
| Judson Nealon | .... | assistant editor | |
Other crew | |||
| Renee F. Brown | .... | auditor (as Renee Brown) | |
| Frank Kowalski | .... | script supervisor | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Phillip D'Antoni | creator | |
| Barry J. Weitz | creator (as Barry Weitz) | |
Stunts | |||
| Mickey Alzola | .... | stunts | |
| Lightning Bear | .... | stunts | |
| Fred Carson | .... | stunts | |
| Dick Warlock | .... | stunts | |
Other crew | |||
| Michael Parkhurst | .... | equipment supplier | |
| Michael Parkhurst | .... | technical advisor | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Drama section |
| IMDb USA section |
The basis of my argument is the truck which Pruett and Chandler drove. The truck used in the in the both the movie and the series is a Kenworth W-900, however, the W-99 used in the movie was equipped with a 48" sleeper compartment and low-back bucket seats. That was a basic setup in big trucks in those days.
The W-900 in the series sported a modular 64" sleeper with high-back seats in the cab as well as other luxuries. That represented what an ultra-luxury truck looked like in the mid 1970's.